Information and discussion on all aspects of British photographic history
Hi All,
I bought this wood block photo at an estate sale in New Jersey, USA. To my untrained eye, it looks like it would be used to make prints of this photo. It is etched in some parts such as the gentleman's face and hair. Would love to hear what you experts might be able to tell me based on the attached photos, e.g. photo method, age, purpose, etc.
Thanks in advance,
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Very interesting object. This is a portrait of Hiram Sibley (February 6, 1807 – July 12, 1888) an American industrialist, entrepreneur, and philanthropist. I will leave you to decide if this is the block for the print below! I don't think it is - the lines in the bow tie run horizontally in the block... More about him here if it helps...
Thanks Dr. Joe for the informative response! Not sure how you figured out the person in the photo (perhaps you made out the writing on the back, which now that you gave me the name, I can see written on the back but could not make out before that)? If that's the case, perhaps you can read the other words on the back, which I still cannot?
Do you have any ideas on how this printing block was made, e..g. the photography methods/types used and how and what type of printing would be done with something like this?
Appreciate your expertise!
- Ben
I'm afraid I can't add anything more sensible. However, in my reading today I came across a mention of printing on wood blocks in the British Journal of Photography (1 December 1863 p. 472). It was at a meeting of the Edinburgh Photographic Society on 18 November 1863. It seems that the wet collodion emulsion was simply applied to the surface.... and you can see that on your example.
Thanks Dr. Joe. Very interesting that you found this excerpt. This does bring some light to my photographic block.
Dr. Joe Rock said:
I'm afraid I can't add anything more sensible. However, in my reading today I came across a mention of printing on wood blocks in the British Journal of Photography (1 December 1863 p. 472). It was at a meeting of the Edinburgh Photographic Society on 18 November 1863. It seems that the wet collodion emulsion was simply applied to the surface.... and you can see that on your example.
Hello again,
I came across this report in the British Journal of Photography in 1869 which may add to the ref. above. You should be able to scroll down to the second part if it should be of interest.
https://archive.org/stream/britishjournalof16unse#page/325/mode/1up...
Cheers,
Joe
Thanks Dr. Joe. Very interesting discussion of the wood block photo engraving process, seemingly at the dawn of using such a method, with a lot of trial and error to perfect it.
Thanks Anthony. This helps my understanding of the chronology.
Victoria and Albert Museum's photography collection
National Science and Media Museum
RPS Journal 1853-2012 online and searchable
Photographic History Research Centre, Leicester
Birkbeck History and Theory of Photography Research Centre
William Henry Fox Talbot Catalogue Raisonné
British Photography. The Hyman Collection
The Press Photo History Project Mapping the photo agencies and photographers of Fleet Street and the UK
The correspondence of William Henry Fox Talbot
Historic England Archive
UAL Photography and Photography and the Archive Research Centre
Royal Photographic Society's Historical Group
www.londonstereo.com London Stereoscopic Company / T. R. Williams
www.earlyphotography.co.uk British camera makers and companies
Fox Talbot Museum, Lacock.
National Portrait Gallery, London
http://www.freewebs.com/jb3d/
Alfred Seaman and the Photographic Convention
Frederick Scott Archer
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