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Paper negative, 10-1/2 x 13-5/8 in. (267 x 346 mm), 1850c/1850c, unmounted. #7045. A wonderful waxed paper negative. This image is likely to be by Regnault, who is known to have done a number of similar studies of the entrance to Sevres, although it came from Robert's descendants. Provenance: Louis Robert; descendants; Christie's London. See: Jammes and Janis, The Art of French Calotype, pl.XXXV for a nearly identical image taken from the same vantage point and attributed by Jammes to Regnault.
Tags: France, architecture, gate, manufacturing, negative, More…paper
Albums: Paper Negatives
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Comment by Alex Novak on November 2, 2011 at 1:16 Izaak, while you may indeed be correct, the larger size also was used by Regnault. It has become a bit difficult to distinguish some images between the two. Even those in the Robert estate are thought to be possibly by Regnault. I am familiar with all your sources cited and many more.
Comment by Izaak Boone on October 30, 2011 at 22:26 National Media Museum, Bradford
Victoria and Albert Museum's photography collection
Photographic History Research Centre, Leicester
De Montfort University. MA course Photographic History and Practice
The Press Photo History Project This project is currently mapping the photo agencies and photographers of Fleet Street and the UK
The correspondence of William Henry Fox Talbot
National Monuments Record at English Heritage
UAL Photography and Photography and the Archive Research Centre
www.rps.org/group/Historical Royal Photographic Society's Historical Group
www.londonstereo.com London Stereoscopic Company / T. R. Williams
www.earlyphotography.co.uk British camera makers and companies
Fox Talbot Museum, Lacock.
National Portrait Gallery, London
http://www.freewebs.com/jb3d/>
Alfred Seaman and the Photographic Convention
Frederick Scott Archer
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