Michael Pritchard's Blog (1,825)

Photography has been entangled with education processes for nearly two centuries. For much of that time, photography has been used to communicate information, cement knowledge, and train individuals, groups, and machines alike in visual literacy and the meaning of cultural customs. In the late twentieth century, photography became absorbed into academia…

The Icon Photographic Materials Group is delighted to announce the third photo conservation round table, taking place on Friday 29th November at the Science Museum in London. The event will consist of five-minute presentations and discussion, and aims to promote collaboration and knowledge sharing among conservators, as well as other professionals interested…

For the first time since 1860 Diableries will exhibited in London, just in time for Halloween. The exhibition coincides with the publication of a new edition of Brian May, Denis Pellerin and Paula Fleming's Diableries: Stereoscopic Adventures in Hell which now includes all of the original stereocards, the missing cards having been found.

For…

Sotheby’s has announced that it will be offering a copy of John Thomson’s Views on the North River (Hong Kong, 1870) in its auction of Travel, Atlases, Maps and Natural History on 12 November 2019.

This is the rarest of all of Thomson’s photobooks on China, of which fewer than 10 copies are known and only 3 copies are located in institutional…

The National Trust has announced two new vacancies at The Hardmans’ House. The full time fixed-term Archivist and Digitisation Conservator roles will be based at Liverpool Central Library and Archives on a two year project that will focus on the cataloguing, digitising and rehousing of the Edward Chambré Hardman Photographic…

For anyone practising the Malde-Ware platinum/palladium printing-out method of photography, there is a call for submission of work for possible inclusion in Pradip Malde's forthcoming book on this process.  The book will be…

In Summer 2020, Dulwich Picture Gallery will present the first exhibition to trace the history of photography as told through depictions of nature, revealing how the subject led to key advancements in the medium, from its very beginnings in 1840 to present day. Unearthed: Photography’s Roots will be the first major…

Four months ago, SFMOMA hosted a special symposium entitled, Reprinting Color Photographs as a Preservation Strategy. The full program, transcripts, and videos are now live on the website via the link below.

See…

Loupe is a free photography magazine widely available across the UK. Launched in 2016 and now published on a bi-annual basis, it is best known for featuring a diverse range of contemporary photography. Over the years it has built a loyal following and has launched a Kickstarter funding call to to make Issue 10 the best and most widely available to…

September 2019 marks the 30th anniversary since the establishment of Street Level Photoworks. To celebrate this landmark anniversary it will be looking back on the history of those who have helped shape Street Level Photoworks. But it also means celebrating the present and in looking forward to the future of what photography offers diverse audiences and…

The Living Picture Craze: An Introduction to Victorian Film. Film takes a starring role in this free online course from the British Film Institute exploring the emergence of a new medium that was set to capture the world's imagination. 

Explore the birth of film…

This year marks the centenary of the death of William Crookes. Journalist, chemist, photographer, spiritualist, businessman, sometime Secretary of the Royal Institution and President of the Royal Society of London, Crookes was a key figure in the science of the second half of the nineteenth century and beginning of the twentieth. This meeting, which is part…

The interplay between scientific studies and the photographic medium is the theme for this year's St Andrew's Photography Festival. The programme includes a symposium, exhibitions and public events all taking science and photography which draw on the rich collections of the University of St Andrews. A number are of particular interest to those interested in…

Investigate the fascinating history and theories of photography in this weekend-long course hosted by the Royal Academy of Arts, London, and delivered by Professor Mark  Rawlinson. 

In 1859, Charles Baudelaire famously described photography as “art’s mortal enemy” and argued its proper function was to be the “very humble…

Kresen Kernow holds hundreds of thousands of historic images of Cornwall and of people and events connected to Cornwall. Some of these images are glass negatives, others are engravings, prints and postcards. Some are glued into albums, others are loose in wallets and envelopes. 

Many of the pictures have came through individual family collections. We…

This one-day symposium at the Royal Albert Memorial Museum in Exeter invites conversations on photography and photographic collections in the South West and wider UK in relation to aspects of place. Photographs relate to place in various ways including their documenting capacity and the direct inscription of the world on their surface. Therefore, photographs…

In a new blog post 'from the vaults' Rachel Nordstrom, Photographic Collections Manager, at St Andrews University's special collections discusses the restoration of two daguerreotypes in the collections using the new technique of electro-cleaning which was first described in 2016. Two daguerreotypes subjected to the technique: one showing a man with a…

Dr Mike Robinson is taking his highly acclaimed daguerreotype workshop to St Andrews, the birthplace of Scottish photography. Co-hosted by the University of St Andrews, the three-day daguerreotype workshop is the first time a mercury-based daguerreotype workshop has been held in the country.

The course is limited to six participants and each…

The V&A’s acquisition of the Royal Photographic Society collection from the Science Museum in 2017 has raised major questions about the place, role and nature of photography in museums, the shape of ‘collections’, the role and status of ‘non-collections’ of photographs, the practices and styles of history of photography, and the assumptions of…