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New research based on a view of 'Roslyn Chapel --- The Apprentice's Pillar' confirms Mr Wilson introduced CDV views before late 1868. The printed caption appears on the recto and the seller's label, 'William Smith, 43 Lord Street, Liverpool' on the verso.
In 1862, the British Journal of Photography suggested to readers, they buy from Mr. Smith at 43 Lord street cartes of American personalities, published by Anthony of NYC, to support a Lancashire charity. Gore's Liverpool Directory of 1867 no longer listed Mr.Smith at that address.
From a selection of 12 hand-captioned CDVs, one of "Peterborough Cathedral" is printed on watermarked paper dated '1862'. Dr. Blair in his 2020 update of a listing of GWW's stereoscopic views notes this script is in Mr. Wilson's own hand.
Mr. Wilson's ambition has led to confusion. Coincidental to his 1863 list 'Stereoscopic and Album Views' he created a print from half of a stereo neg, he called an 'Album'. [later called 'scraps'] Mounted cards are very uncommon today on the dealers and collector's market. I believe his '... Album Views' are CDVs and follow an evolution easily traced.
The exhibition 'Mr. Wilson's Album Views' is a follow-up to 2017's 'The Artist Mr. Wilson' hosted at the same venue, The Atwater Library, 1200 Atwater Avenue, Westmount, Quebec, Canada from September 17 to December 10, 2020. See: https://www.atwaterlibrary.ca/exhibitions/current-short-term/
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The scarcest views in my collection -- only seven -- are the printed captions on recto and early GWW ident. device on the verso. One, the Smith sold view predating 1867, is from stereo #362 of 1862.The other numbers are 144a, 141, 66, 37, 30 and 13. Most unusual is 30, with the misspelling of Katrine and on-the- market for how long?
The exhibition ran a lucky 13 days before the pandemic closed it down along with my access to a computer. Now at a friend's machine, I want to add more on my 117 CDV GWW view collection.
First, with apologies to Dr. Blair, he only said the handwriting of the style on the watermarked 1862 ''Peterborough Cathedral" was "likely" by Mr. Wilson. My own study -- I had some experience in the RCMP crime lab hand writing analysis unit, while curator of their museum -- leads me to the same conclusion. So pictures and more text to follow about views, both hand captioned and printed titles with the early logo on the verso.
Another thought: in 1863, could GWW's list "... Album Views." mean both CDV and his new format 3x4 "album"?
Thanks Paul -- a UK dealer in his four decades of collecting, only remembers having one example of GWWs 'album' format 3x4 inch on a printed board mount. For auction, it was described as a large CDV.
In the Yarmouth Independent of 22nd August 1863, the Great Yarmouth letterpress printer and stationer George Nall advertised his “NALL’S SERIES OF Stereoscopic Views of Yarmouth, 46 sorts, 1s. Each or 10s per Dozen. These have not been equalled for beauty or finish. SOLD ONLY AT Nall’s Library, 182, King-St, Yarmouth.” Later that year in the Yarmouth columns of the Norfolk Chronicle dated Saturday 31st October 1863, George Nall was advertising “NALL'S SIXPENNY ALBUM VIEWS OF YARMOUTH. PHOTOGRAPHED BY SEDGFIELD. Nearly 40 sorts. To be had only at Nall's Library. Great Yarmouth.”
This initial batch of 40+ stereoviews were taken by William Russell Sedgfield in 1860 for George Nall who had the upper floors of his Great Yarmouth bookshop adapted to print and mount the photographs. The term “Album Views” seems to suggest a different size or format to a Carte de Visite but examples of Nall’s views, that I haveI found, are all CDVs measuring four by two and a half inches. Just like George Washington Wilson’s “Album Views” George Nall’s “Sixpenny Album Views” were made from one negative of a stereoscopic pair and these days they are hard to find by comparison with the stereoviews.
Victoria and Albert Museum's photography collection
National Science and Media Museum
RPS Journal 1853-2012 online and searchable
Photographic History Research Centre, Leicester
Birkbeck History and Theory of Photography Research Centre
William Henry Fox Talbot Catalogue Raisonné
British Photography. The Hyman Collection
The Press Photo History Project Mapping the photo agencies and photographers of Fleet Street and the UK
The correspondence of William Henry Fox Talbot
Historic England Archive
UAL Photography and Photography and the Archive Research Centre
Royal Photographic Society's Historical Group
www.londonstereo.com London Stereoscopic Company / T. R. Williams
www.earlyphotography.co.uk British camera makers and companies
Fox Talbot Museum, Lacock.
National Portrait Gallery, London
http://www.freewebs.com/jb3d/
Alfred Seaman and the Photographic Convention
Frederick Scott Archer
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