Information and discussion on all aspects of British photographic history
The status of photographs in the history of museum collections is a complex one. From the inception of the medium its double capacity as an aesthetic form and as a recording medium created tensions about its place in the hierarchy of museum objects. While museums had been amassing photographs since about 1850, it was, for instance, only in the 1970s that the first senior curators of photographs were appointed in UK museums. On the one hand major collections of ‘art’ photography have grown in status and visibility, while photographs not designated ‘art’ are often invisible in museums. On the other hand almost every museum has photographs as part of its ecosystem, gathered as information, corroboration or documentation, shaping the understanding of other classes of objects. Many of these collections remain uncatalogued and their significance unrecognised. However recent years have seen an increasing interest in the histories of these humble objects, both their role in collections histories and their histories in their own right.
This one-day meeting, a collaboration between MGHG and the Photographic History Research Centre at De Montfort University, Leicester, will explore the substantive and historiographical questions around museum collections of photographs. How do categories of the aesthetic and evidential shape the history of collecting photographs? What are the implications of shifts in these categories? What has been the work of photographs in museums? What does an understanding of photograph collections add to our understanding of collections history more broadly? What are the methodological demands of research on photograph collections?
Abstracts of no more than 250 words, for 25 minute papers, should be sent to Professor Elizabeth Edwards (eedwards@dmu.ac.uk) and Dr Kate Hill (khill@lincoln.ac.uk) by November 10th 2012.
Details of the day will be posted in December 2012.
Between Art and Information: Collecting Photographs
One Day Meeting, Leicester, Saturday March 2nd 2013
A collaboration between: Museums and Galleries History Group/Photographic History Research Centre, De Montfort University
National Media Museum, Bradford
Victoria and Albert Museum's photography collection
Photographic History Research Centre, Leicester
De Montfort University. MA course Photographic History and Practice
The Press Photo History Project This project is currently mapping the photo agencies and photographers of Fleet Street and the UK
The correspondence of William Henry Fox Talbot
National Monuments Record at English Heritage
UAL Photography and Photography and the Archive Research Centre
www.rps.org/group/Historical Royal Photographic Society's Historical Group
www.londonstereo.com London Stereoscopic Company / T. R. Williams
www.earlyphotography.co.uk British camera makers and companies
Fox Talbot Museum, Lacock.
National Portrait Gallery, London
http://www.freewebs.com/jb3d/>
Alfred Seaman and the Photographic Convention
Frederick Scott Archer
© 2013 Created by Michael Pritchard.
Powered by
You need to be a member of British photographic history to add comments!
Join British photographic history