Information and discussion on all aspects of British photographic history
For roughly 150 years, people have been accustomed to seeing photomechanical prints on a daily basis. Prints exist in a variety of milieus with multiple variations over time, use, and geography. Historic and contemporary examples are prevalent in museums, libraries, archives, and personal collections worldwide. Photomechanical prints were developed to fill many needs including practical and economical methods for mass reproduction, techniques to facilitate the simultaneous printing of images and text, increased image permanence, a perception of increased truthfulness and objectivity, and an autonomous means of artistic expression. They exist at the intersections of numerous disciplines: photography and printmaking, functional and artistic practices, the histories of photography and the graphic arts, and the specialties of paper and photograph conservation.
Proposals are welcome across disciplines and a broad range of subjects that reflect the diversity of the field. Practitioners and scholars at any stage of their career are welcome. Proposals may investigate the following questions as well as other topics:
Proposals should include a 500-word abstract and a 150-word biography. Presentations will be approximately 20 minutes in length and will be delivered in person in English. Speakers will be required to provide a recorded version of their talk after the symposium to include for a limited time in a virtual program for paid registrants.
A link to the proposal submission form is coming soon - check back at the beginning of August! The deadline for submissions is October 31, 2022. Notifications of proposal status will be sent via email in January 2023. Accepted speakers will be provided with complimentary symposium registration (registration to workshops and tours not included) and a travel stipend.
Email firstname.lastname@example.org with any questions.
This gathering will take place October 30 - November 3, 2023, and will consist of a three-day symposium, hosted by the National Gallery of Art in Washington, D.C., flanked by two days of optional hands-on workshops and tours of local collections. The program will provide an opportunity for conservators, curators, historians, scientists, collections managers, catalogers, archivists, librarians, educators, printmakers, artists, and collectors to convene and collaborate while exploring all aspects of photomechanical printing. The resulting advancement of our collective understanding of these ubiquitous but under-researched materials will allow for new interpretations and improved approaches to their collection, interpretation, preservation, treatment, and display.
Details of the call and event can be found here: https://learning.culturalheritage.org/p/photomechanical#tab-product...
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