Information and discussion on all aspects of British photographic history
The Yale Center for British Art has put a call out for a conference which will take place in November. The conference seeks to investigate the various ways in which ideas about Britain have been communicated, inflected, and contested through the photographic image. How has photography been used at “home” and “abroad” to create a variety of images of Britain and Britishness, defined as much from the outside as the inside? How do photographs mirror, reinforce, or interrupt what constitutes “Britishness,” in national, local, imperial, colonial, and post-colonial contexts? What national and regional cultures and conflicts does the construction of British identity subsume? Can “Britishness,” indeed, have a photographic referent or it is itself an effect of representation?
We seek papers that consider how photography—as opposed to, or in tandem with, other modes of image-making—has been invested with the capacity to visualize, articulate and contest ideas about Britain. Papers may consider any period in the history of photography, and focus on individual case studies or broader historical questions. Proposals might address the work of individual photographers, photo agencies, or photographic archives; the photographic print or album; different photographic technologies such as lantern slides, stereoscopes, or digital photography; the uses of photography in pedagogy, advertising, news, propaganda; photography as a tool of surveillance and record; the display and exhibition of photographs; photography as art and document.
We invite proposals for papers from scholars in any field. Graduate students and early career scholars are particularly encouraged to apply. Travel and accommodation costs will be covered by the organizers.
Friday 4 November - Martin Parr, keynote.
Please e-mail abstracts of no more than three hundred words and short CVs or bios, no more than 2 pages.
Deadline: May 16, 2016
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