Information and discussion on all aspects of British photographic history
Eugène Atget was not a trained photographer. Instead he only turned to this medium having been unsuccessful in other vocations. Having to earn a living, he took up photography and started out in the provinces but soon arrived in Paris where he lived for the rest of his life. Atget worked anonymously and was considered a commercial photographer who sold what he called “documents for artists”, i.e. photographs of landscapes, close-up shots, genre scenes and other details that painters could use as models. However, as soon as Atget turned his attention to photographing the streets of Paris, his work attracted the attention of leading institutions such as the Musée Carnavalet and the Bibliothèque Nationale, which became his principal clients.
Now Atget's work can be viewed in a new exhibition which is organised into 12 sections that correspond to the thematic groupings used by the man himself. They are: small trades, Parisian types and shops, 1898-1922; the streets of Paris, 1898-1913; ornaments, 1900-1921; interiors, 1901-1910; cars, 1903-1910; gardens, 1898-1914; the Seine, 1900-1923; the streets of Paris, 1921-1924; outside the city centre, 1899-1913; and the outskirts of Paris, 1901-1921.
Details of this exhibition can be found here.
Photo: Chanteuse de rue et joueur d'orgue de Barbarie, 1898 | Eugène Atget | Musée Carnavalet, Paris | © Eugène Atget / Musée Carnavalet / Roger-Viollet
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