Information and discussion on all aspects of British photographic history
Keaney has been in post since October 2018 and has been responsible for a a series of significant projects at the Gallery. When asked what she thought her main achievement had been she noted "leading the photographs curatorial team toward a complete collection re-contextualisation and display for the NPG 'Inspiring People' project. This includes major new acquisitions and a representation of the Gallery's daguerreotype collection." She added: "I have especially relished the opportunity to curate the Taylor Wessing Photographic Prize 2019, 2020 & 2021. To meet and work with such incredible photographic talent through the award has been a particular joy. I will continue to work with my much-admired colleagues and the supportive and brilliant photography community and network that I've been a part of through my independent curatorial practice."
Keaney will continue to work as an external curator with the NPG towards a major photographic exhibition project currently underway and soon to be announced. The NPG reopens to the public after extensive refurbishment in spring 2023.
Magda can be reached directly at: email@example.com
Her NPG profile is here https://www.npg.org.uk/research/staff-research-profiles/magda-keaney and below:
As Senior Curator, Photographs, I lead a team of curators responsible for acquisitions, displays and exhibitions, research and care of the Photographs collection. I work across historical and contemporary periods to ensure that the Photographs collection is well researched, accessible and presented in thought provoking ways. The Gallery has produced many important photographic exhibitions and catalogues which we are continuing to develop. As Associate Curator, Photographs, I curated Irving Penn Portraits at the Gallery in 2010.
I am excited to be working toward our ‘Inspiring People’ project which is a remarkable opportunity to reimagine the interpretation and display of the collection. We are thinking about ways to weave photographic portraits and the stories they tell about who we are through the Gallery in unexpected, challenging and uplifting ways.
I started my curatorial career working as a researcher at the National Gallery of Australia. I developed my first photographic exhibitions as an Assistant Curator at the Australian National Portrait Gallery and I worked on the inaugural historic display of prominent Australians at the institution. I subsequently worked as an Assistant and Associate curator at the National Portrait Gallery, London. I was Curator at the Fashion Space Gallery, London College of Fashion where photography was key to a cross disciplinary exhibition program I instigated. At this time I started work for my book ‘Fashion Photography Next’ published by Thames and Hudson, then also presented as an exhibition with Foam Photomuseum in Amsterdam and the Fashion Space Gallery. Before returning to London, I was Senior Curator, Photographs, at the Australian War Memorial, where I curated the Centenary of Armistice exhibition ‘After the War’.
I have a Bachelor’s degree in the History of Art from the Australian National University, a Postgraduate Diploma in Curatorial Studies from the University of Melbourne and a MA in the History of Art from the Courtauld Institute of Art.
My current research at the NPG is focused on the major reconceptualisation and presentation of the photographs collection for the Inspiring People project spanning nineteenth century to the contemporary period. I am also researching the work of Julia Margaret Cameron and Francesca Woodman side-by-side for a forthcoming exhibition.
My research is most often object and archive based and considers an expanded field of lens based practice. I have particular interests in women photographers, Australian photography, fashion image making, the photographic studio, photography and conflict and contemporary practice. I was the curator of the Taylor Wessing Photographic Portrait Prize 2019, 2020 & 2021, including ‘In focus’ displays by Ethan James Green and Alessandra Sanguinetti.
I am a PhD candidate at the Centre for Art History and Art Theory at the Australian National University.
Over two decades I have written extensively about photography for magazines and journals as well as for exhibition catalogues including:
100 Fashion Icons, National Portrait Gallery, 2019
‘Cindy Sherman’s Fashion Pictures’, in Cindy Sherman, National Portrait Gallery, 2019
‘Forced into Images’ by Destiny Deacon and Virginia Fraser, in Know my Name, National Gallery of Australia, 2020
Fashion Photography Next, Thames & Hudson, 2014
Irving Penn Portraits, National Portrait Gallery, 2010
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