Information and discussion on all aspects of British photographic history
The history of photography and the legal presentation of documentary proof enjoyed a complex relationship from the nineteenth century onwards, which was variously fuelled by pragmatism and suspicion. This workshop aims to examine the ways in which photographic technologies have contributed, both practically and symbolically, to the construction of particular legal, evidential and affective modes of vision. Criminal mugshots, passport photographs and other forms of official and domestic styles of photographing the face will be considered in their historical and geographical contexts and in relation to forms of gendered colonial and post-colonial identity. The workshop will be informal and structured around 30-minute papers, with generous time for discussion amongst the audience.
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