Information and discussion on all aspects of British photographic history
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Thomas Begbie is known mainly because of the discovery of a cache of glass plate stereos in St James Square Edinburgh in 1955. These stereos from the late 1850s, the work of Alexander McGlashon, were incorrectly assumed to have been the work of Begbie. This post attempts to tease out what is known of Begbie
Census and other registration records point to him being born in 1841, (e.g. the 1901 census taken on 31st March gives his age as 59).…Continue
Posted on March 15, 2023 at 17:00 — 6 Comments
Edinburgh photographer Alexander McGlashon travelled to Australia in late 1854, remaining in Melbourne until May 1857, running a photographic business based in 7 Collins Street East. Sadly very few of his photographs from that period are known to survive. It was therefore with some excitement that I recently uncovered a “new” stereo.
Posted on November 21, 2019 at 14:30 — 2 Comments
Some months ago while browsing the net I came upon several photographs attributed to Thomas Begbie; I recognised several of these photographs as ones which I held in my collection. This led me to the Capital Collections website of Edinburgh Council libraries and museums where I recognised several further images which I own. I then acquired a copy of the 1992 book Thomas Begbie's Edinburgh - a Mid-Victorian Portrait by Joe Rock and again there were further photographs illustrated that I own.…Continue
Posted on August 10, 2017 at 12:30 — 4 Comments
Alexander McGlashon (sometimes spelled McGlashan) was born in 1811 and established a successful career as a copperplate printer in Edinburgh; examples of his printed work from about 1840 onwards can be found in various museums. As a member of the Association for the Promotion of the Fine Arts in Scotland he clearly had interests beyond the merely mundane and it is not surprising that he became interested in the relatively new medium of photography; while retaining his printing business this…Continue
Posted on March 2, 2017 at 15:36 — 2 Comments
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