Information and discussion on all aspects of British photographic history
David Partner has not received any gifts yet
David,
Thanks! I am writing mostly to folks today who are interested in the alt-process world, and are thinking of making their own prints. As for the academic world, mostly teachers of advanced photography. I want to show the variety of work that has been done historically, without the f64 idea of what a good print is. I think this may be an American affliction. I have worked with graduates in photography, who believe a print needs a good black and a good white and send a message.
My department head, the Photography Department, at a community college, asked me once what was Camera Work was when I mentioned it. Of course, this would not happen here at the British Photo History Forum, but to have a photographic department head asking that question is quite normal here.
I am planning another book on contemporary work, broader than just platinum.
Thanks again, for the comments. It is perhaps a bit too informal and autobiographical, but the complaints about my memoirs were they were too technical.
--Dick Sullivan
Victoria and Albert Museum's photography collection
National Science and Media Museum
RPS Journal 1853-2012 online and searchable
Photographic History Research Centre, Leicester
Birkbeck History and Theory of Photography Research Centre
William Henry Fox Talbot Catalogue Raisonné
British Photography. The Hyman Collection
The Press Photo History Project Mapping the photo agencies and photographers of Fleet Street and the UK
The correspondence of William Henry Fox Talbot
Historic England Archive
UAL Photography and Photography and the Archive Research Centre
Royal Photographic Society's Historical Group
www.londonstereo.com London Stereoscopic Company / T. R. Williams
www.earlyphotography.co.uk British camera makers and companies
Fox Talbot Museum, Lacock.
National Portrait Gallery, London
http://www.freewebs.com/jb3d/
Alfred Seaman and the Photographic Convention
Frederick Scott Archer
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