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The international and regional photographic elite and enthusiasts alike will soon turn their gaze and cameras on Hong Kong as the first-ever large-scale photo festival in the city, The Hong Kong Photo Festival, organised by the Hong Kong Photographic Culture Association, takes its debut from Nov. 27 to Dec. 31.

There will be 3 major exhibitions on show; one of which will be the 'First Photographs ofHong Kong'. It will showcase over 100 photos in 19th century collected from prestigious museums in France, the United Kingdom, the United States and Ireland. The highlights will be the first published stereo photograph of Hong Kong landscape by P. Rossier and a series of exceptional panoramic views of Hong Kong and its harbor, including two beautiful ones dated March 1860 by the famous war photographer
F. Beato
.
Details of the exhibition will be published in the BPH Events section when available.

The other exhibition is "China in the Past 30Years" - a photographic essay accounting the transformation of China in the past three decades since its opening to the outside world.
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If you'd missed out on the recent Lothrop auction, fear not as there is another sale of landmark cameras, including British ones. Carried out by the largest Australian auction house, Leonard Joel, the Dr Dinesh Parekh Camera Collection will be on offer on Sunday 18th July 2010.

A retired psychiatrist, Dr Dinesh Parekh, spent more than 30 yearsaccumulating an equally impressive collection of antique cameras. Catalogued by camera historian, Michael Pritchard, there are 350 lots with many groupings, which places the total number of items at about 1000, and an expected sale of Aus $200,000 in total.

Dr Parekh's aim fromthe start was to assemble a collection that spans the history of photography through the machinery that makes it possible. Hence, this logical approach includes such exotica as a 19-century head clamp and a portable dark tent (by the London firm of Murray and Heath from the late 1850s) with collodion processing equipment used by the early pioneers of photography.

The collection also features stereoscopic cameras, magic lanterns, a working Mutoscope, optical toys,as well as the 'first instant camera' - The Dubroni from 1864, and Kodak's Super Six-20 of 1938, the first to feature automatic exposure control.

Under the hammer will also be a series of spy cameras, including some remarkable examples from the late 19th century (eg Photo-Binocle dating from th12200892854?profile=originale 1890s), as well as a range of Leicas from 1920 to 1970. Most are priced from $200 to $500,with notable exceptions, such as the Leica 250 GG Reporter camera (estimate $5500) and the M3 Bundeseigentum ($4000).

The full auction catalogue can be found here.


Photos: Collodion dark tent processing apparatus, Murray & Heath, London, 1850s;
Dubroni outfit, Paris - launched in 1864 and is considered the first'instant' camera, although strictly speaking the camera offered processing inside the camera immediately after the plate was exposed.



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One of the most significant images of 20th-century Wales, 'Three Generations of Welsh Miners' (1950), by American photojournalist, Eugene Smith, has been bought by the Wales National Museum.

This legendary photograph (representing past, present and possible future), for which the museum paid around £5,700 for the print and an artist’s proof, from the Howard Greenberg Gallery in New York, will be on display at the Cardiff museum until October. The photo was hailed as portraying the realities of post-war Wales tothe rest of the world, and has become an iconic image of the 20th century.

One of the miners in the photograph, Vernon Harding, who was then 22years old and is now 82, has viewed the photograph at the museum. Professor Dai Smith, the Raymond Williams Chair in cultural history at Swansea University, talks about the image in his forthcoming book In the Frame: Wales 1910-2010.

Further details, including a video interview with Mr Harding, can be found here.
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Sorry ! I know it's not totally appropriate (and I'm slightly bias here for being Oriental !) but this new exhibition does feature images by British pioneers like Felice Beato (half-Italian?) and John Thomson. So, please bear with me.

Following the presentation of outstanding works from the history of20th century photography, Museum Ludwig is now highlighting a new section of its extensive photographic holdings. Beginning 11 June, a selection of 19th century Japanese photographs from the Robert Lebeck Collection will be presented together with the Chinese travel album that once belonged to the Bremen merchant Julius Menke. This records the things he witnessed and experienced in China during the 1860s in the form of a carefully made picture atlas. Full details of the exhibition can be found in the Events section, and also here.

On show at the exhibition will be photographs by European pioneersFelice Beato and John Thomson, as well as by early Japanese photographers Hikoma Ueno and Kimbei Kusakabe, along with the beautifully made travel albums in which the photographs were presented for sale.

Curator: Prof. Dr. Bodo von Dewitz




11.06.2010 – 09.01.2011

Opening hours

Tuesday to Sunday:
10 a.m. to 6 p.m.
Every first Thursday of the month 10 a.m. to 10 p.m.
Closed on Monday


Photo: Milton M Miller, c 1864






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What do these three early Scottish photographers, George Washington Wilson, James Valentine and John Thomson have in common ?

Well, they all visited Morocco at some stage during their budding photography career. In the heart of Marrakech, a newly established House of Photography has recently been opened, housing over 3,500 historical photos and portraits of Morocco between 1862 to 1950. But do you know that the ground floor is devoted to photographs (portraits and life scenes) by both Wilson and Valentine, as well as those of the Spanish Carvilla and many others like the images of Gabriel Veyre, partner of the brothers "Lumière".

On the second floor, you will find beautiful iIlustrations of glass plates in excellent state of conservation depicting the work of René Bertrand, one of the best photographers of Marrakech who lived in Gueliz in 1933 and who was interested in the Berber tribes of the High Atlas. Photographs of the early 20th century are also on display.

You can view important photographs related to the Grand Tour, this elite movement, precursor of mass tourism, of the european educated bourgeoisie. A permanent reference of Antiquity can be seem, such as in a beautiful sepia view of the Chellah in Rabat.

The third floor of the Maison concentrates on the Berber traditions, with the documentary films by Daniel Chicault, shot in 1957, in color, first documentary filmed among the Seksawa tribe is a perfect illustration of the master study of Berques " Social Structures of the High Atlas ", and there is the attic room with documents on architecture.

So the next time you are in Marrakech, rather than bargaining at a souk or smoking hashish, do pay a visit to the Maison de la Photographie right in the heart of town ...

Photo: This cultural venue was established by Patrick Manac’h and Hamid Mergani.
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Free Symposium

Eadweard Muybridge - Re-presenting History in the Digital Age

Hosted by the BFI (NFT2)
Friday 21st May 2010
2 - 5.30pm

A symposium marking the culmination of a 6 month Arts and Humanities Research Council project, between Kingston University and Kingston Museum in South West London. The symposium celebrates the launch of an innovative on-line resource which draws together information on collections of Muybridge's work world-wide for the first time.

The symposium itself, will critically reflect on some of the crucial cultural and aesthetic questions to have arisen from this contemporary heritage project. Three presentations will explore representation of the body within photography, the ideological meaning of space and place within cultural communication, and the contemporary trend towards digitisation within arts and heritage projects.

This is a FREE event. To book contact fadaresearch-enterprise@kingston.ac.uk or telephone 020 84177416
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NMeM seeks web content co-ordinator

Web Content Co coordinator £22,500, Bradford. Fixed term until 1st April 2012. Award winning, visionary and truly unique, the National Media Museum embraces photography, film, television, radio and the web. Part of the NMSI family of museums, with a world-leading online presence, we aim to engage, inspire and educate through comprehensive collections, innovative education programmes and a powerful yet sensitive approach to contemporary issues.

We are looking for a Web Content Coordinator to bring our websites alive with dynamic, engaging and audience-focused content.

Coming from a similar role, you're an expert at writing punchy and eye-catching web copy for a wide range of audiences, copy-editing content from other sources, and updating sites using content management systems. An organised and tenacious team player with extensive experience of supporting and working with stakeholders, you have a solid mastery of basic HTML and web technologies, simple image manipulation skills and an understanding of social media and its implications. Above all, you know how to make web content contribute to a fantastic user experience, and have the creativity and drive to make our web presence stand out from the crowd.

To apply, please send your full CV and covering letter to: recruitment@nationalmediamuseum.org.uk

Closing date: 25th April 2010

We regret that we can only respond to successful applicants.

No agencies please.

We are an equal opportunities employer

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May not be entirely British, but still a worthy book to add to the collection of a photo-historian wanting to know more about the history and evolution of early studio photography in India.

Photography arrived in the harbour city of Mumbai (erstwhile Bombay) asearly as 1840, via trade, as well as through European explorers and government officials. With the establishment of India's first photographic society in the city in 1854, the medium was used for documentation and later, even taught as an art form. Between the mid-nineteenth and early twentieth century, Mumbai became one of the largest centres of photography's patronage and dissemination in India, underscored by practitioners like Dr. Narayan Daji (C. 1828-1875), a medical doctor and brother to the acclaimed Indologist, Dr. Bhau Daji.

Originally known as the Victoria and Albert Museum and renamed as TheBhau Daji Lad Museum, it’s Mumbai’s oldest – since 1872. This museum was the recent setting for the Exhibition from which this book derived from. The Artful Pose depicts photography that was done in studios around 1855-1930. And the studios did indeed take their cameo-style posing seriously, with props, sometimes a narrative, varied shades of gazes and occasionally yes, a fakir.
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NMeM seeks a cataloguer

The National Media Museum, Bradord, is looking for a cataloguer to work full-time for 16 weeks to help transfer information and images of objects from the collections onto a website which will showcase thier world class collections. As a member of the National Media Museum Project Team, you will ensure that object data is delivered on time and to a high quality to meet the needs of this project. This involves documenting up to 40,000 objects from iBase, enhancing object records and supporting authorities in the museum object database (MIMSY XG) in line with cataloguing standards and guidelines.

Required Skills:

To succeed in this role you will need to be able to demonstrate that you can check and create accurate object records and deliver high volume, high quality object cataloguing to very specific deadlines. You will be a real team player, with excellent communication skills and a flexible approach to your work. A knowledge of and an interest in the history of photography, cinematography and new media would be fantastic, but the ability to plan and schedule work to ensure timely delivery is key.

The Museum:

Award winning, visionary and truly unique, the National Media Museum embraces photography, film, television, radio and the web. Part of the NMSI family of museums, we aim to engage, inspire and educate through comprehensive collections, innovative education programmes and a powerful yet sensitive approach to contemporary issues.

Application Instructions:

To apply, please email your CV, together with a covering letter explaining clearly how you meet all our stated requirements, to recruitment@nationalmediamuseum.org.uk

We regret that we can only respond to successful applicants. No agencies.

Closing date: 9th May 2010

Interview date: Thursday 20th May 2010

We are an equal opportunities employer. We welcome applications from all sections of the community in which we work. We particularly welcome applications from disabled people and we guarantee interviews to suitably qualified disabled applicants.

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Auction: Antique Photographica Sale

No connection with the company whatsoever, but there is an interesting selection of reference books, cartes de visite, ephemera, cameras, magic lanterns, daguerreotypes, optical toys etc including British interests at a forthcoming online sale on 25th Sept. Details can be found here.
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Sara Stevenson to leave the SNPC

News reaches the blog that Sara Stevenson, chief curator of the Scottish National Photography Collection and a respected scholar of photographic history - particularly of the work of Hill and Adamson - is leave her post in May 2010. Sara will be joining the University of Glasgow as a Research Fellow where she will be working in the special collections department with David Weston. The department has an outstanding collection of early photography.
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Whilst sorting through archive material to use for a website, Bill Hawkins, history enthusiast and member of the Sunderland’s Antiquarians Society, discovered boxes of glass plate negatives that were dust covered and laid undisturbed for six decades.

Mr Hawkins, 55, of Sunderland, found around 30 photographs dating back more than 100 years, including images taken of Tynemouth pier and of the High Level Bridge spanning the River Tyne. This treasure trove of iconic images of Tyneside finally saw the light of day !

Sunderland’s Antiquarians Society which was founded in 1900 holds extensive archives that have been collected and donated over the past century by people living in the city. They are all available to members and visitors. The Society now wants to give the negatives to any similar organisations in Newcastle who would be interested in taking them for research and to make available to the public.



The full story can be found here. For more information about the Society, visit here. Or if anyone is interested in the negatives, call Bill Hawkins on 0191 551 3947.










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Skills of the wet collodion photographer

I am looking for a little advice!
As the wet collodion plate was coated by the operator, what advice was given in the literature on techniques to produce an even coating. Was the plate tilted and rotated, or spun? Was there a recommendation on the viscosity of the liquid?
I believe it may have been brushed on producing characteristic streak marks.
Any thoughts or even first hand experiences?
Ta
John Davies
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A huge slice of Scottish photographic history has been uploaded onto the internet in a bid to share the nation’s history with the world. Over 2,000 previously archived pictures were posted onto Flickr by the National Library of Scotland. The formerly hidden treasures include the World War One photographs and an image of the chilling order for the massacre of Glencoe.

Library bosses decided to post the pictures online using Flickr’s Commons licence, meaning anybody can use them for non-commercial purposes. A further batch of 1,000 photographs will be added by the NLS before the end of the year.

Gill Hamilton, the NLS systems librarian, said: “This is a fantastic resource for the general public.

“There are no known copyright restrictions on Flickr’s The Commons photos, so everyone has access to use these images for non-commercial purposes.

“Flickr Commons is a great way for the National Library of Scotland to share its photographic collections with the world and we’re looking forward to adding to our Flickr Photostream throughout the coming year.”

Pictures of Scotland’s cities dating back to 1840 were posted on the site by the National Galleries of Scotland earlier this year.

Click here to see the Library's photo sets online: http://www.flickr.com/photos/nlscotland/

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Introduced commercially by William Willis in 1917 as a substitute for printing in platinum, whose use was embargoed by wartime government, palladium has since grown in its application, and is now widely practised. Does any collection have a copy of the Platinotype Company's original instructions for the use of their commercial Palladiotype paper, or any other relevant information, please? I am researching the early history, use and problems of the process.
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Scott Archer commemorative plaque / © Michael Pritchard 2010In a ceremony at Kensal Green cemetery today, Saturday, 1 May 2010, Frederick Scott Archer was honoured with the unveiling of a plaque on his grave. In addition, those present were able to see for the first time a surviving link to Archer with the re-erection of the original head stone recording his death that had long been lost. Also, John Brewer announced that photo-historians had incorrectly recorded Archer's death as 2 May 1857 when, in fact, he had died on 1 May 1857.

The event was organised by a group of artists called The Collodion Collective who started work on a plan to honour Archer and to put a headstone on his grave. Money was raised through the publication of a book World Wet Plate Collodion Day 2009. The group arranged a demonstration of the collodion process after the plaque unveiling and organised an exhibition of modern wet-collodion images on glass and on paper.

12200891668?profile=originalBrewer while researching Archer went back to his original death certificate to discover the correct date of his death. A number of historians including Helmut Gernsheim had relied on incorrect contemporary reports of his death was they incorrect ascribed to 2 May. The newly located headstone also correctly records Archer's date of death.

Archer by all accounts was buried in an unmarked grave but his death was subsequently recorded on the headstone of his sister, Sarah and brother, James who were all buried in the same plot. The headstone was hidden by vegetation and removed and was only discovered close by the plot as plans for the commemoration were made. It confirms Archer's correct date of death and his siblings.

12200891882?profile=original

The headstone reads: The Sacred to the Memory of Sarah Archer who died 3rd Decr 1839 aged 24 years. Also of James Archer and brother of the above and third surviving son of Thos. Archer, formerly of Hertford, who died March 17th 1819 aged 36 years. Also Fredk. Scott Archer, brother of the above, 105 Great Russell Street, Bloomsbury, who died May 1st 1857 in his 44th year.

Finally, as I walked through the cemetary I spotted memorials to another photographic notable, the society portrait photographer Alexander Bassano (10 May 1829–21 October 1913)...
12200892060?profile=original

Michael Pritchard

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Following on from the blog creator's article on the bicentennial celebration of John Dillwyn Llewelyn's birthday this year, Robin Turner of WalesOnline has written a column of this man's historic contribution to British photography which can be found here:
http://www.walesonline.co.uk/news/uk-news/2010/04/07/snapshots-of-a-life-less-ordinary-john-dillwyn-llewelyn-91466-26188578/



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