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I recently came across a CDV album of portraits and topographical views. I bought it partly because I recognised one view to be of Hexham. After "my" conservator had removed the CDVs for cleaning, I was extremely pleased to learn that this view and 10 others carried an early backstamp of J. P. Gibson, Hexham. Some also carried a printed paper label, presumably also created by Gibson. I am sure that many members here are familiar with his name. His family had a chemist shop at Hexham Market Place, as shown in the Hexham view. A later version of the shop is now in the Science Museum, London. 

Of the ten other Gibson views, six feature Dilston (four castle and grounds, two the bridge over Devil's Water), two Hexham Abbey (interior and exterior) and two Corbridge (town views).

I have done a little research since receiving the images earlier this week but have not managed to find other Gibson CDVs with the particular backstamp shown on mine. Based on the presence of some early 1860s-dated portraits and a couple of "W&D Downey, So. Shields" backstamps in the album, I would guess that "my" Gibson's date from the mid-1860s. That said, some "teaser text" for a book on Backhouse and Mounsey suggests that Gibson didn't start making topograpical views until around the 1880s.

Can anyone provide more information on Gibson and his early work? I attach images of the Hexham view and a far less commecial one of an apple tree in Dilston (perhaps the children are Gibson's or thiose of the Earl of Derwentwater).

I would be happy to share more images with anyone interested in researching the album further. 

  

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12385187063?profile=RESIZE_400xAssociate Professor Donna West Brett will give a lecture on the collection of photobooks donated to the Bodleian Library in 2020 by Sir Charles Chadwyck-Healey. Conveying meaning through photos alone, the photobook is a radical format that enabled the widespread dissemination of modernist aesthetics. This lecture will take a closer look at the way photobooks portray the ‘everyday’ – the familiar, the practical, the ordinary – and its intersection with the visual languages of politics and propaganda.

Donna West Brett is Associate Professor and Chair of Art History at The University of Sydney. She is author of Photography and Place: Seeing and Not Seeing Germany After 1945 (Routledge, 2016); co-editor with Natalya Lusty, Photography and Ontology: Unsettling Images (Routledge, 2019), and has published widely on photographic history. She is Research Leader for Photographic Cultures at Sydney, and Editorial Member for the Visual Culture and German Contexts Series, Bloomsbury. Brett is a recipient of the Australian Academy of the Humanities, Ernst and Rosemarie Keller Fund, and Sloan Fellow in Photography at the Bodleian Libraries for 2024.

Modernist Photobooks, Propaganda and the Everyday
In person, Tuesday, 27 February 2024, from 1300-1400 (UTC)
Weston Library, Oxford
Free or donation
Book here: https://visit.bodleian.ox.ac.uk/event/feb24/modernist-photobooks

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Webinar: Fashion magazines / 2 March 2022

12201180287?profile=originalFor decades, renowned author and photo critic Vince Aletti has accumulated one of the largest private collections of fashion magazines in North America. Join Ryerson Imaging Centre Director Paul Roth and Aletti in conversation as they discuss his most recent publication, Issues (Phaidon, 2019), which features select seminal issues from his archive. He will speak about the history of photography within this medium, explore the intersection of art and commerce, and describe how photographers from outside of the fashion world influenced the magazines they appeared in.

Vince Aletti is a writer, curator, collector and critic whose work can be found in Aperture, Art + Auction, Photograph, Artforum and Vogue Italia. Formerly a music critic for Rolling Stone, Aletti went on to be the art editor of the Village Voice from 1994–2005 and the paper’s photo critic for twenty years, after which reviewed photography exhibitions for The New Yorker. He has published extensively on the impact of fashion magazines on the history of photography, and won the International Center of Photography’s prestigious Infinity Award for writing in 2005. His most recent book is Issues: A History of Photography in Fashion Magazines (Phaidon, 2019).

Webinar
2 March 2022
1900 (EST) | 0000 (GMT)
Book here:  https://ryerson.zoom.us/webinar/register/WN_BtRaXaS9RiKiMH7t8jUrYQ

See details of the book here: https://www.phaidon.com/store/fashion-culture/issues-9780714876788/

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12201132267?profile=originalGlasgow's Street Level Photoworks has released a series of online photographer/artist talks from recently events. They comprise: 

  • Recording of an artist talk by Peter Kennard at the book launch of 'Visual Dissent', Street Level Photoworks 2nd October 2019. See: https://youtu.be/rrQE2boay0g
  • the launch of Roger Palmer's latest photobook SPOOR in September last year. SPOOR comprises groups of colour photographs made by Roger Palmer while following rail routes between towns and settlements of South Africa. The photographs were accumulated between 2014 and 2018 as Palmer drove along mostly minor roads through the country's nine provinces.https://youtu.be/VHnl18uaiC8
  • Close Up artist talks, joined by Colin Gray as he reflected on his diverse career as a photographer and told us how he is adapting his practice during lockdown. https://youtu.be/kRrnEduwwUg
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Resource: SIS Bulletins

12200962656?profile=originalThe Scientific Instrument Society has placed its first eighty-one Bulletins online, to view and download for free (for personal and non-commercial use). These cover the time period June 1984 to June 2004. An index to these Bulletins is also available. The Bulletins contain mainly crossovers with British and wider photographic history, mainly through research into companies and optics.

See: http://www.sis.org.uk/resources/bulletin-back-issues

 

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Job: NMeM Sales and Service Manager

The National Media Museum is dedicated to delivering a world-class Front of House operation every day. As Sales and Service Manager, you will implement the service strategy to ensure that we provide a consistently exceptional visitor experience while meeting sales and income targets for retail and cinemas. You will have full responsibility for sales and service in our Meet and Greet areas, in the Box Office, our cinemas (including IMAX) and Galleries 1 and 2. A strong track record of motivating, leading and developing a team in a competitive commercial environment is essential. You will be able to control costs, enhance sales and beat targets, while at the same time promoting best practice in Health & Safety. Building strong relationships with other departments, senior management and external stakeholders, you will provide direction, decision-making and drive. The key to your success will be your skills in team building. You must be an inspired communicator, with the ability to organise, improve efficiency and give your team a shared sense of purpose. Adaptable and resourceful, you will thrive during peak periods and ensure that every individual performs to the best of their ability. Award winning, visionary and truly unique, The National Media Museum embraces photography, film, television, radio and the web. Part of the NMSI family of museums, we aim to engage, inspire and educate through a powerful yet sensitive approach to contemporary issues. For further information or to apply for this position, please visit our recruitment website https://vacancies.nmsi.ac.uk Closing date: 2nd October 2011. Interviews: 14th October 2011. We welcome applications from all sections of the community in which we work. We particularly welcome applications from disabled people and we guarantee interviews to suitably qualified disabled applicants.
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Free Symposium

Eadweard Muybridge - Re-presenting History in the Digital Age

Hosted by the BFI (NFT2)
Friday 21st May 2010
2 - 5.30pm

A symposium marking the culmination of a 6 month Arts and Humanities Research Council project, between Kingston University and Kingston Museum in South West London. The symposium celebrates the launch of an innovative on-line resource which draws together information on collections of Muybridge's work world-wide for the first time.

The symposium itself, will critically reflect on some of the crucial cultural and aesthetic questions to have arisen from this contemporary heritage project. Three presentations will explore representation of the body within photography, the ideological meaning of space and place within cultural communication, and the contemporary trend towards digitisation within arts and heritage projects.

This is a FREE event. To book contact fadaresearch-enterprise@kingston.ac.uk or telephone 020 84177416
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31037071289?profile=RESIZE_400xFrank Watson examines the relationship between photography and sound. Today: Frank's guest is James Hyman, Director of the Centre for British Photography, talking about his early interest in photography, meeting Henri Cartier Bresson and collecting British photographers’ work. He reflects upon setting up the Centre in Jermyn Street, London and discusses the exhibitions, grants and mentoring that has been part of the intentions for the Centre. 

Hear James talk about his interest in photography, career as a dealer, setting up a charity, the Centre for British Photography in London housed on a zero lease, views of the Arts Council of Great Britain and the politics of funding, a new grants programmes for photographers launching in January 2026, and hopes for future permanent space for the Centre. 

The Sound Of Photography – 28 November 2025 (James Hyman)
Resonance FM
For more information visit http://thesoundofphotography.com/ and listen to James here:  https://www.mixcloud.com/Resonance/frank-watson-the-sound-of-photography-28th-november-2025/

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A blue plaque was unveiled by Perth Civic Trust at 62 Princes Street in Perth, Scotland to honour the local photographer, Magnus Jackson (1831-1891), at his former studio and shop, built in 1884. The plaque represents a growing recognition of Scotland’s rich contributions to the global history of photography. Magnus’s collection of 2,500 glass wet plate collodion negatives is cared for by Culture Perth and Kinross Museum and Art Galleries, representing the earliest collection of photographs that capture life in Victorian Perthshire. 

Magnus was born in Perth in 1831 to Thomas Jackson and Helen Miller, one of six children. His father’s business, established in 1826, at 70 George Street, operating as a picture-frame maker, looking-glass manufacturer, restorer of oil paintings and a print seller. Magnus was trained by his father as a carver and gilder, a trade he maintainened throughout his working life.

In the local newspaper of 1845, an article describes an engraving of his Grace, the Duke of Wellington from an Antoine Claudet daguerreotype being displayed in the window of his father’s shop. Antoine Claudet an early practitioner in photography excelled in producing daguerreotypes. It is possible that the picture on display inspired Magnus, aged fourteen at the time, to take up photography. He travelled to London in the early 1850s to be trained in the art of photography. He returned as a practiced photographer and a few years later in 1860 set up a modest wooden shed studio in Marshall Place.

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Magnus Jackson’s first wooden shed studio in Marshall Place, Perth.

Magnus’s photographic subject matter was diverse, beyond the normal role of a studio photographer and included the earliest photographic records of Perth streets, buildings, people, and included events of fires, floods and the laying of foundation stones of major buildings. He also travelled widely around Perthshire capturing photographs of grand country houses and estates, shopkeepers, factories and workers.

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Laying the foundation stone of Perth City Chambers 1878.

Animal photography was another source of income. Magnus submitted articles to The Photographic News and The British Journal of Photography in early 1881, titled Photography outside the studio. When referencing cattle photography, he notes his results. ‘My first attempt in this line was in the year 1856, and in two days I made somewhere about twenty fine, rich looking negatives’.

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Shorthorn bull and handler

Magnus excelled in tree portraiture, and was awarded a silver medal at the
International Forestry Exhibition, Edinburgh in 1884. That year he also became the official photographer for the Scottish Arboricultural Society. In 1886, he was awarded the bronze medal and diploma of merit at the International Exhibition of Industry, Science and Art in Edinburgh for fern and foxglove photographs.

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Elm tree at Strathallan, Perthshire.

Magnus was actively involved in Perth’s public life and was a member of the
The Guildry Incorporation of Perth, Perthshire Society of Natural Science (PSNS), and The Society of Antiquaries of Scotland. He became a town councillor in 1878 and was appointed Perth’s Police Commissioner in 1885 overseeing the police department, fire services and street lighting. He also served as convenor of the local committees and the abattoir and was instrumental in the construction of Perth’s first public swimming baths.

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The Guildry Incorporation at Craigmakerran House, 1864

Magnus Jackson, Photographer, Carver and Gilder and Perth Town Councillor died on 27 April 1891, aged 59. His business did continue for several years by his sons Thomas and Magnus Junior, then by Burrows Bros. When the photographic business finally closed in 1903 the contents of the studio were auctioned off, subsequently a selection of the glass plates were donated to the Sandeman Public Library in 1904.

Photographs Courtesy of Culture Perth & Kinross Museums & Galleries

https://collectionsearch.pkc.gov.uk/search.aspx

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Royal Society online resources

12201227464?profile=originalThe Royal Society has made available around 250,000 documents online, covering everything from climate observations, the history of colour, how to conduct electricity, and animals. Of particualar note to BPH readers is correspondence and images sent by William Henry Fox Talbot, Herschel, Claudet and others

You can access the online archive here. We have picked out some of the highlights:

Image: Unpublished paper, 'An account of some recent improvements in photography' by Henry Fox Talbot / ref number: AP/25/13 / date: 1841

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12201174665?profile=originalThe 33rd Annual Daguerreian Society symposium will take place from 15-17 October. The event will include a virtual fair featuring 19th and 20th century photographs, books, and ephemera including images from the highest levels of the art to vernacular snapshots, collectible books, historical images, and a broad range of historical photographic material. It is a show for collectors, curators, galleries, and dealers. 

There will be expert panel discussions and (virtual) tours of exhibitions and collections. The full talks programme will be announced shortly. 

This is an excellent opportunity for curators and historians to reach a receptive -- and enthusiastic -- audience.  With the symposium now a month away, the Society is inviting proposals for Zoom presentations and/or video tours of 19th century photography exhibitions and collections. 

The Daguerreian Society is a non-profit organization devoted to 19th century photography, headquartered in the US but welcoming members from around the globe.

Details and registration here: https://www.daguerreiansociety.org/events/2021-daguerreian-society-virtual-symposium/

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12201172864?profile=originalSince the advent of film in the late nineteenth century, moving images have been integral to making and communicating science. A rich interdisciplinary literature has examined such representations of science in the cinema and on television and investigated how scientists have used moving images to conduct research and communicate knowledge. Responding to growing interest in science and the moving image, this online workshop uses the concept of ‘intermediality’ as a starting point to discuss new approaches and methodologies. Intermediality, coined by media scholars to describe the interplay between different media, magnifies their multiple meanings and heterogenous interrelations. Moving images especially invite intermedial analysis because they are often composed of interrelated visuals, speech, music, and text; film can also be cut into stills for reproduction in newspapers, advertisements, and journals. Intermedial approaches thus allow scholars to assess not only the relationship between scientific practices and media forms, but also the afterlives, circulation, and reception of these media in a richer historical context. With its attention to relations and movement between media, intermediality also expands our understanding of the visual cultures of science, including in parts of the world and among groups that are underrepresented in current scholarship. We particularly invite submissions that use intermediality to engage critically with the scope and limits of science and the moving image.

Possible themes might include:

  • Processes of translation between different media, including film, television, radio, and print
  • Intermedial practices and histories of specific scientific disciplines
  • Moving images in science education
  • Transnational and comparative approaches to scientific image-making
  • Time-lapse, frame-by-frame analysis, and other analytical methods as intermedial practices
  • Representations of science in multimedia entertainment industries
  • The relationship between moving images of science and the history of empire and colonization
  • Amateur uses of moving image media, including citizen science
  • The cultural reproduction through scientific images of gender, race, and class. 

Keynote speaker: Dr. Tim Boon (Head of Research and Public History, Science Museum Group)

We welcome talks from postgraduate students, early-career researchers and established scholars. We are looking for abstracts (max. 250 words) for 15-20 minute talks, which will be arranged in thematic panels. Submissions should be sent to movingimagescience@gmail.com. The deadline for proposals is June 28th, 2021 and we aim to respond to proposals within four weeks.

This workshop will take place online via Zoom and is hosted by the Department of History and Philosophy of Science, University of Cambridge. The workshop is kindly supported by the Researcher Development Fund and the G.M. Trevelyan Fund.

Organised by: Miles Kempton, Max Long, Anin Luo

CfP: “Science and the Moving Image: Histories of Intermediality”
Location: Online (Zoom)
Date: November 2nd and 3rd, 2021. PM (UK time).

Image: Kineoptoscope projector, c.1897 A hand-coloured photographic magic lantern-slide showing a projectionist operating a Riley Kineoptoscope projector
Science Museum Group Collection

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12201161292?profile=originalThe BBC website reports that... An American couple whose 1960s wedding album was destroyed by wildfire have rediscovered their photos in archives held by an English council. Chris and Lindy Date, who married in Cambridgeshire in 1963, lost their home when fires swept through California in August 2020.

Mr Date, who contacted Cambridgeshire's libraries service, said he was "pleased and amazed" they had been found. The council had been given the archive by a photographic company in the 1980s.

The Ramsey and Muspratt collection of negatives, given to Cambridgeshire Libraries' collection in the 1980s, comes to the rescue.

See the full story here: https://www.bbc.com/news/uk-england-cambridgeshire-56401868

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Colin Ford library endowment fund

31065041263?profile=RESIZE_400xFollowing the recent death of Colin Ford CBE Amgueddfa Cymru–Museum Wales has announced the establishment of the Colin Ford Endowment Fund. Before his death Colin gifted his personal collection of photography books, which reflects a lifetime’s worth of collecting, to the museum. The endowment fund will support the on-going purchase of photography books to continue to grow the Colin Ford Photography Library and reflect current photographic scholarship, curation and practice.

Colin Ford CBE HonFRPS was the Director General of Amgueddfa Cymru from 1993 to 1998. He was a curator, historian, museum director and broadcaster, whose professional life was largely dedicated to photography. His personal papers have been donated to the Bodleian Library, Oxford. 

See more and contribute in Colin's memory here: https://my.museum.wales/donate/q/in-memory-colin-ford

 

 

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The Hong Kong History Centre's Historical Photographs of Hong Kong project is conducting a survey of potential interest and users.  As part of this we would be really interested to know what types of photographs you would look for if you had the possibility to look for old photographs of Hong Kong (buildings, streets etc), this will really help us to design something that has the right search tools. 

We sincerely invite you to fill out this survey form. Make your answers as specific and detailed as you like, but please don't include any sensitive or personal information. We may use AI (e.g. ChatGPT) to process the responses so they could be shared with a third party. Thanks.


Hong Kong History Centre

香港史研究中心正在籌辦一個名為「香港歷史照片」的數碼平台項目。為此,如您有可能尋找香港舊照片(建築物、街道等),我們非常希望了解您會尋找哪些類型的照片,這將有助我們設計出合適的搜索工具。

我們誠邀你協助填寫此問卷。請盡可能具體和詳細填寫您的答案,但請勿包含任何敏感或個人信息,因我們可能會使用人工智慧(例如ChatGPT)來處理回應,有機會倏將這些回應與第三方分享。謝謝。

香港史研究中心

In addition to the survey, details of Centre's call for photographs are here: https://www.hkhistory.net/hphk-call/

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12201227861?profile=originalJames Hyman Gallery is pleased to present an online exhibition of early works by Nigel Henderson (1917-1985) that depict street parties in East London at the time of the Coronation of Queen Elizabeth II in 1953.

Photographed near the Henderson's home in Chisenhale Road in Bethnal Green these rare photographs - most of which have never been exhibited before - focus on childhood celebrations and combine casual photographs with amazing group portraits. 

Known for his documentary and experimental photography and imaginative use of collage, Henderson was a founding member of the Independent Group in 1952, with which he regularly exhibited, notably in This Is Tomorrow at the Whitechapel Art Gallery (1956).

Details: https://www.jameshymangallery.com/exhibitions/192-coronation-street-parties-1953-vintage-photographs-by-nigel-henderson/overview/

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Online resource: Whipple Collection

12201154677?profile=originalCambridge University's Whipple Museum collections are now fully online. Like other museums, only a small proportion of our collection is on display at any one time and, in the current public health situation, physical access to museums has become very challenging. But now you can search and browse through records and images of close to 7,000 objects, as well as records of its trade literature - all from the comfort of your own home.

In addition, the Researcher Portal allows you to download images, book research visits, request permission to publish images, and suggest ways to correct or improve the published records.

For photographic historians the Whipple collection includes some important photographic equipment. 

See: https://collections.whipplemuseum.cam.ac.uk/ 

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A draft guide has been published to the photographers and collections of photographs held by the National Monuments Record at English Heritage. The guide has been compiled by Ian Leith and is intended to help users with the new EH Archives website: see www.englishheritagearchives.org.uk

A copy of the guide can be Archilist 2010.03.24 FINAL 01.doc.

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