Since photography's invention in 1839, people have tried to photograph what cannot be seen: ghosts, dreams, prayers, sickness, sin, psychic forces—even the human soul. The images they produced are beautiful, unsettling, and often absurd. The…
Traditionally stories of culture and society have been held and told by institutional collections. But what about the everyday material which is hidden, forgotten or displaced outside of these traditional records? Who tells these stories and decides…
From the moment they were introduced, photographs were seen as fragile objects and their instability soon attracted the attention of scientists and photographers. During the industrial revolution, manufacturers took up the challenge of developing…
This placement will contribute to the cataloguing and research of the V&A’s recently acquired Yu-Chee Chong Collection of Southeast Asian Photography (1860–1920), an outstanding collection of early photography unrivalled in its scope and…
Professor Geoff Batchen has retired from his post as Head of Department and Professor of Art History at Trinity College, Oxford, having reached the university's contractual retirement age. Batchen presented a farewell lecture: Going Postal.…
Born and raised in a liberal Jewish family in Vienna, Edith Tudor-Hart’s legacy is defined by her pioneering social photography and her pivotal role in the recruitment of Kim Philby as a Soviet agent. Arrested for her involvement with socialist…
The AmberSide Trust, one of the UK’s most significant documentary and film collections has received £242,508 from The National Lottery Heritage Fund for Relocating Amber, a major new project that will protect the world-renowned AmberSide Collection…
The Birmingham-based documentary photographer, graphic designer and jazz researcher, Brian J Homer died on 10 July aged 79 years, after a short and sudden illness. Brian's work was always political (with a small p). With a large archive of work from…
BPH recently reported on a public artwork commission to commemorate the work of pioneering Birmingham photographer George Shaw. Run by Colmore Life a call opens today (Monday) for a public vote on the six shortlisted entries. The winning design will…
London's Cinema Museum has a once-in-a-generation opportunity to buy its premises, the historic Grade II listed Lambeth Workhouse. It needs to raise £500,000 in five months to seal the deal and end decades of insecurity - and potential eviction.…
Discover the evolution of fingerprinting over the last 125 years. On 1 July 1901, the Metropolitan Police formally opened its Fingerprint Bureau, placing fingerprint evidence at the centre of criminal investigation.
Learn how fingerprinting has…
Learn how fingerprinting has…
Comments
Hello! Thank you for the biographical information on my great, great, great grandfather, Jacob Katzman. What do you recommend as next steps on trying to track down any of his photography?
Don't you take any criticism on board. The present set up casts no credit on this organisation or myself.
It may be that somewhere on this site you have left some helpful instructions.If so I can't see it.
My telephone number is 020 8908 5124.
Regards
Jack Gordon
I am upset by the effects of my tiny pictures on my four entries .
Should I withdraw them as a whole and start again?
If so how do cancel anything of my submissions?
Regards,
Jack Leonard Gordon
The International Directory of Photo Historians has settled in a new home with hopes of stability in location, format, and function. The change coincides with the retirement from teaching of William Allen. At http://classyarts.com/photohistorians/photohistorians.php one may search the directory, add and edit one's entry, and communicate with other historians. The new directory protects the privacy of contact information (including email addresses) for participants. I hope that you and your colleagues will share this information.
Dear Michael,
First, let me thank you for the BPH site, it has proven to be an invaluable resource for an American collector of British Photographs, and I have "met" many experienced and generous experts here.
I am however, a bit alarmed, do the "major changes" mentioned in your weekly update indicate that the site will soon be subscription based? That is certainly the impression I got. It would be such a shame after Luminous Lint changed into a monetized site, rather than an open and free exchange of ideas and knowledge.
Respectfully,
David McGreevy
Many thanks Michael - I'm delighted to have access to such a great site and resource. Is the Giles Duley talk open to the public? I'd love to come along if so. I am now Professor at the School of Journalism at Cardiff University. Until his recent retirement Daniel Meadows led our work on documentary photography - I'm looking for ways to continue to keep the School actively engaged...Best, Richard
Dear Mr. Pritchard,
I am looking for information about the beginings of Automat Photography. In particular about the first who was take a British Patent E.J. Ball 16,136. Nov. 23, 1887: Automatic coin-freed apparatus.(“Patents for Inventions vol. II, Abridgments of Specifications, class 98, Photography Great Britain Patent Office, Reprint Edition 1979 Arno Press, A New York Times Company”).
This is all the information that I have about this inventor. I have also a patent from 1900 of the United States and that I believe is attached to the same inventor US657505%5B1%5D.pdf
Do you know more information about this inventor.
Thank you very much.
Thanks for the comment on the Turner post, Michael - I've amended it accordingly.
Hi Michael,
It was lovely to catch up briefly in May. Sorry it was all so rushed.
You are doing a great job here ... and elsewhere! Well done! Keep it up
Tony Hilton
Hallo Michael, Thanks for the regular Newsletter. Is there any way of recalling earlier versions? A recent issue had a review of the Princeton University book by Roger Taylor on Lewis Carroll and I would be interested in reading it again. Thanks.
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