This event accompanies the Radical Visions exhibition at Four Corners Gallery, and the launch of its new digital archive. It will consider Camerawork's engagement, role and influence with community-practice, feminism and representation, and ask how its broader legacy can be understood within the…

Canada in the Frame explores a photographic collection held at the British Library that offers a unique view of late nineteenth century and early twentieth century Canada. The collection, which contains more than 4,500 images, taken between 1895 and 1923, covers a dynamic period in Canada’s national history…

The Photographers' Gallery is the UK’s leading centre for the presentation and exploration of photography in all its forms and a dedicated home for an international photographic community. Established in London in 1971, the Gallery has been instrumental in reflecting photography’s pivotal role in culture and society…

A new exhibitions which examines pictorialism has opened at the museée Nicéphore Niépce and runs until 16 September 2018. Curated by Dr Julien Faure-Conorton Artists' Visions offers a new, broader, view of European pictorialist photography. The exhibition presents recent research and…

The DGPh History of Photography Research Award 2018 will be open for all elements of research into photography's many aspects. Besides aspects of traditional history and theory of photography, topics will be considered that deal with photography's social meaning, or the impact that the medium has had on society. The…

The National Portrait Gallery has acquired eleven portraits, including one self portrait, shown right) by Philippe Garner. Garner will be known to many as an auctioneer who started the first auctions of photography in the United Kingdom in 1971 at Sotheby's before he moved to Christie's, where he is remains a…

We are recruiting for a full time Curatorial Project Manager, a key role in our newly expanded curatorial and archive team of four.

You will provide the project management and logistical support necessary to develop and deliver our dynamic curatorial programme of exhibitions on and off site,…

Exhibiting historic photography is no easy task. To start with, it’s a conservator’s nightmare: nineteenth-century prints are physically fragile and chemically unstable and any prolonged exposure to light causes irremediable damage. Add to this the fact that they are usually quite small black and white…