Greetings all
Would anyone know of any other colonial daguerreotype license granted by Richard Beard - other than to George B Goodman from London, who was the first commercial daguerreotypist to set up shop in Australia in Sydney in December 1842.
Hi, I am looking at the possibility of selling my Claudet daguerreotype. Sadly I need to help fund the purchase of a new car, of all the mundane things!
I would be grateful for any suggestions of the best way to sell this piece, and estimates of wha
Members of this group may be interested in an image by Frank Meadow Sutcliffe called "Quo Vadis?" shown on this page of a new online exhibition, "Inventing Modernism."
The photograph was reproduced in The Photographic Journal in a memorial article o
I wonder how sitters chose the portrait that they liked best from the two or three made in a typical sitting. Is it correct to assume that sitters did make a choice? If so, did they wait in the studio while the negative was developed and fixed, and f
I'm in the process of adding a few details to a paper about early landscape practice and wish to find more information about usage of the newer developments in the optics/lenses used by landscape photographers. I've found in Talbot's correspondence (
Hi
I recently acquired some lantern slides depicting life on board Hull fishing vessels in the early 1900s. I was so fascinated by them, and keen to find out as much as I could about the subjects, that I have started a website about them - http://ww
Dear Colleagues
Those who are able to access BBC4 TV will be pleased to see that a remarkable documentary about James Ravilious is being shown on Saturday 7th March. (Sandwiched between films on Lartigue, Robert Capa and Eugene Smith)
James Ravilious
Tracing Talbot…
Over the past decade I have been putting together a referenced chronology tracking all of WHF Talbot's movements, covering, in particular, his travels around mainland Europe. A substantial amount of work was done by my friend and col