The Faculty of Arts and Humanities, in collaboration with the Science Museum Group, is offering a 0.2 FTE Postdoctoral Research Fellow position to work the project “The Media of Mediumship (TMM): Encountering the Material Culture of Modern Occultism in Britain’s Science, Technology, and Magic Collections.” The Fellow will work in collaboration with Professor Christine Ferguson (English Studies, Principal Investigator) and Dr Efram Sera-Shriar (Senior Researcher & Research Grants Manager, Science Museum Group, Co-Investigator). This project is funded by the AHRC Follow-On Funding for Impact and Engagement Scheme.

The Research Fellow will be an early-career humanities researcher at postdoctoral level, with expertise in modern British history, history and philosophy of science, museum studies, cultural studies, literature, and/or religious life. Strong knowledge and proficiency of social media and digital platforms is highly desirable. Previous experience in museum or heritage work is encouraged but not required; applicants with previous research experience in the history of modern British occultism are particularly welcome. The candidate should demonstrate a record of high research achievement and potential, strong public engagement skills, and excellent organisational ability.

Summary and aims of the Project

Following on from the “Popular Occulture in Britain, 1875-1947 project, “The Media of Mediumship” (TMM) will create a twelve-month programme of public events and resources dedicated to exploring the occult use history of collections at the Science Museum (London), Senate House Library (London), and the National Science and Media Museum (Bradford). It will be produced in collaboration with the Science Museum Group and the Senate House Library. Through its activities, TMM aims to transform public understandings of the relationship between science, technology, popular culture, and unorthodox forms of spiritual belief in modern Britain. To do so, it will bring into conversation the performance, museum and heritage, photographic, podcasting, and academic organizations which preserve and take inspiration from the entangled histories of science, media, and modern occulture. 

See more and apply here: https://www.stir.ac.uk/about/work-at-stirling/list/details/?jobId=2430&jobTitle=Postdoctoral+Research+Fellow+

The British photographer Grace Robertson has died aged 90 years. She worked for Picture Post and was married to Thurston Hopkins and helped preserve his legacy. Her own as a humanist photographer is equally illustrious. 

See: https://www.theguardian.com/artanddesign/2021/jan/20/grace-robertson-obituary?CMP=twt_a-artanddesign_b-gdnartanddesign

https://www.theguardian.com/uk-news/2021/jan/13/grace-robertson-pioneering-photographer-with-a-gentle-eye-dies-at-90

Dame Margaret Weston who was instrumental in the setting up of the National Museum of Photography, Film and Television in 1983 and was a pioneer for women in a male-dominated world as the UK's first female director of a national museum, has died aged 94 years.

See:

https://www.theguardian.com/culture/2021/jan/18/dame-margaret-weston-obituary

https://en.wikipedia.org/wiki/Margaret_Weston 

https://blog.sciencemuseum.org.uk/happy-birthday-to-dame-margaret-weston/

To what extent does the meaning of a photograph depend on social experience, industrial contingencies, the professional environment or the culture of its producers? This special issue of Photographica - from the Société française de photographie - aims to explore this question and thus extend the discussions initiated during a seminar at the EHESS in 2018–2020.

The issue attempts to contribute to the growing number of studies into the professions or companies related to photography (previously unknown or underestimated by historiography), as well as recent research on the influence of cooperation networks on the “‘public’ life of photographs”. Its purpose is to bring together texts devoted to trajectories and collaborations of the multiple players who participate in the production of photographs and, at the same time, contribute to shape their modalities of existence in social space. Instead of questioning the photographer’s gaze, the meaning or the intrinsic power of his or her images, the question will be to examine skills, trades or professions involved in the conception, the financing and/or making of photographic images intended for distribution in multiple copies to a wide audience. How, by whom, and according to which cultural, social, and economic models, has the expertise of these producers been structured and, possibly, hierarchized within a field whose contours remain to be questioned over the course of the history of photography? At the same time, what were the repercussions of the interactions between these producers both on their operating models and on their photographs?

The full call is in the PDF here:  Photographica_4_call_EN-FR.pdf. 

What can picture postcards tell us about the history of nursing, and images and stereotypes of nursing over the years? Join historian Julia Hallam to find out more.

Pictures of Nursing is a travelling exhibition and digital resource curated by Julia Hallam for the National Library of Medicine, NIH, Washington, DC based on a collection of 2,500 postcards donated to the Library by Michael Zwerdling, a former hospice nurse. The cards date between the late 1890s and the 1980s and depict nurses and nursing from twenty countries worldwide. Hallam's talk will focus primarily on the years 1890 - 1910, a period known as the golden age of the postcard, and trace the dominant trends in the public image of nurses and nursing that emerge at this time.

To book: register to attend and a link will be circulated in advance with instructions on how to join the event.

Brent has a rich history of multiculturalism. Roy Mehta’s exquisite black and white photographs capture the daily rituals of its various communities, most notably the Afro-Carribean and Irish, engaged in seemingly simple activities at home, in the street and at church. Shot from 1989-1993, the images move from profound moments of faith to quiet family moments and to the noisy streets outside, and remind us that every moment is an opportunity for connection and reflection.

'Mehta doesn’t shy away from the sadness and difficulties of this foundational story, but his multiracial faces – taken in Brent, northwest London – remain coloured with British dreams, and they exude a vitality which suggests that, although things are never going to be easy, all will eventually be well.’ Caryl Phillips from the introduction

Revival: London 1989–1993. Photography by Roy Mehta
Foreword by Dr Mark Sealy, introduction by Caryl Phillips
Published 14 January 2021
Hoxton Mini Press
£25 Hardback, 96pp. 

Order: https://www.hoxtonminipress.com/products/revival

This series of three seminars considers the evolving importance of photograph archives.  Moderated by Paul Lowe, curators Alison Nordström and Hilary Roberts will draw on their vast professional experience to consider how archives are created, what is involved in maintaining them for future generations and issues associated with their exploitation.

The three parts are: 

Session 1. Creating the Archive (7 January)

Potential topics:  What is an Archive (including the difference between a collection and an archive)? Who creates an archive? What is its purpose? What should be included (proactive vs passive collecting)?  How should it be organized? What is the cost of creating an archive?  What is its value? What are the essential decisions when creating an archive? Differences between an individual artist’s archive and institutional archives. Case studies: different kinds of archives. What happens when your photographs become part of an institutional collection?

Session 2. Preserving the Archive (21 January)

Potential topics:  Preserving images and preserving objects. Stages of archive preservation and management (short, medium, long term);  Past versus Present Practice (format issues, accountability, ethics, due diligence) The importance of collaborative relationships; Roles of the Photographer, the Photographer’s Representatives, Museum, Libraries and Archives; The Acquisition Process; Collections Management & Interpretation;  How the archiving process supports the evolution of interpretation and understanding; What are the essential decisions when preserving an archive? 

Session 3. Accessing the Archive (4 February)

Potential topics:  How will your photographs outlive you? How will they be seen? Who uses archives, why and how?  What are the potential benefits?  How do you balance access and preservation needs?  How do you fund archives?  Are they viable sources of revenue?  What is the future of archives in the internet age?

Each are online and run from 1000-1115 (Eastern Time) / 1500-1615 (GMT) and are free. 

To register click here.

Image (cropped): Hilary Roberts. The Tim Hetherington Archive in storage, New York 2015.

A new BBC ALBA documentary to be transmitted on New Year’s Eve reveals newly discovered photos taken during the construction of the railway line between Fort William and Mallaig from the late 1890s. Arguably one of the most spectacular railway lines in the world, this collection of over one hundred plates were unearthed in a sale in Cornwall in 2019. 

Local musician Ingrid Henderson follows the story of these photographs, what they reveal about lives and people in Lochaber, and attempts to discover the artist behind the lens.  At the same time she creates new music to pay tribute to the railway and the people who built it. For Ingrid, born in Mallaig, brought up in Fort William and now living and working in Glenfinnan, the railway has always been present in her life. 

In this programme, which is called Song of the Track/Ceol na Loidhne, Ingrid travels the line stopping at stations along the route to find the places in the photographs, and looks for inspiration to compose a new album. Producer Annie Cheape, said: “This previously unpublished original source material features over 100 images of the build project led by contractors Robert McAlpine and Sons, and includes the renowned Glenfinnan Viaduct.  Along with construction they document the people working on the railway, and the dangerous conditions they encountered.

“These images reveal the faces of the nurses who tended the injured in the make-shift field hospitals. Hundreds of men died to drive this section of the railway through one of the roughest terrains in Britain.  Many hundreds were injured while blasting through the rocks, most of them navies from Ireland or the Scottish islands.

“Many men were injured during the rock blasting, but alcohol was a huge problem too.  Men died of hypothermia after drinking too much, or had accidents on Monday morning while still under the influence.  As a result, McAlpine set up an innovative scheme of licensed drinking huts with safe whisky.    

“These images also reveal the faces of the nurses who tended the injured in the make-shift field hospitals. They are smiling, look relaxed, happy and enjoying themselves.  It’s unusual to see women of this period photographed in this informal way.”  

With the help of the Lochaber Archive Centre, Ingrid attempts to find the names of some of these women. She also visits Hege Hernes who lives at Glenfinnan Station, who reveals evidence to suggest that the photos were taken by Tom Malcolm McAlpine, one of Robert MacAlpine’s sons. He was a manager of a section of the line where one of the men was badly injured during concrete blasting, and some of the photographs document his recuperation.  

Sgeul Media made Song of the Track/Ceol na Loidhne for BBC ALBA and it airs on Thursday, December 31 at 9pm. It will also be available on the BBC iPlayer for 30 days afterwards.

BBC ALBA is available on the following platforms: Sky 141 (Scotland) / Sky 169 (rest of UK)· Freeview / You View 7 (Scotland only)· Virgin Media 161· Freesat 109 · BBC iPlayer.

The National Science and Media Museum in Bradford is undertaking the digitisation of the Daily Herald Archive to greatly improve the public accessibility of this nationally important collection. We are therefore recruiting two Junior Photographers to start on the 1^st February 2021 in order to undertake large scale, rapid, professional imaging of this collection.

You will be working with Collections Care Assistants and an Archivist to provide high quality images of the archive based in “Insight”, the collections research centre at NSMM. Using your meticulous attention to detail you will ensure accurate handling and photographing of photographic prints within a fast-paced project environment, using innovative workflows and professional technology.

The role offers a unique opportunity to work with one of the world’s greatest photographic collections. You will play a crucial role in making this collection available digitally through the Collections Online portal. As a result, you will be self-motivated and able to work effectively as part of a team.

See more and apply by 10 January 2021: https://bit.ly/3mUD1oE

The Hyman Collection has published its 2020 annual update which can be read on its website. Of particular note is the availability of bespoke loans and exhibitions from the extensive collection and the establishment of the Hyman Foundation, a new charitable foundation to support photography in Britain.

The Hyman Foundation aims to facilitate the work of contemporary artists, fund research and scholarship, and address issues of legacy and the preservation of archives. To serve these objectives, we plan to create a series of funded grants and projects. It aims to: 

• Provide grants with a focus on young artists and women working in photography as well as research grants for art historical scholarship
• Mentor young and mid-career artists to advise on their careers, consider legacy issues, and encourage best practice for archiving their work.
• Work with artists in later stages of their career to help preserve, archive and digitize photographic work for future heritage.
• Establish and maintain an archive, collection and library of historical and contemporary photographs.
• Form partnerships with other arts organizations, including Universities, to provide a hub for British photography past, present and future.

The Foundation trustees are: Claire and James Hyman, Christiane Monarchi (who edits Photomonitor) and Gary Blaker QC. 

Read the newsletter here: http://www.britishphotography.org/news/2404/moredetails/annual-newsletter-2020

The University of Liverpool is offering a PhD studentship entitled 'The Migrant Eye: Reactivating the Photographic Past through Archives and Exhibitions in Liverpool and North West England'. It is supervised by Professor Michelle Henning and Dr Jordana Blejmar, both in the Department of Communication and Media.

This collaborative doctoral project between the University of Liverpool and Tate will investigate photography archives and the work of named photographers to address the experience of exiles, migrants, stateless, and marginalised people. The partnership will benefit from Tate Liverpool’s strong interest, under its new director, Helen Legg, in addressing the Liverpool region’s migration history and its multiculturalism, particularly in relation to its vibrant contribution to the arts and photography. Together, we are interested in the photographer as a marginalised or migrant figure, how marginalisation and the experience of migration might inform their gaze, how such photographers have come to contest and to shape a cultural and collective memory, and how that can inform contemporary curatorial, learning and interpretation practices. 

Full details are here and the deadline for applications is 5 February 2021. 

To find out more please contact Professor Henning directly by email at Michelle.Henning@liverpool.ac.uk or call: 0151 795 8694.  

The School of Journalism, Media and Culture (JOMEC) has a long-standing reputation as a world-leading centre for innovative teaching and research. The following studentship is available: Amnesty, Archives, Activism: Photojournalism and the Development of Human Rights Media Campaigns in Britain since the 1960s. Supervisor and contact information to obtain further details: Dr Tom Allbeson

See more here.

The Network for Developing Photographic Research is inviting researchers to participate in an upcoming monthly event series, 1000 Words, which will start at the start of 2021. The idea is very simple: each speaker selects one photograph, uses it to write roughly 1,000 words reflecting on a key aspect of their research and presents it in the form of a ten-minute talk.  Each presentation will take the form of a live-streamed event and a voiceover video clip that we will feature on our website. We will be pairing together speakers whose research interests are overlapping or offer interesting perspectives on a given theme. This is a fantastic opportunity for budding researchers to share their work informally in a way that is snappy (if you’ll excuse the pun), engaging and, we hope, will lead to lots of fascinating photo research-related discussion!  

Email a short bio, proposal or any questions to photo.research.network@gmail.com

Visit the NDP website here: https://developingphotoresearch.wordpress.com/

The 100th anniversary of the Cottingley Fairies, one of the most famous hoaxes of the twentieth century, is being marked by a new exhibition curated by an academic from the University of Huddersfield. It will open in January 2021 at the University of Leeds Brotherton Library, subject to COVDI restrictions being lifted. It is curated by Dr Merrick Burrow, Head of English & Creative Writing, and will form part of the Treasures of the Brotherton Collection at the University of Leeds.  

It is the first time that many of the artefacts from the hoax, which fooled many including Sherlock Holmes author Sir Arthur Conan Doyle, have been put on public display. The Brotherton Library holds many of the photographs and artefacts relating to the Fairies, although the National Science+Media Museum holds the cameras used by the two girls, after a public appeal saved them from a Christie's auction. 

The hoax began in 1917, when Elsie Wright took a photograph of her cousin Frances Griffiths with some dancing fairies she had drawn and attached to hat pins near their home in the village of Cottingley, between Bradford and Bingley in West Yorkshire. This, and subsequent photos, eventually found their way to Conan Doyle, who staked his reputation on their authenticity in The Strand magazine in 1920. 

Debate raged over the photos for decades, with Elsie and Frances only revealing how they faked the photographs in 1983, to Geoffrey Crawley, the editor of the British Journal of Photography. Such was the furore over the photographs at the time, that Dr Burrow sees parallels between the entrenched views about the hoax and the more recent phenomena of fake news: “Conan Doyle had converted to spiritualism in 1917 – around the time the photos were taken,” says Dr Burrows. Spiritualism was on the rise at the time, following enormous loss of life in the Great War. “But Conan Doyle also encountered many who thought spiritualism was a fraud, that it was exploiting the grief of people who lost loved ones. There was a lot of animosity towards him and he entered into many heated debates about it, so by the time the photos appeared he was primed to find something that would prove his beliefs. 

“He deliberately created a controversy, what he called in a letter a ‘time-delay mine’ - he published the photos, then went on a lecture tour of Australia! He amplified the whole thing. 

“There are similar elements to what we see in fake news and social media bubbles today.  There was Conan Doyle and those who believed without question in spiritualism in one corner, and their opponents in the Rationalist Press Association and the British Association for the Advancement of Science in the other. Neither would give ground to the other, which is what we see now.” 

The photographs stayed with the family until the girls’ mothers attended a meeting of the Theosophical Society in Bradford in 1920. The photos soon came to the attention of the General Secretary of The Theosophical Society, Edward L. Gardner, who began to show them in his public lectures. Conan Doyle heard about them and got in touch to find out more. 

The times, the circumstances, and a willingness to believe combined to form a ‘perfect storm’ of circumstances and a story that endures even 100 years later.  

“My take on it is that it was an accidental conspiracy,” Dr Burrow adds. “There were a series of minor deceptions that in themselves would not really have amounted to anything. But these were blown up into a global cause celebre through the combination of Elsie’s skill with the camera, the ‘improvement’ of the photos by an expert working for Gardner, and the involvement of Conan Doyle – probably the world’s foremost popular author with an interest in spiritualism.”

The Cottingley Fairies: A Study in Deception, will be on display in the Treasures of the Brotherton Gallery , Leeds, in early 2021.

Images: 

Frances and the Fairies, July 1917. Image credit: Special Collections, University of Leeds
Elsie and the Gnome, September 1917. Image credit: Special Collections, University of Leeds 
The Strand Magazine, December 1920. Image credit: Special Collections, University of Leeds

As a Conservator at the National Science & Media Museum in Bradford, you will work closely with the other members of the core Conservation & Collections Care (CCC) teams based at all SMG sites, and alongside project teams, this may also include supervising short term staff, students and volunteers.

You will undertake all aspects of interventive object and/or photographic conservation treatments on a wide range of materials, this includes condition checking and documentation. You will also advise on display conditions, object protection, object installation and decant, object storage and assist in preventive conservation including integrated pest management and environmental monitoring programmes on site.

Utilising your relevant conservation experience and knowledge, you will work both independently and as part of a team to plan and execute programmes of conservation of inventoried objects in the collections required for loans, exhibition and touring on time and to budget. Using your awareness of collections-based hazards you will ensure compliance with best professional practice and statutory requirements.

See the full specification and apply here.

The Journal of Victorian Culture Online the blog and online platform of the Journal of Victorian Culture has published a short paper by Rose Teanby titled 'Wish You Were Here: Victorian women pioneers of travel photography'. In it Rose discusses several early British and European women photographers. The paper is free to access and read. 

See: http://jvc.oup.com/2020/12/11/victorian-women-pioneers-of-travel-photography/

Image: Ida Pfeiffer [cropped] by Franz Hanfstaengl, 1856. Print, Austrian National Library   ANL/Vienna Picture Archive NB 504188-B. http://data.onb.ac.at/rec/baa12992972

Geoff Belknap, Head Curator at the National Science+Media Museum, Bradford, has written an extended blog discussing how photography is being collected within the Science Museum Group.

Photography presents particular challenges because of the ubiquity and extent of the medium, although the museum continues to collect both photographs and photographic technology.  As Belknap notes: "we want to tell compelling stories about how photography affects our lives, but we also need to acknowledge that we can’t tell every story about photography". With a spectrum ranging from the processes and equipment through to the photographic image, "there lays a whole range of meaning for photography based on how we use photography, such as for scientific research; for political reasons; to monitor and record; as commercial objects; as tools for circulating and exchanging information; or as aesthetic creative expression. This middle ground can be called photographic practice".

As such, he notes, "our focus will emphasise the areas of photographic process and practice...this means we are particularly interested in the stories of how material images and technology (whether analogue or digital) were made and used... In other words, we are less interested in what is represented in a photograph, and more interested in its production and use."

Read Geoff's full blog post 'Process, Product and Practice: Our approach to collecting photography' here: https://www.sciencemuseumgroup.org.uk/blog/collecting-photography/

The Photographers’ Gallery has announced highlights of its 2021 programme, including major exhibitions of Sebastião Salgado and Helen Levitt, the 25th anniversary exhibition of the Deutsche Borse Photography Foundation Prize, a rare exhibition of archival photographs from the Guardian Picture Library and a newly commissioned work by Turner Prize co-winner, Helen Cammock.

2021 also marks the fiftieth anniversary of The Photographers’ Gallery and over the course of the year, the Gallery is staging a special series of exhibitions and events reflecting on its legacy and impact and looking towards the future of photography in a rapidly changing world. Full details of these will be announced in the new year and will include a look back at five decades of the Gallery’s history, while reflecting on the wider photographic landscape.

In Summer 2021, the gallery is delighted to launch the Soho Photography Quarter in partnership with Westminster Council. This major public space development in the West End will transform the area outside TPG, creating a pedestrianised open-air gallery with a rolling programme of specially curated exhibitions and commissions.

https://thephotographersgallery.org.uk/

10×10 Photobooks is pleased to announce the launch of a new program of annual photobook research grants to encourage and support scholarship on under-explored topics in photobook history. The first year’s theme expands on 10×10’s forthcoming project What They Saw: Historical Photobooks by Women, 1843 to 1999 that will launch in Fall 2021 in association with the New York Public Library and will include a touring reading room, publication, and series of public events.

10×10’s photobook research grant application is now open through March of 2021 and accepts submissions related to research and scholarship that seeks to fill gaps and supply missing information in the history of women and photobooks from 1843 to 1999. The concept of the photobook is interpreted in the widest sense possible: classic bound books, portfolios, personal albums, unpublished books, zines, and scrapbooks. Research topics may include, but are not limited to: significant but lesser-known photobooks by women, women book-makers in underrepresented regions, women uncredited for their contributions, women in book publishing and women photobook designers and publishers, etc.   

The Grant:

10×10 Photobooks will award 2 grants per year, in the amount of $1,500 each which will be paid in increments during the course of the project.

Grantees are expected to produce a presentation and a paper within a year of the grant being awarded. Paper needs to be in English. Grantees will be assigned a contact/mentor. 10×10 will also assist where able and desired with in-progress review, identifying information, making introductions, etc. The result of the research will be presented and discussed during an event organized by 10×10 Photobooks (a zoom online event and as possible a physical gathering at a relevant festival/fair/conference).

10×10 will be granted the right to publish the resulting paper online and in print in a 10×10 publication. The writer retains copyright and after your work is presented/published by 10×10, you are free to republish it, or to give others permission to republish it. We ask that if you do so, you credit it as follows: [article name] by [author] was supported by 10×10 Photobooks.

See more: https://10x10photobooks.org/10x10-research-grants/

Colin Ford, one of the first curators of photography in Britain and the founding head of the National Museum of Photography, Film and Television, will be talking to Gilly Read about his career on 28 January 2021. 

The event is free but registration is required here: https://rps.org/ColinFord