12201219466?profile=originalThis one-day, interdisciplinary workshop aims to bring together researchers, archivists and curators to explore twentieth-century photo-magazines from across the British Empire and Commonwealth during the so-called ‘golden age of photojournalism’.

As well as the birth of photojournalism, the seismic political, cultural and technological revolutions of the interwar period also gave rise to a novel publication format – the photo-magazine. As Stuart Hall characterised it in his seminal 1972 essay on Picture Post, these were ‘image-over-text’ publications which gave primacy to the photographic image arranged into dynamic layouts and photo-stories by an innovative cadre of picture editors and art directors.

Exemplified by photo-reportage from the Spanish Civil War, this novel format was catalysed during the Second World War via widely circulated visual information campaigns by both commercial organisations and political actors. In the postwar period, the photo-magazine format was deployed by British occupying forces in defeated Germany. Photo-magazines were also a vital element of flourishing public relations initiatives by both newly established agencies of the UN and a host of industrial and manufacturing companies concerned about image management.

Thus, throughout the central decades of the last century, the general readership photo-magazine was developed and used to communicate with large, diverse and/or distant audiences. This format constituted a defining aspect of a public’s visual experience prior to the segmentation of magazine audiences from the 1960s and the dominance of television. This period – arguably, the golden age of photojournalism – coincides with the decline and disestablishment of the British Empire.12201220058?profile=original

We aim to coordinate a selection of papers that look at publications from across the British Empire and Commonwealth in this period. These will address how such photo-magazines sought to instruct and entertain; how they represented social issues; how they othered and racialised indigenous communities; how they documented conflict; how they obscured, as much as revealed, historical developments; how they constructed, connected or divided audiences and publics; and how they explored or framed key tensions in the changing political landscape of the British Commonwealth and its constituent dominions and dependencies.

Hosted by the Tom Hopkinson Centre for Media History at Cardiff University, this initiative is a collaboration between Dr Tom Allbeson (Senior Lecturer in Media History, Cardiff University) and Dr Kevin Foster (Associate Professor in Literary Studies, Monash University).

We invite proposals for individual 20-minute papers from scholars, archivists and curators at all career stages working on relevant topics, as well as proposals for themed panels comprising three related 20-minute papers.

Please submit an abstract (max 500 words) and a short biography (max 200 words) by 1 August 2023 to the convenors, allbesont@cardiff.ac.uk and kevin.foster@monash.edu.

If possible, we will endeavour to provide funding to support travel costs for early career researchers. For international contributors, we could also consider a themed panel delivered via Zoom.

Call for Papers: Photo-magazines across the British Empire & Commonwealth, c.1925-75
One-day workshop, School of Journalism, Media & Culture, Cardiff University
Friday 22 September 2023
Deadline for paper call: 1 August 2023

E-mail me when people leave their comments –

You need to be a member of British Photographic History to add comments!

Join British Photographic History

Blog Topics by Tags

Monthly Archives