I wonder if anyone can shed light on the possible existence of a Chevreul photographic process. I’ve come across the following announcement in the Lynn Advertiser of 28th March 1857.
"W. Taylor begs to announce that he has completed his arrangements for carrying out the beautiful system of pure, untouched Photography, so successfully practised by M. Chevreul, of Paris, – producing Portraits equal in richness to the highest finished Mezzotint Engravings, and leaving nothing to wish for either as regards faithful resemblance or artistic finish."
I understand that Michel-Eugène Chevreul was a chemist whose career included work on dyes, colour theory and the chemistry of fats, but I can find no mention of a specific photographic process being credited to him. He was, however, involved - both as mentor and promoter - with the work of Abel Niépce de Saint-Victor, who made advances in the preparation of glass negatives and albumen paper, and there do seem to have been occasions when Chevreul presented Niépce’s work to the photographic community. Is it, therefore, likely that Taylor was actually adopting (and misattributing) one or more of Niépce’s improvements to the wet collodion process? Or have I missed something? Any thoughts would be most welcome.
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Just found this thread while researching Chevreul. I believe the colour daguerrotypes were first done by Edmond Becquerel and worked on by Niépce de Saint-Victor. This may also be the 'Polychrome process' noted in 1859 (Taylor JT. Discoveries and Rediscoveries in Photography; with an account of the Alabastrine Process. Journal of the Photographic Society. 1859 January 21; 5(77):151-4).
There is a useful resource on Chevreul and photography (Fournier J, Fournier P. Chevreul and photography. In: Roque G, Bodo B, Viénot F, editors. Michel-Eugène Chevreul: Un savant, des couleurs! Paris: MNHN/EREC. 1997. p. 113-28. ISBN 2-85653 50308), chapter available here.
I am interested to hear anything more on Chevreul.
Thank you. I had missed that. Unfortunately the 1865 announcement came too late for William Taylor, who died in 1861. Some refinement of the wet collodion process seems most likely to have caught his attention. (References in his adverts to 'Talbotype photography' [March 1855] and 'by the glass or paper process' [May 1866] indicate that he had been going down the negative/positive route.) I've found references to Chevreul in the BJP during the 50s, but nothing that seems to amount to a distinct 'system' of photography.
Thanks again - I'm grateful for the interest.
Chevreul developed a process of colour daguerreotypes which was described in the BJP 29 December 1865, p. 653 'Historical Notes on Photography in Natural Colours'. He seems to have done much besides in photography and across the sciences. I am sure others will be able to add to this.