NMeM seeks Membership Executive

Posted by Michael Pritchard on April 2, 2010 at 11:47

Our aim is to create a museum that engages people as it evolves. Our membership scheme is an exciting part of that vision. Your role is to implement a marketing strategy that promotes Museum membership and encourages our audience to be a part of our future. Through a combination of literature, events and local business liaison, you will help to attract a diverse membership base, grow membership levels and, ultimately, generate maximum income for the Museum.

Experience of marketing practices in a similar sector is essential, including direct marketing and print production. You must be adept at using databases and your administrative skills will be exceptional, with strong attention to detail. Flexible and adaptable, you will be comfortable liaising with a wide range of people: members of the public, internal and external stakeholders.

This is an opportunity to help grow the Museum’s reputation, build a loyal audience and ensure that we enjoy a profitable, prosperous future.

For more details click here.

Hours: 35 per week

We regret that we can only respond to successful applicants. No agencies please. We are an equal opportunities employer.

Closing Date: 19th April 2010

Interview date: 26th April 2010

Award winning, visionary and truly unique, The National Media Museum embraces photography, film, television, radio and the web. Part of the NMSI family of museums, it aims to engage, inspire and educate through comprehensive collections, innovative education programmes and a powerful yet sensitive approach to contemporary issues.

V&A/British Museum buy Middle Eastern photography

Posted by Michael Pritchard on March 2, 2010 at 13:03

The Independent Charity The Art Fund has allocated £100,000 to the British Museum and the Victoria & Albert Museum to help create a national collection of recent Middle Eastern photography. The two museums approached the Fund last year, and have so far received £57,000 to buy 31 works. Apart from being a young area in the art market where prices are affordable, Middle Eastern photography is also an area of growing interest. For the V&A, the acquisitions will fit into its national photography collection. For the BM it is an opportunity to reflect on the connections between its historic Islamic art collections and the extraordinary artistic, social and political changes that have been taking place in the region.

NMeM set to launch search for London presence design team

Posted by Michael Pritchard on March 1, 2010 at 14:30

Design Week reports that the National Media Museum, Bradford, is set to launch a search for a team to provide integrated design services, including architecture and engineering, for its London Galleries Project. The project will see the creation of 1500m2 of exhibition galleries in a location in the capital believed to be at the Science Museum in South Kensington. The NMeM's Charlotte Cotton who is based at the Science Museum is heading the project.

The galleries are set to open in September 2012, and will focus on photography, film, television, radio and the Internet. The gallery space will feature: flexible installation spaces; a screening and performance space; private study rooms; a large welcome lounge; and a café and bar.

The NMeM parent body the NMSI is seeking designers to provide: ‘a digital, audio and visual environment that befits a forward-thinking and media-based project’; ‘a suite of facilities that are truly flexible and respond to the day-and-night programming of the entire but also specific areas of the space’; and ‘a design identity that is coherent on both macro and micro levels, from the use of the space’s existing features to the materials used for gallery and library furniture’. NMSI adds that the project is not fully funded yet.

Expressions of interest are currently being sought, and suppliers will be invited to tender through the Official Journal of the European Union from 14 April. The contract will be awarded on 15 June 2010.

Eadweard Muybridge at Tate London

Posted by Michael Pritchard on February 28, 2010 at 7:00

The pioneering British photographer Eadweard Muybridge (1830-1904) will be the subject of a major retrospective at Tate Britain in autumn 2010. Bringing together around 150 works, this exhibition will demonstrate how Muybridge broke new ground in the emerging art form of photography. From his iconic images of animals and humans in motion to depictions of the sublime landscapes and life of the dynamic America of the later nineteenth century, the exhibition will explore the ways in which Muybridge created and honed his remarkable images that continue to resonate powerfully with artists and photographers.

Born in Kingston upon Thames in April 1830, Muybridge studied photography in Britain and built his career in America. Perhaps best known for his extensive photographic portrayal of animals and human subjects in motion, he was also a highly successful landscape and survey photographer, documentary artist, inventor, and war correspondent. Muybridge’s revolutionary techniques produced timeless images that have profoundly influenced generations of photographers, filmmakers and artists, including Francis Bacon, Marcel Duchamp, Jasper Johns, Cy Twombly, and Douglas Gordon.

This broadly chronological exhibition will focus on the period of rapid technological and cultural change from 1870 to 1904. It will include the celebrated early experimental series of motion-capture photographs such as Attitudes of Animals in Motion 1878-1882, and the later sequence Animal Locomotion 1887. It will also consider how Muybridge constructed, manipulated and presented these photographs and will feature his original zoopraxiscope, which projected his images of suspended motion to create the illusion of movement.

Muybridge’s carefully managed studio photographs contrast with his panoramic landscapes of America, in which he balanced professionalism with a truly artistic sensibility. He was fascinated by change and progress and his photographs caught both the natural beauty of this vast continent, and the rapid colonial modernisation of its towns and cities. The exhibition will include many of his series of images of the Yosemite Valley, including dramatic waterfalls from 1867 and 1872, along with views of Alaska, Guatemala, urban panoramas of San Francisco, and his 1869 survey of the construction of the Central Pacific Railroad in California, Nevada and Utah. These photographs form a unique social document of this fascinating period of history, as well as representing a profound achievement of technological innovation and artistic originality.

Muybridge travelled between Britain, America and Europe throughout his career, studying photography in Britain, and later lecturing around the world. In 1874 while living in San Francisco he shot his wife’s lover dead and had her son placed in an orphanage, but was acquitted of the crime as a ‘justifiable homicide’, a story retold in Philip Glass’s opera The Photographer. He returned to England in 1894, and died at home in Kingston in 1904.

The exhibition is curated by Philip Brookman, Chief Curator, Corcoran Gallery of Art, Washington and at Tate Britain by Ian Warrell, curator of 18th and 19th century British Art, Tate, and Carolyn Kerr, curator, Tate Britain, and is organised with the Corcoran Gallery of Art, Washington. A fully illustrated catalogue, produced by the Corcoran Gallery of Art, will be available

The exhibition will be at the Tate's Linbury Galleries, Tuesday 8 September 2009 – Sunday 16 January 2011
Admission £10 (£9, £8 concessions)
Opening hours: 10.00-17.50 (last admission 17.00)

The show is organised by the Corcoran Gallery of Art, Washington DC

The Narrator’s Gaze, Fifty years of Documentary Photography

Posted by Michael Pritchard on February 28, 2010 at 6:53

The National Coal Mining Museum for England will be hosting a symposium, entitled ‘The Narrator’s Gaze, fifty years of documentary photography’, on Friday 26 March 2010, from 10.30am until 4.30pm. The event is being held in association with the new special exhibition, ‘Northern Soul, John Bulmer’s images of life and Times in the 1960s’.

A pioneer of colour photography during the 1960s, Bulmer’s work was included in the very first colour supplement launched by The Sunday Times. Inspired by The Times Special Issue entitled ‘The North’, the exhibition includes work specially reprinted from this influential story.

The conference celebrates fifty years since Bulmer first began recording England’s industrial heritage and will be chaired by Colin Harding, the Curator of Photographic Technology at the National Media Museum. The keynote speakers, whose work spans each of the last five decades, include John Bulmer, Homer Sykes, Martin Jenkinson, Ian Beesley, and Moira Lovell.

The event is being held in association with the University of Bolton and Gallery Oldham. A second symposium linked to Gallery Oldham’s forthcoming photography exhibition, ‘The North South Divide’, will be taking place at the Gallery Oldham on 15 May 2010.

Tickets for ‘The Narrator’s Gaze, fifty years of documentary photography’ are on sale now at £15.00 each; concessions are available on request. The tickets price includes refreshments as well as a tour of the exhibition. A reduced rate is available for delegates attending both events. For more information or to book tickets, please contact the Museum’s Booking Officer on 01924 848 806 or visit the Museum’s website www.ncm.org.uk

BJP ceases weekly publication

Posted by Michael Pritchard on February 26, 2010 at 11:30

After more than 150 years the British Journal of Photography is to cease weekly publication and will return to being a monthly. Established in 1854 as a monthly, the BJ went fortnightly in 1857 and then weekly in 1864. The 3 March 2010 issue will be the first of a redsigned monthly magazine. The move leaves Amateur Photographer (established 1884) as the only weekly British photographic magazine.

Changing market conditions and the growth of the internet have precipitated the change. The BJ has a strong web and blog presence but for the last few years its influence within photography has declined as it has focused more on press, fashion and the image, moving away from a more general concern with photography. It's heyday was probably during the 1980s when a range of contributors under the editorship of Geoffrey Crawley kept readers informed about everything from holography and history, to interviews with business personalities as well as photographers. It's worth quoting one of the aims of the journal from issue no. 1 of January 14 1854: 'The admirers of the art naturally desire to have more particulars, and the practical operators more full and precise records of the suggestions, experiments, and successes in various parts of the world' by the end of 1854 it was able to be claim that it held 'the position of principal Provincial organ of Photography'.

The change is the end of an era for the British photographic press. For most of its history the BJP was always the most important journal of photography reporting news and features across the full spectrum of photography. It is sad that has now ended.

Read nore here: http://www.bjp-online.com/public/showPage.html?page=873499

NMeM visitor numbers fall 18 per cent

Posted by Michael Pritchard on February 24, 2010 at 17:30

The Association of Leading Visitor Attractions has published its latest survey of UK museum and gallery visitor numbers. In 2009 the National Media Museum, Bradford, saw 613,923 visitors - a decline of 18 per cent on 2008. The 2008 figure was 745,857 which had been a 4 per cent rise on 2007. Many other museums and galleries - especially those with free admission like the NMeM - had seen a boost to their numbers with the public turning to free activities due to the recession.

Colin Philpott, the NMeM Director commented: "We are disappointed that our visitor numbers were down in 2009 but this comes on the back of a period of considerable growth in the previous three years.

A number of factors have had an impact on our visitor numbers. Our summer holiday programme did not prove as popular as in previous years. Along with some other West Yorkshire attractions the ‘staycation phenomenon’ (people holidaying in the UK rather than abroad) appears to have passed us by as “stay at home” holidaymakers chose traditional UK tourist destinations such as the coast and cities like York.

Maintaining growth in visitor numbers is a challenge for any attraction and we have not had a major new gallery opening since Experience TV in 2006. However during 2010 we have already invested in a £400,000 redevelopment of the foyer area including a new Games Lounge, an interactive exhibition examining the history of videogaming, which opened last week and which is already proving extremely popular. More improvements are planned and we are confident we can improve visitor numbers over the coming years.

As important as visitor figures are, the Museum is doing extremely well in terms of other measures of success. Survey results show that our visitor satisfaction rates remain consistently high. In addition, the National Media Museum, alongside its sister venues - the National Railway Museum and the Science Museum - were last year named as the first museums in the UK to be awarded World-class Customer Service status."/font>

Jesse Taylor: Exhibition ‘Campden Then and Now’

Posted by Michael Pritchard on January 20, 2010 at 20:26

For the past year, CADHAS (Campden and District Historical & Archaeological Society) has been running an Awards for All project about Jesse Taylor, our local photographer 100 years ago, culminating in an Exhibition of his work next weekend 23/24 January. We had a ‘eureka moment’ in our research when we found a picture of the town’s Floral Parade in 1896 by Henry Taunt, well-known Oxford photographer, with another photographer in the corner of the frame, and matched it with one from our Jesse Taylor collection, proving a link between the two men. Chipping Campden, a small market town in the Cotswolds, has a long and well-documented history but now the recent past is coming to life through these photographs, from glass plates deposited with Gloucestershire Archives. The project has involved volunteers working with the Archives staff to conserve the plates and digitise the images. Local schools and groups of older people have been looking at the images and comparing life then and now. Instead of the pigs and sheep wandering down the High Street we have cars searching for parking spaces! The Exhibition ‘Campden Then and Now’ is in the Town Hall on Saturday 23 and Sunday 24 January, 10 am – 4pm. On the Saturday at 3.15 pm there will be a talk by Graham Diprose, about the work of these early photographers. Graham Diprose is joint curator of the current Henry Taunt exhibition at Oxfordshire Museum, Woodstock ‘…in the footsteps of Henry Taunt’, showing pictures of the River Thames in Victorian and modern times. Judith Ellis

New Book: J W G Gutch (now available)

Posted by Michael Pritchard on March 27, 2010 at 9:45

Ian Sumner has authored a book on the early British photographer J. W. G. Gutch based on five albums produced between 1856 and 1859. In search of the Picturesque. The English photographs of J. W. G. Gutch 1856/59 which is now available.

John Wheeley Gough Gutch was born in Bristol in 1808 and was involved in photography from its earliest days. A contemporary of Talbot, Gutch was experimenting with photography as early as 1841. Partially paralysed and using the wet-collodion process he travelled many miles of rural tracks taking photographs. His work, which influenced the poets and painters of the period, has remained virtually undiscovered for more than 150 years. The images in the book concentrate on his English landscapes and portraits from trips that he undertook between 1856- 59 to Malvern, North Devon, Gloucestershire, Cornwall and The Lake District.

The book selects more than 100 images from five albums, from two photograph collections, and publishes them for the first time and is accompanied by a biography of Gutch.

In search of the Picturesque. The English photographs of J. W. G. Gutch 1856/59
Ian Sumner
ISBN 978-1-906593-27-8
192 pages
£14.95
Orders to: sales@redcliffepress.co.uk
Westcliffe Books, an imprint of Redcliffe Press Ltd. 81g, Pembroke Road, Bristol. BS8 3EA. tel: 0117 9737207

NMeM job: Senior Exhibitions and Partnerships Organiser

Posted by Michael Pritchard on January 18, 2010 at 15:13

The National Media Museum presents up to six temporary exhibitions every year. We attract over 700,000 visitors and have ambitious plans to raise our profile further. We have developed a national touring and partnerships strategy that will take our exhibitions to galleries, museums and arts centres across the UK. Your experience of managing touring exhibitions, brokering relationships and working collaboratively with external partners will be essential to the successful delivery of this strategy. You will take a lead role in managing the touring budget and working with touring venues to oversee the delivery of exhibitions. This is a fantastic opportunity to promote our temporary exhibitions to new audiences and establish an extensive range of partners across the UK. You will also help us continue to deliver a vibrant temporary exhibition programme by leading cross-function teams to develop exhibition and display ideas, present proposals to colleagues and create the necessary feasibility and scoping documents. Experience of managing the production of exhibition projects in a museum or gallery is essential here. Award winning, visionary and truly unique, the National Media Museum embraces photography, film, television, radio and the web. Part of the NMSI family of museums, we aim to engage, inspire and educate through comprehensive collections, innovative education programmes and a powerful yet sensitive approach to contemporary issues. Qualification Level: Suitably qualified and/or equivalent experience Salary: £24,500 to £28,750 depending on experience Contract Type: Fixed term until April 2011 Closing date: 1st February 2010 Interview date: 15th February 2010 Click here for details and to apply.

Fellowship in the History of Photography

Posted by Michael Pritchard on January 17, 2010 at 11:00

The National Gallery of Canada has put out a call for application for a twelve month fellowship in photographic history. It is open to art historians, curators, critics, independent researchers, conservators, conservation scientists and other professionals in the visual arts, museology and related disciplines in the humanities and social sciences, who have a graduate degree or equivalent publication history. It is open to international competition and applications should be postmarked no later than 30 April 2010. Fellowships are tenable only at the National Gallery of Canada. The term of full-time residency must fall within the period 1 September 2010 to 31 August 2011. Awards can be up to $5,000 a month, including expenses and stipend, to a maximum of $30,000. Fellowships are not renewable. The Library and Archives provides office space and supplies for the program, with desktop computer workstation running the Windows XP operating system and equipped with Microsoft Word, as well as internal and external telecommunications facilities, and full library support services, including extended hours of access. For general details and how to apply click here: http://www.gallery.ca/english/328.htm For details of past recipients and their research topics click here: http://www.gallery.ca/english/1667.htm

Midley History of Early Photography archived

Posted by Michael Pritchard on March 27, 2010 at 10:00

Last year BPH reported that Derek Wood's excellent website dealing with his publications and research was to close early in 2010 (click here to see the original posting). Derek Wood has emailed to say that the 'Midley History of early Photography' will now continue to be permanently available. The British Library has archived it at the UK Webarchive and it can be found here: http://www.webarchive.org.uk/wayback/archive/20100311230213/http://www.midley.co.uk/:

The archiving has been done well without any missing pages, images or links. It will continue to be live at the original address until July.

The Midley site also had a subdomain, 'Midley Search39 on History of Photography' ( http://search39.midley.co.uk/ ) intended to provide a way of making a single search over approximately thirty-nine websites judged by Wood to be of high value for the history of photography. Sadly, that will go off line in July. The UK WebArchive have rightly decided, that as 'Search39' depended on an external service, that it was not appropriate to archive it along with the main www.midley.co.uk site. However, all is not lost, for the Midley Search39 facility will remain available at least for several, or many, years at a Google Custom Search engine (CSE) page at
http://www.google.com/coop/cse?cx=015777431052609043336%3Apoauettouhg

This is excellent news. As anyone who has read Derek Wood's published papers and research notes knows they remain key texts for their respective subjects. Their continued availability outside of their original publications is to be warmly welcomed.

Exhibition: Where Three Dreams Cross: 150 Years of Photography from India, Pakistan and Bangladesh

Posted by Michael Pritchard on January 15, 2010 at 20:57

This landmark exhibition gives an inside view of how modern India, Pakistan and Bangladesh have been shaped through the lens of their photographers. From the days when the first Indian-run photographic studios were established in the 19th century, this exhibition tells the story of photography’s development in the subcontinent with over 400 works that have been brought together for the first time. It encompasses social realism and reportage of key political moments in the 1940s, amateur snaps from the 1960s and street photography from the 1970s. Contemporary photographs reveal the reality of everyday life, while the recent digitalisation of image making accelerates its cross-over with fashion and film. The exhibition is arranged over five themes with works selected from the last 150 years. The Portrait shows the evolution of self-representation; The Family explores close bonds and relationships through early hand-painted and contemporary portraits; The Body Politic charts political moments, movements and campaigns; The Performance focuses on the golden age of Bollywood, circus performers and artistic practices that engage with masquerade; while The Street looks at the built environment, social documentary and street photography. Over 70 photographers including Pushpamala N., Rashid Rana, Dayanita Singh, Raghubir Singh, Umrao Singh Sher-Gil, Rashid Talukder, Ayesha Vellani and Munem Wasif are presented in the show, with works drawn from important collections of historic photography, including the influential Alkazi Collection, Delhi and the Drik Archive, Dhaka. They join many previously unseen images from private family archives, galleries, individuals and works by leading contemporary artists. Tickets £8.50/£6.50 concessions / free for under 18s & Sundays 11am–1pm Book Now*: +44 (0)844 412 4309 whitechapelgallery.org/tickets * Fee £1 per ticket. Free admission for you and a friend with Whitechapel Gallery Membership. Join now: whitechapelgallery.org/join +44 (0)20 7522 7888

V&A Exhibition: Gothic Architecture and 19th-Century Photography

Posted by Michael Pritchard on January 10, 2010 at 14:30

Drawing on the V&A's rich holdings of 19th-century photographs, this new display examines the relationship that developed between photography and architectural practice in the 19th century and explores how photography facilitated the re-discovery of an idealised past. The display also addresses the role played by photography in the recording of buildings before demolition and its use as a tool for preserving the national architectural heritage. The display features a range of photographs by leading British, French and Italian photographers, alongside of which is a selection of drawings, sketch books, watercolours and prints. It has been curated by Ashley Givens, Assistant Curator of Photographs and Barbara Lasic, Assistant Curator of Designs. The exhibtion is open from 7 January–16 May 2010 at the Victoria and Albert Museum, Cromwell Road, London SW7 in Room128a Architecture. Admission is free.

John Dillwyn Llewelyn 1810-1882 bicentenary events

Posted by Michael Pritchard on February 22, 2010 at 19:30

Richard Morris a descendent through his wife's family of John Dillwyn Llewellyn provides details of a series of events to celebrate the bicentenary of his birth in 1810.

12 January 2010 - Bicentenary of the birth of John Dillwyn Llewelyn (b. 12 Jan 1810)

5 February - Launch of the Lewis Llewelyn Dillwyn Diaries online, a new resource of the Swansea University Library Historical Collections. Details to be announced.

20 February - Penllergare – A Space Odyssey. Llewelyn Hall, Penllergaer. A family event organised by the Friends of Penllergare in association with Astro Cymru. (Free admission) 10.30am - Exhibition, Workshop and Activities. 2.30pm - Talk. From JDL to the Universe, Paul Haley (Director of Astro Cymru & the Share Initiative 3.30pm - 200th Anniversary Tea

3 March (provisional date) - Swansea Museum exhibition on Fellows of the Royal Society from Swansea

17 March - Residents of the Penllergare Orchideous House – A Botanist’s Perspective, Dr Kevin L Davies (research botanist & orchid specialist). 7.30pm. Llewelyn Hall, Penllergaer, organised by the Friends of Penllergare. (Free admission)

18 March - The Scientific Heritage of Wales: The Way Forward, a one-day conference at Cardiff Museum, 9am-4pm. Speakers include Professor John V. Tucker (Swansea University) whose paper, ‘A National History of Science’, includes work on the Dillwyns. A full programme is here. For booking and more information contact the organisers:Events Office, National Museum Cardiff, Cathays Park, CARDIFF, CF10 3NP; T: 029 2057 3148/3325 F: 029 2057 3321; post@museumwales.ac.uk

22 April - South Wales: 250 years of Landscape Change, Richard Keen (TV presenter & Chairman of the Historic Buildings Advisory Council). Organised by Friends of Penllergare. 7.30pm. Swansea Museum, Education Room.

15 May - Penllergare - A Paradise almost lost. Joint study day between West Glamorgan Branch of Welsh Historic Gardens Trust and Penllergare Trust. 10.00am - 5pm approx. at the Civic Centre, Swansea. Tickets available from WHGT Branch Secretary, 2 Cwmbach Road, Llanelli SA15 4EF. £30 including lunch etc. £25 for members of the WHGT and Friends of Penllergare. r.m.lees@coedmor.demon.co.uk, or send an SAE to Rita Lees, West Glamorgan WHGT Branch Secretary, Coedmor, 2 Cwmbach Road, Llanelli SA15 4EF

19th May - ‘The Dillwyns’, Richard Morris.2 pm, at “The Wednesday Club”, Rhossili Village Hall, Middleton. £1.50 admission.. Contact Dudley Thomas, 01792 390242. 29 May - Shooting Stars Astronomy Workshop/ In celebration of the bicentenary of John Dillwyn Llewelyn’s birth, learn about how Victorians viewed the stars in Wales and make your own stellar collage. Waterfront Museum, 11.30am, 1pm & 3.30pm Families 5 - 11. Space Today UK. Families (age 5 – 11) / Free/Delivered by Space Today UK/ pre booking recommended Tel 01792 638950

30 May - Funky Photograms! How did early photographers make their earliest images - without a camera? Find out and make your own using just shadows and light! National Waterfront Museum 11.30am, 1pm & 3.30pm. Families (age 5 – 11) / Free/book at reception on the day

30 May - Sunday Talk and Demonstration: Early Photographic Techniques with Richard Morris FRPS. Leading John Dillwyn Llewelyn expert Richard Morris will discuss Llewelyn’s pioneering work in the field of photography and bring alive his techniques in a practical demonstration. National Waterfront Museum, 2.30 pm Adults/Free/seating first come first served

25 June - Dillwyn Symposium: Science, Culture and Society. A one-day symposium organised by Swansea University. 9.00 am – 5.30 pm at Swansea Museum, followed by a reception (6pm) and evening lecture. A full programme to follow. Contact Kirsti Bohata at k.bohata@swansea.ac.uk

3 July - John Dillwyn Llewelyn’s Penllergare. A walk round the Penllergare estate. 2.15pm. Meet in the Penllergaer Council Office Car Park, (off the A48). Organised by Friends of Penllergare.

18th September - John Dillwyn Llewelyn’s Photographic Legacy. Leading John Dillwyn Llewelyn expert Richard Morris will give a talk and demonstration of the calotype photographic process of 1841 as used by JDL. [Time to be confirmed], at the Woodland Centre, Penllergare. Bookings only as space limited from Friends of Penllergare, Coed Glantawe, Esgairdawe, Llandeilo SA19 7RT or 01558 650416

20 September - John Dillwyn Llewelyn and Photography, Richard Morris FRPS, MPhil. Swansea Camera Club 7.15pm. Web address for location and details: www.swanseacameraclub.co.uk

13 November - ‘Images of Glamorgan’ Glamorgan History Society Day School. A one-day event at The Orangery, Margam including a talk on John Dillwyn Llewelyn by Richard Morris, a talk on Early Photography in Glamorgan by Carolyn Bloore. Contact paulreynolds44@googlemail.com

Guide to the architectural collections in the NMR

Posted by Michael Pritchard on March 26, 2010 at 10:35

A draft guide has been published to the photographers and collections of photographs held by the National Monuments Record at English Heritage. The guide has been compiled by Ian Leith and is intended to help users with the new EH Archives website: see www.englishheritagearchives.org.uk

A copy of the guide can be Archilist 2010.03.24 FINAL 01.doc.

NMeM revamps foyer

Posted by Michael Pritchard on January 9, 2010 at 11:12

The Bradford Telegraph and Argus reports that improvements costing nearly £400,000 to Bradford’s National Media Museum’s foyer should be completed next month. The upgrade includes a new electronic information board, a new box office, a shop and a computer games lounge. Colin Philpott, director of the museum, said: “We are creating a more effective flow of people. The first thing the majority of new visitors ask is where the toilets are. The new welcome board, as we’re calling it, will give people more direction where things are. The new games lounge will enable people to play mainly-1980s arcade computer games. We regard electronic games as an area we want to develop.” In addition the museum has revised its Friends of Film programme. The changes will be the first revamp of the foyer area since the expanded museum re-opened in 1999. This blog reported last year that a London design consultancy had been employed to revamp the museum's signage and this is part of that process. A fuller repoprt can be found here: http://www.thetelegraphandargus.co.uk/news/4840898.Museum_changes_are_the_reel_deal_/

NMeM Bradford: Frederick Evans Exhibition in 2010

Posted by Michael Pritchard on December 27, 2009 at 18:48

After showing at the Getty in Los Angeles from 2 February-6 June 6 2010A Record of Emotion: The Photographs of Frederick H. Evans will be on view at the National Media Museum in Bradford, from 24 September 2010–20 February 2011. The exhibition explores the artist’s images of medieval cathedrals in England and France, rarely seen landscapes of the English countryside, and intimate portraits of Evans’s family and friends. Through a deep understanding of his subject and a delicate handling of light, mass, and volume, Frederick H. Evans (British, 1853–1943) created photographs of medieval cathedrals that capture the innate spirituality of each stone building. Evans began photographing cathedrals in the mid-1880s. He was able to create magnificent examples of light and shadow through the interior views of historic sites such as Ely Cathedral, York Minster, and Westminster Abbey. More than simply recording their physical features, Evans sought an emotional connection with the spaces he photographed, aiming for a “record of an emotion” rather than a piece of topography. His interiors are often dramatic renderings, paying homage to the inner sanctity of the site while also exploiting the architectonic elements. He described the cathedral photographs as studies since he approached each building in a methodical, measured way. In documenting these sites, Evans stayed for several weeks studying them from early morning to dusk, pacing around naves and cloisters and recording—first as notations in a notebook and later as photographic images on paper—the changing effects of light as it illuminated dimly lit interiors at various times of day. Choosing to work in platinum for its tonal range, Evans was a purist who did not believe in manipulating the negatives. He advocated, “Photography is photography; and in its purity and innocence is far too uniquely valuable and beautiful to be spoilt by making it imitate something else.” His expert craftsmanship extended to the presentation of the actual prints, which were carefully mounted onto different colored paper supports or featured a series of applied borders. One of the many highlights of Evans’s architectural photographs is a small selection of prints documenting Kelmscott Manor, home of William Morris, the leader of the Arts and Crafts Movement in England. These photographs, central to the Getty holdings, are arguably among Evans’s finest pieces. Although similar to the grand cathedrals in evoking a kind of reverence, the images are much more intimate and reflective. Starting with distant views of the house from the river, Evans leads the viewer across the site, into the house itself, and through the various chambers. He studied the location and considered the architectural space in a series of views that sought to capture the soul of the place, culminating in photographs of the light-filled attic. Other highlights include A Sea of Steps, one of his most recognizable and appreciated photographs of Wells Cathedral. Evans made several attempts over a number of years to successfully capture the wave-like motion of the worn, stone steps. Today this particular image is among the most renowned architectural renderings in the history of photography. Although lauded for his architectural photographs, Evans was also accomplished in the areas of portraiture, landscape, and photomicrography (photography using a microscope), and he brought to each subject the same intensity that characterizes his cathedral images. A small selection of his photomicrographs will be included in a rare display of the glass lantern slides (photographic images on glass) that Evans used for his public lectures. From 1890 to 1898, Evans ran a bookshop in London. During this time he came into contact with various literary figures, and over the years many of them sat in front of his camera. Included in the exhibition are portraits of the playwright George Bernard Shaw, who shared with Evans an enthusiasm for the pianola (automatic player piano), and the young Aubrey Beardsley, whose graphic talents Evans is credited with having discovered. In his portraits Evans attempted to evoke the sitter’s personality. Using a Dallmeyer-Bergheim lens, because it afforded a greater degree of softness in rendering facial features, he tended to isolate the sitter with little background detail or props to convey their psychological presence. Also on display in the exhibition are photographs by Evans that capture the beautiful landscapes of the English countryside. Evans began making landscapes in the early 1880s when he was seeking respite from health problems and found himself traveling often to the Lake District in the north of England. His numerous trips to local woodland areas in Surrey resulted in photographs of majestic trees that recalled the soaring columns of cathedrals. “For Evans the work was clearly an emotional enjoyment that is revealed in this exhibition of his life and work,” says Anne Lyden, associate curator of photographs and curator of the exhibition. “He attempted to capture what he called ‘a record of an emotion,’ by invoking the potent symbolism of these awe-inspiring spaces.” In Bradford Curator of Photographs Philippa Wright has been responsible for the show.

Margaret Watkins - The Forgotten Woman

Posted by Michael Pritchard on December 9, 2009 at 5:09

For those fortunate enough to be in Glasgow before 15th January there is a chance for a rare treat - an opportunity to see the photographs of Margaret Watkins. Born in Canada in the late 19th century Watkins was successful both commercially and artistically as well as being highly regarded by her fellow photographers in New York during the Stieglitz/Steichen era. As the images on view show she was not only a fine portraitist but had a fine eye for still life compositions, many of which pre-date the more acclaimed work of Paul Strand and Edward Weston. Though she did not appear to have printed much of her later work Robert Burns has made an excellent job of printing up a number of her 1930s/40s Glasgow photos. Her personal story, too long to retell here, much of which comes to us via Joe Mulholland, her neighbour and confidante in Glasgow is the stuff of legend. As Michelin would say in their famous Green Guides "Worth The Journey"!! Donald Stewart. WatkinsPosterMk2161.psd

NMeM: Head of Development appointed

Posted by Michael Pritchard on March 15, 2010 at 15:00

The National Media Museum has appointed a head of development after advertising the post recently. The successful applicant will start on 29 March. Although I have been asked not able to disclose his name until then if anyone uses Twitter a suitable search may pull up the name for you...

Note: this page contains paid content.

Note: this page contains paid content.

Note: this page contains paid content.