The latest issue of British Art Studies no. 18 has gone online and includes two papers of particular interest to BPH readers, from Sarah Parsons and Steve Edwards.
Sarah Parsons, 'Women in Fur: Empire, Power, and Play in a Victorian Photography Album'. The craze for carte-de-visite portraits in the early 1860s established photography as an intensely social practice. As cartes were bought, gifted, traded, archived, and displayed, they captured and created social networks. This article asks what we can learn about the social language and networks of early photography by turning instead to amateur photography, specifically women’s amateur efforts.
Steve Edwards, 'Making a Case: Daguerreotypes'. This essay considers physical daguerreotype cases from the 1840s and 1850s alongside scholarly debate on case studies, or “thinking in cases”, and some recent physicalist claims about objects in cultural theory, particularly those associated with “new materialism”.
British Art Studies is an opens source publication and the full papers can be read and downloaded from https://www.britishartstudies.ac.uk/issues/issue-index/issue-18
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