12270268086?profile=RESIZE_400xStills presents a six week lecture and discussion event in the gallery for students and those keen to develop an understanding of the philosophies and ideas which are most often used to think with, and about, photography.

Have you ever wondered what Post-Modernity really means? And if it has anything at all to do with taking photos?! This course, led by our Research Associate David Grinly, will help you to navigate the terminologies and ideas which sometimes put us off thinking more deeply about photography. Aiming at the big names who stand (sometimes very closely) behind the theories of today, this course will offer approachable “translations” of a selection of critical texts, and provide a space to discuss the questions they raise, now.

Course outline:
1 Nov: Introduction – Photographic Modernity and PostModernity
8 Nov: Walter Benjamin’s The Work of Art in the Age of Mechanical Reproduction
15 Nov: Roland Barthes – Rhetoric and Mourning
22 Nov: Susan Sontag – In Plato’s Cave
29 Nov: Jean Baudrillard – Photographer in the Matrix
6 Dec: Teju Cole and Lucy Sante – The Spectators Malevolent Neutrality

A ticket - from £18 upwards - provides access to all 6 lectures. If you would like to attend individual events but not the whole series, please email info@stills.org and we can make arrangements for this.

Details and booking: https://www.eventbrite.co.uk/e/photographic-monsters-tickets-743390189067

E-mail me when people leave their comments –

You need to be a member of British Photographic History to add comments!

Join British Photographic History

Blog Topics by Tags

Monthly Archives