In 2020 the Don’t Press Print conference organized by the RPS and CFPR brought together nineteen speakers from across the world to discuss historical perspectives on the collodion photographic process and how contemporary artists use the collodion process in their practice. The process was the dominant through the nineteenth century and has seen a resurgence of interest in recent years. The published proceedings are now available.
Two keynotes papers were given by Mark Osterman looking at collodion as a medium, and from France Scully Osterman looking at Sally Mann’s use of collodion. Other papers looked at collodion in Japan, Australia and India, the work of George Washington Wilson, the American Civil War, Miklos Barabas, collodion for halftone, and individual artists’ use of collodion
This book brings together papers from all the speakers plus one additional paper. Papers are from: Frank Menger, Mark Osterman, Adrienna Lundgren, Rachel Wetzel, Ashleigh Black Zsuszanna Szegedy-Maszak, Tony Richards, Ian Chamblerlain, Chihoko Ando, Shreya Mukherjee, Bill Nieberding, Alan Hodgson, France Scully Osterman, Erin Solomons, Rob Ball, Paul Elter, Christian Klant, Steve de Grys, Niamh Fahy, Wilson Yeung, Jo Gane and Alex Boyd.
Don’t Press Print: De/Re-Constructing the collodion process
183 pages, illustrated, paper covers
RPS/ CFPR, 2021
£40
Order here: https://rps.org/DPP01
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