Tate Britain's Victorian and Edwardian Art Research Centre is holding a research seminar on 4 November based around the upcoming BP Spotlight Display ‘Poor Man’s Picture Gallery’: Art and Stereoscopic Photography. Exploring how the reproduction of fine art imagery through the intimate hand-held form of stereoscopy has affected our understanding of both forms of art, the display raises questions about realism central to the nineteenth-century arts. This seminar will provide an opportunity to share research on the works in the display, and to consider the relationship between stereoscopes and fine art.
Programme
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13.00–13.30 ‘A Poor Man’s Picture Gallery’ Denis Pellerin, Curator
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13.30–14.00 ‘Photography, cultural heritage and the expanding historical imagination’ Professor Elizabeth Edwards, Director, Photographic History Research Centre, De Montfort University
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14.00–14.30 ‘Inside the Sepia Cube: stereoscopic photographs of sculptures as ideal exhibition space’ Dr Patrizia di Bello, Lecturer in History and Theory of Photography, Birkbeck, University of London
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14.30–15.00 Tea and biscuits
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15.00–15.30 ‘The Death of Chatterton’ Professor Lindsay Smith, English, Sussex Centre for the Visual
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15.30–16.00 ‘Knowledge in 3D: the art and science of the real’ Dr Kelley Wilder, Reader in Photographic History, Photographic History Research Centre, De Montfort University
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16.00–16.30 ‘Living Pictures for All: Realism, Art and Stereoscopy’ Professor John Plunkett, Associate Professor, Department of English, University of Exeter
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16.30–17.00 Discussion Chaired by Professor Lynn Nead, Pevsner Chair Of History Of Art, Birkbeck, University of London
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Tate Britain, Clore Auditorium Tuesday 4 November 2014, 13.00 – 17.00
The events is free and can be booked here: http://www.tate.org.uk/whats-on/tate-britain/talks-and-lectures/poor-mans-picture-gallery-art-and-stereoscopic-photography
Image: Michael Burr, The Death of Chatterton (red flowers) c.1861 photograph, hand coloured albumen prints on stereo card Collection Brian May © Brian May
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