British photographic history

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Women Making Color Photographs! - A holidays special in the CHSTM-working group on Color Photography

Dr Hanin Hannouch & Janine Freeston, have created a working group on color photography circa 1900, hosted by the Consortium of Science, Technology & Medicine. "The purpose of this working group is to propel a rising field of research; color photography in the 19th and early 20th century in order to reconfigure, expand, and problematize its role in the history of the discipline and in the historical contexts out of which it emerged." 

So far, 100 people have joined the group and so can you by clicking on this link!

Membership is free, easy, and it will give you access to a vivacious Resource section with free articles, videos, & our ever-growing multi-lingual bibliography on turn-of-the-century color photography.

The December 20, 4 PM UK time session will feature a presentation by Janine Freeston about "Women Making Color Photographs"

Abstract: Who are the women who produced color photographs? How did they contribute to the nascent trichromatic color photography processes at the turn of the last century? Are there more of them languishing in archives who have yet to be fully appreciated and how scholars uncover it? As the history of photography continues to evolve in its appreciation of women photographers, the substantial significance that women contributors made to color photography requires consolidation, such as Angelina Acland, Agnes Warburg, Violet Blaiklock, Marjory T. Hardcastle and Olive Edis to name a few. This talk highlights women working on unresolved color processes that demanded more technical, scientific and methodological prowess than that required from their counterparts working in monochrome. For example, some processes lacked chromatic fidelity, and yet a cohort of experimenting highly skilled photographers, a significant number of whom were women, persevered to offer numerous nuanced improvements that had evolved through their practical experiences or supplied work that supported the commercial potential that color photography presented.
I hope to appeal to members of this working group to interrogate their own resources and work together in amassing geographical, technical and biographical findings from the locations they are familiar with to provide a cogent and geographically balanced historical perspective highlighting the means and methods of contributions made by women beyond the exhibition of images. 

Also, on the menu, right after Janine is my short talk "Who is Gabriel Lippmann?"

Known for being a scientist and professor at La Sorbonne, color photographer, winner of the 1908 Nobel prize for physics, Lippmann's position in the history of (color) photography and that of his process "interferential color photography" can be described as awkward, at best. Why is that and who is he? Tune in to find out!

We will also be looking back at the wonderful speakers our working group has featured so far & revealing next year's schedule! 

Hanin

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