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12201182666?profile=originalThe National Portrait Gallery has announced a major partnership with the global leader in family history, Ancestry. Over 125,000 digitised portraits from the Gallery’s extensive Collection will be made available to Ancestry users, and to celebrate, the National Portrait Gallery is working with Ancestry to launch The Nation’s Family Album – a search for undiscovered portraits of everyday British people collated into a representative online album. The initiative invites people of different ages, backgrounds and cultures in the UK to delve through suitcases in attics, scour photos on walls or flick through albums on bookshelves and submit their favourite family images.  

Entrants will be in with the chance of having their own family photographs and stories included in an online exhibition, as well as a display at the iconic National Portrait Gallery in London when it reopens in 2023, following the completion of its Inspiring People redevelopment project. 

The Nation’s Family Album is set to be an important record of our collective history, as it will highlight, celebrate and capture the rich and diverse family stories across Britain, making it easier for future generations to find out more about their family history.  

Entries open today and submissions must be uploaded digitally by Thursday 30 June 2022. Any person in the UK may submit a maximum of three images that relate to the following themes: Belonging, Legacy, Connection and Identity.  

Later this year, a panel of experts – including the National Portrait Gallery’s Chief Curator, Dr Alison Smith, and family history expert Simon Pearce from Ancestry – will shortlist a selection of portraits that best encapsulate the themes of The Nation’s Family Album

The UK, Portraits and Photographs, 1547- 2018 collection, launching on Ancestry today, captures British history and culture in a variety of mediums, including paintings, photographs, sculptures, drawings, and prints. The National Portrait Gallery showcases the work of many acclaimed artists and photographers, but portraits in the Collection are selected primarily for their subject matter and the sitter’s importance to British culture and history. As well as many iconic portraits of famous figures, the collection includes images of individuals from all walks of life, including:

For more information about how to submit your family photographs, entry Terms & Conditions and to explore the collection, visit www.ancestry.co.uk/FamilyAlbum. To buy copies of the portraits from the National Portrait Gallery, please visit www.npg.org.uk/shop/npgprints.

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Publication: Photography in the Great War

12201178862?profile=originalA new book by Jason Bate has just been published by Bloomsbury Academic. Photography in the Great War asks what is it to study historically positioned vulnerabilities in regard to patients in emerging medical photograph collections? What is the impact of the violent nature of institutional archives and imperial modes of ordering on marginalised and suppressed communities? Who exactly is being protected by the ethical protocols and conventions here? Is it the institution, the author, the reader, the deceased historical figure or distant relatives? At what point does or should the subject’s confidentiality take effect? When does a person, their name, their image have a right to privacy and anonymity and when not, and who gets to decide? 

In Photography in the Great War, Jason Bate draws on a rich set of materials to examine postwar experiences of ex-servicemen who were facially-disfigured during the First World War. Weaving together medical, institutional, amateur and family photographic practices and processes under a social history framework, he underscores overlooked aspects of these men’s continued hardships after returning home from the front. In particular, a focus is on the private sphere of the family and the complicated world of employment that disfigured veterans navigated on their return. 

Little attention has hitherto been paid to the aftercare of disfigured veterans once discharged from the army, or the long-term impact on individuals, and the sense of burden felt by families and local communities. In addressing this neglected area, the chapters here illuminate different practices of photography by doctors, nurses, press agencies, and families across the generations to challenge our perceptions of the personal traumas of soldiers and civilians.

Photography in the Great War. The Ethics of Emerging Medical Collections from the Great War
Jason Bate

Bloomsbury Publishing, 2022
See more here: https://www.bloomsbury.com/uk/photography-in-the-great-war-9781350122062/

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12201188078?profile=originalPhotohistories has published an extensive and insightful interview with Grace Robertson & Thurston Hopkins by Graham Harrison. It dates to from 19 January 2011....Sitting with their cats in the lounge of their cottage at Seaford on the Sussex coast, Grace and Thurston are discussing the demise of Picture Post, as Graham Harrison listened. The couple regret not taking their negatives from the ‘Post’ darkroom, nearly all of which went into the Hulton Picture Library....

Read the full piece here: https://photohistories.org/histories/grace-and-thurston-seaford-19-january-2011

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12201185275?profile=originalThe Library of Congress will create a new National Stereoscopic Photography Research Collection, fellowship and public program in collaboration with the National Stereoscopic Association to support one of the nation’s largest collections of this photography format, the two organizations announced today.

Stereographs are paired photographs that provide an illusion of three-dimensionality when placed in a special viewer called a stereoscope. They were among the first photographic entertainment formats that became popular from the Civil War to the early decades of the 20th century when new technologies like motion pictures captured the public’s attention. Recent technical innovations like virtual reality have brought renewed focus to both the history and continued use of the stereo format.

The Library’s Prints and Photographs Division holds one of the foremost collections of stereographs, dating from early daguerreotypes in the 1850s to published sets from the 1930s. More than 40,000 have been digitized and are available online at https://www.loc.gov/pictures/collection/stereo/.

A monetary donation from the association has established the National Stereoscopic Photography Research Fellowship and annual lecture at the Library of Congress. The award will ensure support for research on stereoscopy and the history of photography within the Prints & Photographs Division holdings and the unparalleled photographic history collections at the Library of Congress — including over 15 million photographs, rare publications, manuscript materials and historic newspapers — and build awareness of the Library of Congress as a premier research center for photographs in this format. 

“The Prints & Photographs Division is excited by the opportunity to host its first research fellows dedicated to the study of photography,” said Helena Zinkham, chief of the Library’s Prints and Photographs Division. “The gift by the National Stereoscopic Association will give new scholarly focus to this pivotal, but often overlooked, format.”

“The National Stereoscopic Association sees this as an ideal collaboration, addressing the missions of both organizations. We are delighted to collaborate with the Library of Congress to increase awareness of the importance of stereoscopic photography and to support the scholarship and visibility of photographs as historic resources,” said John Bueche, president, National Stereoscopic Association.

The Library of Congress National Stereoscopic Association Fellowship committee will award up to two fellowships annually (with award amounts from $3,000 to $6,000) to be used to cover travel to and from Washington, D.C., accommodations, and other research expenses to assist fellows in their scholarly research and writing projects on stereoscopic photography, or more broadly within the field of photographic history to the extent that research is connected in some manner to the Library’s holdings on the format.

Graduate students, postdoctoral researchers, independent scholars, creators and other researchers with a need for research support are encouraged to apply.

Additional information about applying for the fellowship is available at this link: https://www.loc.gov/rr/print/national_stereoscopic.html. 

The application deadline is April 15, 2022, and notification of selection will occur at the National Stereoscopic Association’s annual convention in August 2022. The Fellowship research must be completed in 2023.

Additionally, the National Stereoscopic Association is donating a complete collection of the organization’s StereoWorld magazine, related research files, organizational records, historic publications, checklists, and member materials to build the collection and assist in the research and interpretation of stereo photography. The collection will provide an archival home and historic record of the association and its contributions to the field at the national library. 

The Library of Congress is the world’s largest library, offering access to the creative record of the United States — and extensive materials from around the world — both on-site and online. It is the main research arm of the U.S. Congress and the home of the U.S. Copyright Office. Explore collections, reference services and other programs and plan a visit at loc.gov, access the official site for U.S. federal legislative information at congress.govand register creative works of authorship at copyright.gov.

# # #

Media Contact: Brett Zongker, bzongker@loc.gov

Public Contact: Micah Messenheimer, stereofellow@loc.gov

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12201189058?profile=originalThe discovery of the ‘X-ray’ had profoundly significant effects upon modern culture; it pushed the boundaries of science and medicine, operated as spectacle for public entertainment, nourished beliefs in the paranormal and provided a subject through which printed media could raise emerging modern social and ethical issues. The fascination with X-rays has been described as a ‘mania [that] swept the West’. At least forty-nine books and 1,044 scientific essays on the subject appeared in the first year of its discovery. Whilst X-radiation generated incredible cultural and scientific fascination, it was also enveloped into other media, from writing and literature to film and painting. This talk will consider some examples of the cultural and artistic forms that this new discovery took and what they had to say about it.

Dr Tom Slevin is a Senior Lecturer at Solent University. Tom has published numerous works around the themes of modern visual culture, photography, critical theory, the European artistic avant-garde, the philosophy of technology and bodily representation.

 Art, Science & Technology: The Discovery of X-Rays and its Culture
Dr Tom Slevin
Wednesday, 16 February, 2022 Start time: 7:00pm
from £4.50 to support the work of the Southampton City Art Gallery
Register here: https://www.wegottickets.com/event/532395#

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12201190473?profile=originalReposting this from a few years ago, I have an 1870s albumen photo by Mansell, and my colleague Thomas Harris has an 1846 Daguerreotype by Mayall of the same image, clearly an early rubbing of the Rosetta Stone with applied graphics. After years of searching we have yet to find any information about it. My albumen has pencil notations on the reverse that suggest someone was trying to decipher a particular hieroglyphic line.

Can someone here suggest a person I can contact at the British Museum about this?  

Many Thanks, David12201190701?profile=original12201191493?profile=original

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12201187284?profile=originalThe Hyman Collection has announced a new website with additional features and expanded scope to reflect the breadth of the collection. It replaces the original site launched in 2015.  The Hyman Collection is the private collection of Claire and James Hyman. It started in 1996 and consists of over 3000 works from across the world, in all media. 

The current exhibition is: Visual Politics: Recent acquisitions by the Hyman Collection which runs until 1 April 2022. See:  http://hymancollection.org/exhibitions/13/

The Hyman Foundation exists to promote and advance education in and appreciation of the arts, in particular the art of photography, in particular but not exclusively by:
a) The establishment and maintenance of an archive, collection and library of historical and contemporary photography; and
b) Providing support to contemporary artists working in photography through the awarding of grants and commissions in particular but not exclusively to young artists and to women working with photography.

Scope of Activities
The Hyman Foundation aims to promote and support photography in Britain in all its diversity.

The charity aims to facilitate the work of contemporary artists, fund research and scholarship, and address issues of legacy and the preservation of archives.
To serve these objectives, we plan to do the following:

  1. Create a series of funded grants and projects. These include:
    • Grants with a focus on young artists and women working in photography
    • Mentoring for younger and mid-career artists to advise on their careers, consider legacy issues, and encourage best practice for archiving their work.
    • Working with older artists to help preserve, archive and digitize photographic work for future heritage.
    • Research grants for art historical scholarship
  2. Establish and maintain an archive, collection and library of historical and contemporary photographs.
  3. Form partnerships with other arts organizations, including Universities, to provide a hub for British photography past, present and future.

Visit the website here: https://hymancollection.org/

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12201186679?profile=originalFour Corners, in collaboration with Oxford House, and celebrating their exhibition Youth of Yesterday, is sitting down with local photographer Raju Vaidyanathan, who has been documenting London's East End as a Brick Lane and Tower Hamlets resident, since the 1980s.

As a teenager in 1983, Raju acquired an old second-hand camera and started taking photos. Without enough money to print them, it wasn't until the mid-2010s that he started to develop what had by then become over forty thousand negatives of people and personalities in the neighbourhood.

In this talk, Raju will discuss his approach to taking photographs, and how he captured his local area of Brick Lane.

Raju Vaidyanathan in Conversation
Thursday, 3 February 2022 at 1845 (GMT)
Live event, Oxford House, Derbyshire Street, London, E2 6HG

Free, donations welcome
Book here: https://www.eventbrite.com/e/photography-talk-raju-vaidyanathan-in-conversation-tickets-250162261057?mc_cid=405b48e1c6&mc_eid=3b48922efe

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12201183883?profile=originalAny new book from Elizabeth Edwards is significant. Her most recent book has just been published. Photographs and the Practice of History asks what is it to practice history in an age in which photographs exist? What is the impact of photographs on the core historiographical practices which define the discipline and shape its enquiry and methods? In Photographs and the Practice of History, Elizabeth Edwards proposes a new approach to historical thinking which explores these questions and redefines the practices at the heart of this discipline.

Structured around key concepts in historical methodology which are recognisable to all undergraduates, the book shows that from the mid-19th century onward, photographs have influenced historical enquiry. Exposure to these mass-distributed cultural artefacts is enough to change our historical frameworks even when research is textually-based.

Conceptualised as a series of 'sensibilities' rather than a methodology as such, it is intended as a companion to 'how to' approaches to visual research and visual sources. Photographs and the Practice of History not only builds on existing literature by leading scholars: it also offers a highly original approach to historiographical thinking that gives readers a foundation on which to build their own historical practices.

Photographs and the Practice of History: A Short Primer
Elizabeth Edwards
Bloomsbury Academic, 2022
https://www.bloomsbury.com/uk/photographs-and-the-practice-of-history-9781350120655/


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12201183299?profile=originalAs part of its on-going series of talks looking at collections of photography the RPS Historical Group is  hosting Anne Gleave, Curator of Photographic Collections, Archives Centre, Maritime Museum, National Museums Liverpool, who will give an introduction to the Stewart Bale Ltd photographic collection held at National Museums Liverpool. 

The collection consists of most of the surviving Bale negatives, around 200,000, principally large format glass and film, along with approximately 4,000 prints and original documentation i.e. order books or negative registers and client registers.  The date span and diverse range of Bale’s commissions has left a unique visual legacy of Liverpool’s built environment and industrial, shipping and commercial history during a major period of social change and development.  Although principally from the North West, commissions extended nationally.  The range of subject matter is particularly well represented in shipping; docks and cargo handling; engineering; architecture; industry; commerce; transport and World War II bomb damage in and around Liverpool.  The talk will aim to show a cross section of image content, some details of the firm’s history, the collection and the work that has been undertaken to date to preserve and catalogue it.

Presenting the... Stewart Bale Ltd Collection
8 February 2022
Free, online
Register here: https://rps.org/bale

Past talks are available https://www.youtube.com/playlist?list=PLbpBS9KWcBfCfeWAJNybBw15Ps_L3w6gQ

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12201185485?profile=originalThe Archivist post sits within the Programming department at The Photographers' Gallery which includes the Exhibitions, Digital and Education teams. Programming staff are responsible for the planning, development, delivery, evaluation and archiving of: exhibitions, events, projects and related activities. 

The Archivist post will oversee the acquisitions, management, preservation and dissemination of the collections within Archive, alongside participating in the wider work of the organisation. The successful candidate will be a qualified professional with knowledge and experience of archiving practice within a visual arts organisation, with an interest in photography. 

Details: https://thephotographersgallery.org.uk/about-us/job-vacancies-tpg

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12201190079?profile=originalThis informal illustrated talk will explore the photographic practice of Augusta Crofton Dillon (1839 - 1928) of Mote Park House, Roscommon and Clonbrock House, Ahascragh, Galway. Crofton was a talented amateur photographer. Her work is included in one of Ireland's finest photographic collections - the Clonbrock Collection at the National Library of Ireland - and is highly sought-after by private collectors worldwide.

Orla Fitzpatrick has an extensive knowledge of historical photographic practices in Ireland. In her research into Augusta Crofton's work she has examined a wide range of previously neglected source materials. In this talk, Fitzpatrick will draw on her close examination of Crofton's diaries and personal account books. They span a thirty-year period from 1865 to 1895 and reveal new insights into Crofton's experiments with the wet plate collodion process in the 1860s through to her adoption of later technologies and hand-held instant cameras.

This talk is presented as part of In Our Own Image: Photography in Ireland 1839 to the Present - the first comprehensive historical and critical survey of photography in Ireland. The launch exhibition in this year-long programme is on display at the Printworks, Dublin Castle until February 5th.

See more and book: https://app.squarespacescheduling.com/schedule.php?owner=20183240&calendarID=6459355

Livestream: https://www.youtube.com/c/GalleryOfPhotographyDublin/featured

Photography, femininity and leisure: Augusta Crofton Dillon's photographic practice, 1865 to 1895
Dr Orla Fitzpatrick

Live and streamed
Monday, 31 January at 1.15pm
Poddle Room, Printworks, Dublin Castle, Dublin, Ireland

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12201183086?profile=originalImpressions Gallery is a charity that helps people understand the world through photography. Established in 1972, we have grown to become one of the UK’s leading centres for photography.

We are seeking to appoint a Curator to work as part of our small and dedicated team.

The Curator will be responsible for the delivery of exhibitions, commissions, and other curatorial projects in line with Impressions Gallery’s vision and mission. They will contribute ideas to the artistic programme, with opportunities to curate and lead on exhibitions that champion high-quality and risk-taking photography that is accessible to all.

See more and apply here: https://www.impressions-gallery.com/opportunity/curator/

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12201189296?profile=originalThe London Transport Museum, Covent Garden is opening a new exhibition Legacies: London Transport’s Caribbean Workforce from 11 February.  The exhibition celebrates the contribution Caribbean people have made to transport in London since the 1950s to the present day, while also documenting the struggles these individuals and their families endured, especially at the start of their new lives in the Capital.

Striking archive photography, oral recordings of family history, new films, some never-before-displayed objects and advertising posters explore how generations of Caribbean workers have shaped London and its transport.

After the Second World War, the UK’s need for workers to help re-build the country coincided with the Caribbean population’s need for jobs. Britain benefited greatly from those making the difficult 7,000km journey to London.

From 1956 to 1970, LT ran a direct recruitment campaign from Barbados, Trinidad and Jamaica, looking for employees to come and work for the organisation. Arriving with high hopes about starting a new life in Britain, many were shocked with the difficulties they faced including racism, poverty, homesickness and damp, cold British weather.

New recruits worked as bus conductors, station staff, canteen assistants and in track maintenance. Though many employees were skilled and well-educated, they had to take basic, low-paid work and often found promotion difficult due to informal but pervasive discrimination. 

Yet, despite these challenges, many employees have fond memories of enjoying their work, helping to create new social and sports clubs such as the London Transport Caribbean Association and joining LT’s many sports teams.

Visitors will be able to uncover stories and memories from first, second and third generation Caribbean people who worked for LT in the past and now work for its successor, Transport for London (TfL).

See: https://www.ltmuseum.co.uk/visit/museum-guide/legacies-london-transports-caribbean-workforce

 

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12201182299?profile=originalFfotogallery has announced Siân Addicott as its new Director. Siân will join Ffotogallery at the beginning of April from her current role as Head of Undergraduate Photography at University of Wales Trinity St David’s (UWTSD).Siân joined UWTSD in 2013, before becoming Programme Director of the BA Photojournalism & Documentary programme in 2016. In 2019, she took on the leadership of the wider undergraduate photography programme, covering Documentary Photography & Visual Activism and Photography in the Arts. Prior to joining the University in 2013, Siân spent eight years working as International Editor at Camera Press, one of the UK’s largest independent photographic agencies.

Siân said “I am delighted to have been given the opportunity to lead the team at Ffotogallery and build upon its success as the home for contemporary photography in Wales. I’m really looking forward to exploring exciting and new collaborative partnerships with photographers, artists and organisations, and with communities across Wales and beyond, and helping to develop Ffotogallery’s potential following its recent relocation. At a time when photography’s legacy and on-going role in shaping cultural identities is rightly being challenged and re-examined, there has never been a more timely opportunity to ensure Ffotogallery is a welcoming and inclusive space for progressive photography in Wales. “

Mathew Talfan, Chair at Ffotogallery said, “We are delighted with the appointment of our new Director, and believe that Siân will bring a wealth of experience to the role. Her deep knowledge of photographic practice, her combined background in commercial and education settings as well as real understanding of cultural identities in Wales and her commitment to social justice make for a really strong platform on which to lead Ffotogallery.”

https://www.ffotogallery.org/

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12201185669?profile=originalThis session of Addressing Images is based on the work of Singapore photographer Yip Cheong Fun (1903-1989) in the 1960s and 1970s. We will discuss how Yip achieved 美感 (mei gan), or a feeling of beauty, that he along with other “amateur” practitioners in the local photographic community were seeking in the vignettes they composed, sometimes on group field trips across the island city.

Anchoring the discussion is Beauty on Top, made up of concentric rectangles in partial shadow that draws our attention to the female protagonist standing off-centre, her wavy hair and what we can see of her floral qipao contrasting with the angular environment. This photograph by Yip was accepted and hung at the Bournemouth Camera Club International Exhibition in 1964. His participation in photography contests serves as a form of documentation of his work, which he treated more as a hobby than a profession, even after winning multiple awards.

Writings on the oeuvres of Yip and his contemporaries, such as Lim Kwong Ling (1932-), Tan Lip Seng (1942-) and Wu Peng Seng (1915-2006), have thus far focused on the choices they made with general composition and the use of light, and not yet their depictions of the human figure. In this Research Forum event, we will examine how this band of photographers framed the body through their camera lenses. We will also consider how the visual portraits they created can collectively enrich what we know about life in a rapidly urbanising Singapore at the time.

Nadya Wang is a PhD candidate at The Courtauld Institute of Art where she is completing her thesis, titled “Accidental Career Girl to Working Mother of the Year: Her World, Women and the Fashion Industry in Singapore, 1974-1990”. She is Founder and Editor of Art & Market and Fashion & Market, which present specialist content on practices within the Southeast Asian art and fashion communities respectively. Nadya is also a lecturer in the School of Fashion at LASALLE College of the Arts, Singapore.

Framing the Body: Yip Cheong Fun and Singapore Photography in the 1960s and 1970s
Nadya Wang
Courtauld Research Forum
Online,  Friday 28 January 2022
12.30pm to 1.30pm
See more and book here.

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My great grandfather, André François Bulot (1810-1873) is part of the beginning history of photography.  I have found some history about him in British photography history.  I’m thankful for this. I would love more about him.  

He came to the USA in 1856, made his home in Nashville, Tennessee. There he did miniature portraits in watercolor.  I own one of them.  He died there in 1873.  I don’t have his likeness in any form. I’m hope full that I might find this or more information with the work he did in England and France. 

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12201196276?profile=originalDr Sara Dominici writes... I am writing to introduce the new website for my project on amateur darkroom practices. I am keen to connect with researchers and practitioners interested in the histories of the darkroom, and its conceptualisation and theorisation.: https://sites.google.com/my.westminster.ac.uk/amateurdarkroompractices/home  

​Dr Sara Dominici (she/her)
Senior Lecturer and Course Leader MA Art and Visual Culture
School of Humanities I University of Westminster I 309 Regent Street I London I W1B 2HW

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