The National Media Museum is seeking a Creative Director - Exhibitions of international calibre to develop and deliver an exciting, enhanced vision for the content of its temporary exhibitions programme, as it delivers on its goal to be the best museum in the world for inspiring people to learn about, engage with and create media. Key to this goal is the ambition to create a showcase gallery in London to raise the profile of the Museum with new audiences in the nation's capital and to further enrich the city's cultural life.
Individuals with outstanding creative talent from any area of the visual arts and media are encouraged to seek further information by visiting the Perrett Laver website at http://www.perrettlaver.com/candidates, quoting reference 0409. Closing date for applications is 5pm on Thursday 12th February 2009.
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Alison Morrison-Low wrote a review of this book for the Times High Education Supplement which can be found by clicking here
The first part of the review is below. The exhibition on which the book is based will be at the Albertina in Vienna from 20 March and should be worth visiting.
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A lavish catalogue illuminates the secrets of scientific photography, says A.D. Morrison-Low
The conjunction of photography and science has had something of a history, but perhaps not one that has been explored enough. Photography, after all, is the art form (though there are many in the art world who would deny that it is an art form) that was born of optical science married to chemistry in the late 1830s - in France by Louis-Jacques-Mande Daguerre, and in England by William Henry Fox Talbot. Brought to Light: Photography and the Invisible, 1840-1900 is the sumptuously illustrated catalogue of an exhibition of the same name which, after a lengthy run in late 2008 in San Francisco, will be at the Albertina museum in Vienna from 20 March until 6 June.
The first such exhibition of historic photographs of scientific importance was held more than 20 years ago at what was then the National Museum of Photography, Film and Television (now the National Media Museum) in Bradford, and named, along with its accompanying book, Beyond Vision. Written by Jon Darius,...Read more…
A new website has been launched which provides images and previously unpublished information about British camera manufacturing companies and their products. The site can be accessed here: www.earlyphotography.co.ukRead more…
The National Media Museum in Bradford has purchased the historically important and unique photograph album, Miniature Edition of Mrs Cameron's Photographs From the Life, 1869 by the eminent British Victorian photographer Julia Margaret Cameron. This acquisition has been made possible through funding from the Heritage Lottery Fund (£10,000) and £5,000 from The Art Fund, the UK’s leading independent art charity. Exclusive details of the content and pictures are given below.
Cameron was presented with her first camera in 1863 at the age of 48. She embraced photography with a passion bordering on obsession, creating an unrivalled collection of portraits characterised by their remarkable intimacy. Cameron is now recognised as one of the most influential figures in the history of photography.
This unique album, the whereabouts of which was previously unknown to Cameron scholars, researchers and the general public, was identified during research undertaken by Philippa Wright, Curator of Photographs at the National Media Museum.
Philippa Wright said: “Acquiring the album is an important addition to the National Media Museum's world class and unrivalled collection of Julia Margaret Cameron’s work. The acquisition will enable us to make accessible a previously privately held object to our visitors, which last year exceeded 735,000 and included international photography scholars.”
Fiona Spiers, Head of Heritage Lottery Fund, Yorkshire and the Humber, said “Over the past 14 years we’ve been helping to keep the UK's collections alive by supporting grants for acquisitions. This particular acquisition is of major significance and will enable this important photograph album to go on public display and enhance the National Media Museum’s existing collection of Cameron’s work."
David Barrie, Director of The Art Fund, said: “This is an extraordinary piece, demonstrating Julia Margaret Cameron’s varied career – not only did she successfully capture eminent figures of her day, she also recorded intimate moments amongst friends and relatives. This album will enrich the National Media Museum’s substantial photographic archive, bringing pleasure to specialist researchers and general visitors alike. We are delighted to be able to continue our support of the Museum with this acquisition.”
The National Media Museum will conserve and make digital copies of the album, preserving it for future generations. There are plans for the album to appear as part of an interactive display in the Museum and permanent access to the album and the Museum’s collection will be available via the Museum’s research facility, Insight.
The National Media Museum holds the largest and most comprehensive collection of Cameron's work, consisting of photographs, ephemera and letters, including her hand written autobiography 'Annals of My Glass House,' and the original lens from her camera.
Since the National Media Museum opened in 1983, The Art Fund has given £430,722 towards new additions to its collections, including two other sets of works by Julia Margaret Cameron.
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The album is titled:
Miniature Edition of Mrs Cameron’s Photographs From the Life, 1869 by Julia Margaret Cameron for her Son Hardinge Hay Cameron, and contains the following images:
1. John Frederick William Herschel, 1867
2. Adolphus Liddell, 1867 (Previously unknown image)
3. Young Astyanax. (Freddy Gould), 1866 ( In the Iliad ( Sir John Herschel’s translation published in 1866), Astyanax is the Son of Hector.
4. (as you look at the album page:
Top left - Blessing and Blessed, (Mary Hillier and Freddy Gould), 1865
Top right – La Madonna Esaltata / Fervent in prayer (Mary Hiller and Percy Keown), 1865
Center – La Madonna Aspettante / Yet a little while (Freddy Gould and Mary Hillier)
Bottom left - The Beauty of Holiness ( Freddy Gould), 1866
Bottom right – The Turtle Doves (Alice Keown and Elizabeth Keown), 1864
5. Charles Darwin, 1868
6. right: Sappho (Mary Hillier), 1865
left: The Wild Flower (Mary Ryan), 1867
7. right- Henry Taylor, Study of King David, 1865 -66
left – Marie Spartali, 1868
8. My Niece Julia [Jackson], 1867
There's doesn't seem too be too much happening in the UK now other than the events already posted. One website which is worth taking a look at is http://special.st-andrews.ac.uk/saspecial/ which will take you to the University of St Andrews Photographic Archive. Lots of fascinating material from Sir David Brewster to Valentine and later material, too. Recommended!
Please feel free too add anything to this site that is relevent to the overall subject area of British photographic history. Remember, this isn't a one-man show - the more contributions the better and there are some very illustrious members...
Michael Pritchard
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Although not strictly history of photography, more the photography of history, English Heritage has identified almost 1,000 new archaeological sites along the North East coast, including ship wrecks, wartime defences and remains of medieval salt factories. A team of English Heritage-funded archaeologists examined thousands of aerial photographs of the coastline, stretching from the Scottish border to Whitby, and pieced together the most up-to-date record of the wealth of historical sites scattered along the coast. Click here to read more.
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I would draw readers attention to a one day conference on British photographic history in the 1970s being held on 14 March in Birmingham. Speakers include Colin Ford, Jane Fletcher, Paul Hill, Peter James, Carolyn Bloore and others and promises to be a fascinating day. Full details are in the 'Events' section.
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Professor Stephen Brown is asking for feedback on the proposed title of a new MA photographic history course which launches at De Montfort University in October 2009. He writes..."We want to make sure the title conveys as accurately as possible what the course is about. So would you mind mailing me (sbrown@dmu.ac.uk) with a few words or a sentence summarising what this title means to you please? "MA Photographic
History and Practice".
Full details of the course which is being led by Kelley Wilder will be circulated in due course.
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I have been actively involved in the art and science of photography since was in elementary school. Study at the college and post degree level allowed me to teach and appreciate the many ways to approach the subject. My blog will discuss the first processes used to capture images and the men and women who used these processes. I will share my recent learning experiences in words and of course, pictures. By sharing my experiences, I hope to inspire you to go beyond just taking pictures and venture into other ways to enjoy this art form.
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The education of the eye. History of the Royal Polytechnic Institution 1838-1881.
Brenda Weeden
Cambridge: Granta Editions, 2008.
The Polytechnic Institution in London plays an important part in the early history of photography being the place where Richard Beard established his daguerreotype portrait studio in 1841. This was Europe's first commercial photographic studio. The Institution was one of a number of commercial enterprises presenting science to popular audiences and is now known as the University of Westminster, still occupying its original premises in Regent Street, London.
This new book, which is one of a series telling the history of the Polytechnic and includes a chapter 'Photography at the Polytechnic'. It's involvement started with lectures and demonstrations soon after photography was announced and by October J. T. Cooper was delivering popular lectures in October 1839. William Henry Fox Talbot made early use of the Polytechnic's resources and licensed it to demonstrate his process. Europe's first photographic studio was built on the roof of the Polytechnic and opened on 23 March 1841 and was operated by Cooper and another chemist, John Goddard. The first Polytechnic photography school opened in Spring 1853. Many will recall learning photography at 'the Regent Street Poly' in the 1950s and 1960s.
Although a general history the book it covers well the Polytechnic's involvement with popular science, photography and other optical media such as the magic lantern. It is written in a lively style and is well illustrated.
The winners of the 2009 And/or Book Awards, the UK’s leading prizes for books published in the fields of photography and the moving image, are to be announced on Thursday 23 April 2009. The awards ceremony will take place at the BFI Southbank, London, and is supported by the British Film Institute and Sight & Sound magazine.
Established in 1985, the And/or Book Awards seek to celebrate excellence in photography and moving image publishing. Two separate prizes are given for photography books and for moving image (including film, television and new media) books published between 1 January and 31 December 2008.
Winners will be selected from two shortlists to be revealed in March 2009. Between them they will share a total prize fund of up to £10,000. All books submitted will also join the Kraszna-Krausz collection of photography and moving image books held in the National Media Museum in Bradford.
The judging panels, chaired by Martin Parr (Photography) and Mike Dibb (Moving Images), are looking for works which make a significant contribution to photographic and/or moving image scholarship, history, research, criticism, science and conservation. A necessary condition is that they use photographs as more than a means of illustration.
Previously known as the Kraszna-Krausz Awards, from this year the two prizes are to be known by the Christian name of their founder, the prolific Hungarian publisher and dedicated founder of Focal Press, Andor Kraszna-Krausz. A new logo has been hand-drawn by David Hockney (see below).
More details can be found at the K-K website. http://www.kraszna-krausz.org.uk/
The National Media Museum comes to Flickr™! The museum debuted in The Commons on the photo-sharing website recently, joining other world-renowned institutions in showcasing their collections.
There are some wonderful images on there as a starting point; a major showcase of Peter Henry Emerson's work in the late 19th century, some fascinating images from the first Kodak camera, the No.1, from the 1880s, and some hilarious, bizarre and totally engrossing photos from a Lancashire-based "medium and physic" William Hope (taken - and doctored - in the early 20th century, some 70 years before Photoshop).
Members of the Museum’s collections team worked with Flickr to make three initial groups of images available online; museum curators Colin Harding, Philippa Wright and Greg Hobson made the selections and provided contextual commentary. The Museum will be posting selections of thematically-grouped photographs that it hopes will give some sense of the surprising breadth and diversity of it's Collection.
The museum's Flickr pages started here: http://www.flickr.com/photos/nationalmediamuseum/Read more…
London's Tate Gallery is advertising a new curatorial position of Curator (Photography and International Art). The purpose of the job is to work on the acquisition and research of works for the Tate Collection. In addition you will contribute to the photography exhibition programme at Tate Britain and Tate Modern. The closing date for applications is 9 January 2009. The full job description can be seen here: http://www.tate.org.uk/about/workingattate/8140_curator-photography-and-international-art.pdfRead more…
