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12201179465?profile=originalAs part of the City of Culture programme, Photo Miners are presenting Richard Sadler's photography of the immediate years after the Second World War in Coventry. In this period, Coventry not only recovered from the horrors of the multiple bombings that devastated the city but also renewed its character through hard work and forgiveness. Coventry became a city of the future, a welcome home to displaced and migrant people and one that pioneered new ways of living through its architecture and planning and innovative industry.

Richard lived through this period and, in a time of scarce photographic resources, committed to documenting Coventry's story. Thanks to his work, we have high-quality visual evidence of 1950s Coventry. At the Old Grammar School, Hales Street, Coventry, Photo Miners are working with communities to curate three sequential exhibitions that try to do justice to both Richard and that time.

The exhibitions are:

12201179865?profile=originalPioneering People: Sadler and the City / 8 February - mid-March 2022

In this first exhibition, we present the people of post-war Coventry: the children, teenagers and young adults that inherited a damaged city and set the common ground to transform Coventry into a city of peace and reconciliation.

You'll see the Umbrella Club, opened by the Goons in 1955 as well as Foleshill Jazz Club from earlier in the decade. We'll show you dancing in the streets too, as well as how to hang out at the precinct in 1950s Coventry.

We also present some photography of Coventry at the time, the damage and the recovery, including a series on the famous Godiva Cafe and Broadgate - to illustrate Coventry's belief then that it is a city of the future, a belief we believe applies today.

12201180701?profile=originalPioneering Industry: Sadler and Courtaulds / End March - end April 2022

Courtaulds was an internationally-renowned man-made fibre manufacturer, producing products used by the military as well as by civilians. It was so strategically important that, as a condition of the USA joining the Second World War, the Courtaulds Company had to give up its manufacturing base and product rights in America.

Courtaulds had facilities across the UK but Coventry was its beating heart - its research centre that developed the products that made its name.

In this second exhibition, we use Sadler's 1951-54 photography to showcase the scientists, workers and processes that made the company such a huge success.

In particular, we focus on how Courtaulds in Coventry employed more women than men, and in particular Vera Furness, who led the research team which eventually created another world-changing product - carbon fibre.

Coventry remains an innovative city and elements of the Courtaulds Company, and their specialisations, have been inherited and built upon, and so we also feature a few examples about specialist companies today.

12201181099?profile=originalPioneering Arts: Sadler and the Cathedral / May - mid-June 2022

The new Cathedral appeared in Coventry not just as an extraordinarily high-quality building designed and built to last for a thousand years but as one that was home to new art. In a time when so much of the past was lost, and so the clamour to return to known ways was strong, the committee that oversaw the new cathedral was steadfast in its commitment to new art. Today we know they made the correct decision and are grateful for it.

This third exhibition, held to coincide with the 60th anniversary of the consecration of the cathedral, celebrates the time when the cathedral was new. We present unseen images of the Sutherland tapestry being offloaded and moved to the cathedral, of it being hung before the internal space was complete. We see the Ramsey-Hoskins nativity scene, now partially lost, making its first appearance. We also present previously unseen images of early mystery plays performed in the ruins. As with the City of Culture today, we're seeing in this exhibition an investment in emerging and new artists whose ways of seeing provide fresh but unfamiliar perspectives. Trust in art and you will be rewarded for years to come. 

12201182463?profile=originalAbout Richard Sadler 

Dr Richard Sadler was the official photographer at Coventry Cathedral, Belgrade Theatre, RSC and Courtaulds for many years. He also undertook arts projects, exhibiting locally, nationally and internationally, finding fame in particular with his portrait of Arthur Fellig, known as WeeGee, the American crime photographer.

Richard exhibited regularly, both locally, nationally and internationally. His website, www.richardsadler.co.uk, has more details on his many accolades and successes.

In 1968 he joined what is now Derby University as a member of the arts faculty and remained there until his retirement in the 1990s. Richard sadly died in 2020 aged 93.

Pioneering Coventry: the post-war photography of Richard Sadler
Old Grammar School, Hales Street, Coventry, between 8 February-30 May 2022
https://photomining.org/

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12201182666?profile=originalThe National Portrait Gallery has announced a major partnership with the global leader in family history, Ancestry. Over 125,000 digitised portraits from the Gallery’s extensive Collection will be made available to Ancestry users, and to celebrate, the National Portrait Gallery is working with Ancestry to launch The Nation’s Family Album – a search for undiscovered portraits of everyday British people collated into a representative online album. The initiative invites people of different ages, backgrounds and cultures in the UK to delve through suitcases in attics, scour photos on walls or flick through albums on bookshelves and submit their favourite family images.  

Entrants will be in with the chance of having their own family photographs and stories included in an online exhibition, as well as a display at the iconic National Portrait Gallery in London when it reopens in 2023, following the completion of its Inspiring People redevelopment project. 

The Nation’s Family Album is set to be an important record of our collective history, as it will highlight, celebrate and capture the rich and diverse family stories across Britain, making it easier for future generations to find out more about their family history.  

Entries open today and submissions must be uploaded digitally by Thursday 30 June 2022. Any person in the UK may submit a maximum of three images that relate to the following themes: Belonging, Legacy, Connection and Identity.  

Later this year, a panel of experts – including the National Portrait Gallery’s Chief Curator, Dr Alison Smith, and family history expert Simon Pearce from Ancestry – will shortlist a selection of portraits that best encapsulate the themes of The Nation’s Family Album

The UK, Portraits and Photographs, 1547- 2018 collection, launching on Ancestry today, captures British history and culture in a variety of mediums, including paintings, photographs, sculptures, drawings, and prints. The National Portrait Gallery showcases the work of many acclaimed artists and photographers, but portraits in the Collection are selected primarily for their subject matter and the sitter’s importance to British culture and history. As well as many iconic portraits of famous figures, the collection includes images of individuals from all walks of life, including:

For more information about how to submit your family photographs, entry Terms & Conditions and to explore the collection, visit www.ancestry.co.uk/FamilyAlbum. To buy copies of the portraits from the National Portrait Gallery, please visit www.npg.org.uk/shop/npgprints.

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Publication: Photography in the Great War

12201178862?profile=originalA new book by Jason Bate has just been published by Bloomsbury Academic. Photography in the Great War asks what is it to study historically positioned vulnerabilities in regard to patients in emerging medical photograph collections? What is the impact of the violent nature of institutional archives and imperial modes of ordering on marginalised and suppressed communities? Who exactly is being protected by the ethical protocols and conventions here? Is it the institution, the author, the reader, the deceased historical figure or distant relatives? At what point does or should the subject’s confidentiality take effect? When does a person, their name, their image have a right to privacy and anonymity and when not, and who gets to decide? 

In Photography in the Great War, Jason Bate draws on a rich set of materials to examine postwar experiences of ex-servicemen who were facially-disfigured during the First World War. Weaving together medical, institutional, amateur and family photographic practices and processes under a social history framework, he underscores overlooked aspects of these men’s continued hardships after returning home from the front. In particular, a focus is on the private sphere of the family and the complicated world of employment that disfigured veterans navigated on their return. 

Little attention has hitherto been paid to the aftercare of disfigured veterans once discharged from the army, or the long-term impact on individuals, and the sense of burden felt by families and local communities. In addressing this neglected area, the chapters here illuminate different practices of photography by doctors, nurses, press agencies, and families across the generations to challenge our perceptions of the personal traumas of soldiers and civilians.

Photography in the Great War. The Ethics of Emerging Medical Collections from the Great War
Jason Bate

Bloomsbury Publishing, 2022
See more here: https://www.bloomsbury.com/uk/photography-in-the-great-war-9781350122062/

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12201188078?profile=originalPhotohistories has published an extensive and insightful interview with Grace Robertson & Thurston Hopkins by Graham Harrison. It dates to from 19 January 2011....Sitting with their cats in the lounge of their cottage at Seaford on the Sussex coast, Grace and Thurston are discussing the demise of Picture Post, as Graham Harrison listened. The couple regret not taking their negatives from the ‘Post’ darkroom, nearly all of which went into the Hulton Picture Library....

Read the full piece here: https://photohistories.org/histories/grace-and-thurston-seaford-19-january-2011

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12201185275?profile=originalThe Library of Congress will create a new National Stereoscopic Photography Research Collection, fellowship and public program in collaboration with the National Stereoscopic Association to support one of the nation’s largest collections of this photography format, the two organizations announced today.

Stereographs are paired photographs that provide an illusion of three-dimensionality when placed in a special viewer called a stereoscope. They were among the first photographic entertainment formats that became popular from the Civil War to the early decades of the 20th century when new technologies like motion pictures captured the public’s attention. Recent technical innovations like virtual reality have brought renewed focus to both the history and continued use of the stereo format.

The Library’s Prints and Photographs Division holds one of the foremost collections of stereographs, dating from early daguerreotypes in the 1850s to published sets from the 1930s. More than 40,000 have been digitized and are available online at https://www.loc.gov/pictures/collection/stereo/.

A monetary donation from the association has established the National Stereoscopic Photography Research Fellowship and annual lecture at the Library of Congress. The award will ensure support for research on stereoscopy and the history of photography within the Prints & Photographs Division holdings and the unparalleled photographic history collections at the Library of Congress — including over 15 million photographs, rare publications, manuscript materials and historic newspapers — and build awareness of the Library of Congress as a premier research center for photographs in this format. 

“The Prints & Photographs Division is excited by the opportunity to host its first research fellows dedicated to the study of photography,” said Helena Zinkham, chief of the Library’s Prints and Photographs Division. “The gift by the National Stereoscopic Association will give new scholarly focus to this pivotal, but often overlooked, format.”

“The National Stereoscopic Association sees this as an ideal collaboration, addressing the missions of both organizations. We are delighted to collaborate with the Library of Congress to increase awareness of the importance of stereoscopic photography and to support the scholarship and visibility of photographs as historic resources,” said John Bueche, president, National Stereoscopic Association.

The Library of Congress National Stereoscopic Association Fellowship committee will award up to two fellowships annually (with award amounts from $3,000 to $6,000) to be used to cover travel to and from Washington, D.C., accommodations, and other research expenses to assist fellows in their scholarly research and writing projects on stereoscopic photography, or more broadly within the field of photographic history to the extent that research is connected in some manner to the Library’s holdings on the format.

Graduate students, postdoctoral researchers, independent scholars, creators and other researchers with a need for research support are encouraged to apply.

Additional information about applying for the fellowship is available at this link: https://www.loc.gov/rr/print/national_stereoscopic.html. 

The application deadline is April 15, 2022, and notification of selection will occur at the National Stereoscopic Association’s annual convention in August 2022. The Fellowship research must be completed in 2023.

Additionally, the National Stereoscopic Association is donating a complete collection of the organization’s StereoWorld magazine, related research files, organizational records, historic publications, checklists, and member materials to build the collection and assist in the research and interpretation of stereo photography. The collection will provide an archival home and historic record of the association and its contributions to the field at the national library. 

The Library of Congress is the world’s largest library, offering access to the creative record of the United States — and extensive materials from around the world — both on-site and online. It is the main research arm of the U.S. Congress and the home of the U.S. Copyright Office. Explore collections, reference services and other programs and plan a visit at loc.gov, access the official site for U.S. federal legislative information at congress.govand register creative works of authorship at copyright.gov.

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Media Contact: Brett Zongker, bzongker@loc.gov

Public Contact: Micah Messenheimer, stereofellow@loc.gov

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12201189058?profile=originalThe discovery of the ‘X-ray’ had profoundly significant effects upon modern culture; it pushed the boundaries of science and medicine, operated as spectacle for public entertainment, nourished beliefs in the paranormal and provided a subject through which printed media could raise emerging modern social and ethical issues. The fascination with X-rays has been described as a ‘mania [that] swept the West’. At least forty-nine books and 1,044 scientific essays on the subject appeared in the first year of its discovery. Whilst X-radiation generated incredible cultural and scientific fascination, it was also enveloped into other media, from writing and literature to film and painting. This talk will consider some examples of the cultural and artistic forms that this new discovery took and what they had to say about it.

Dr Tom Slevin is a Senior Lecturer at Solent University. Tom has published numerous works around the themes of modern visual culture, photography, critical theory, the European artistic avant-garde, the philosophy of technology and bodily representation.

 Art, Science & Technology: The Discovery of X-Rays and its Culture
Dr Tom Slevin
Wednesday, 16 February, 2022 Start time: 7:00pm
from £4.50 to support the work of the Southampton City Art Gallery
Register here: https://www.wegottickets.com/event/532395#

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