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As part of Headstone Manor and Museum's current exhibition Lights Camera Kodak which runs until 30 November Dr Michael Pritchard will look at the history and development of the camera from its origins in the early 1880s to the advent of digital cameras from the 1990s, with a particular emphasis on those made by Eastman Kodak Co from 1888 and Kodak Ltd in the United Kingdom. Many of those Kodak cameras were landmarks in the history of the camera and amateur photography such as the Brownie and Instamatic cameras, but Kodak also made cameras for professional photographers and for specialist purposes. It is perhaps for its amateur cameras – that most of us or our families will have used – and these came in many shapes, sizes and colours, and influenced by industrial designers such as Kenneth Grange.

The talk will be heavily illustrated and will also explore how the cameras were sold to snapshotters and amateurs, and how Kodak targeted specific markets such as women and children. It will rekindle memories of past cameras and the types of pictures that we used to take with them, and you are encouraged to bring your own Kodak and other cameras along for comment!

Kodak Cameras – A Journey Through the Lens of Time
Tuesday 12th November, 2pm – 3pm
Live only, £3, booking required
The Granary, Headstone Manor Museum, Pinner View, Harrow, HA2 6PX
Details: https://headstonemanor.org/events/tuesday-talk-kodak-cameras-a-journey-through-the-lens-of-time/

Information on the exhibition can be found here: https://headstonemanor.org/events/lights-camera-kodak/

Photo: Kodak Brownie 127 / Michael Pritchard

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We are thrilled to announce that applications are now open for an exceptional opportunity to gain hands-on experience in the conservation, digitisation, and management of photographic collections. This 6-month, part-time, paid traineeship is designed to nurture the next generation of conservation professionals and address the critical shortage of expertise in the preservation of photographic heritage.

Our studio, based in North London, is led by photographic conservators Simon Fleury and Stephanie Jamieson, who bring over 30 years of combined experience, including at London’s Victoria and Albert Museum. The studio serves as a hub for innovation and practical learning in the field of photographic conservation. We work closely with leading institutions, including the Bodleian Library, the Archive of Modern Conflict, the Museum of Youth Culture, and the Wilson Centre for Photography, offering a dynamic environment where traditional conservation techniques meet cutting-edge practices.

Please visit our website for information and to apply!

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Richard Ovenden, Bodley's librarian, has reported the gift of the earliest image of the Radcliffe Observatory, now ⁦Green Templeton College, to the photography collections at the Bodleian Library. The image is a paper negative by William Henry Fox Talbot, from 1842.

The negative is shown in The William Henry Fox Talbot catalogue raisonné as Schaaf 2675, date inscribed in pencil, in Talbot's hand, verso, 29 July/42 [29 July 1842]. See: https://talbot.bodleian.ox.ac.uk/search/catalog/artifact-5183

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The main call for papers has now closed with seventy proposals received. As this is a global event for International Womens Day 2025 the organisers are still open for proposals from scholars or academics from under-represented areas of Asia, both East and South, and Africa, or papers dealing with photography, by or of women, from those areas. 

Use the link on the original call: 

https://britishphotohistory.ning.com/profiles/blogs/cfp-women-in-photography-celebrating-international-women-s-day-20

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13016252685?profile=RESIZE_180x180Visit the Library for a spooktacular collection encounter featuring spirits, ghosts, auras and ectoplasm. Seeing is believing…. Join Tony Richards and Jamie Robinson from the library's imaging team to discuss the late Victorian craze of spirit and supernatural photography including books and photographic examples from our collections. Drop in to the Historic Reading Room for this free event.

This close up encounter may not be suitable for children, viewer discretion is advised.

Spirit and supernatural photography
With Tony Richards and Jamie Robinson
31 October 2024 from 1400-1600
Reading Room, John Rylands Library, Manchester
Free, drop in
https://events.manchester.ac.uk/event/event:zwt-m23alq0v-uv9dzy

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This lecture takes as a case study the Czechoslovak surrealist group, formed in 1934 and still active to this day in Prague, through the lens of its distinctive tradition of surrealist documentary photography as a tool to reflect and critique its geographic and historical contexts.

A long-time specialist in the history, theory and practices of the international surrealist movement, Krzysztof Fijałkowski is Professor of Visual Culture and senior lecturer on the BA Fine Art programme, Norwich University of the Arts.

Organised by Professor Gavin Parkinson (Professor in European Modernism, The Courtauld) as part of the 2024-25 Frank Davis Memorial Lecture Series, ‘A Century of Surrealism: Resistance and the Image Since the Manifesto of Surrealism’.

Surrealism / Surrealismus: Documentary photography and the conditions of Czechoslovak surrealism 1934-1959
Krzysztof Fijałkowski
Tuesday 15 October 2024, 17:30 - 19:00
London: The Courtauld, Vernon Square Campus, Lecture Theatre 2
Free but booking required - book here

Image: Jindřich Štyrský, untitled, 1930s. Museum of Decorative Arts, Prague.

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12998917483?profile=RESIZE_180x180The Centre for British Photography is seeking a Director of Development and Strategy. Established in 2020, the Centre (UK registered charity no. 1190955) presents an expansive overview of the diversity of photographic practices in Britain from a range of voices past and present. Its mission is to support all kinds of photographic practices in Britain and to provide platforms for these contributions that are educational, inclusive and inspiring for the benefit of all audiences. It has a particular focus on supporting the practices of women and emerging artists working in photography. It accomplishes these aims through community engagement, mentoring, grants, educational resources, exhibitions and events.

We are looking for a dynamic Director of Development and Strategy who will be critical to the delivery of Centre for British Photography’s mission and vision. The Director of Development and Strategy will work closely with the Founding Director and other Trustees in all aspects of strategic planning, with the specific responsibility of advancing the charity’s mission and fundraising for CBP’s permanent home.

The successful candidate will be an effective face-to-face fundraiser with extensive experience in securing high value donations and managing the full lifecycle of significant donor relationships across corporate, foundation, private and public sectors. You will have up-to-date knowledge of best fundraising and regulatory practices. As an advocate, you will be committed to the charity’s mission, vision and values; interested in and passionate about shaping the future of a young charity; and play a pivotal role in the development and execution of its fundraising strategy. Experience with CRMs a plus.

At present, the charity does not have a physical space; initially this role is a hybrid one where the successful candidate will WFH and attend meetings and events in Greater London area. The role’s emphasis is to build the charity and secure the funding for a permanent space.

Director of Development and Strategy
Full-time (35 hours/week), Permanent role
Hybrid ways of working as the role allows
£34,000 - £40,000 per annum, dependent on experience
Application deadline: 12pm (midday) on Friday 1 November 2024
Details: https://britishphotography.org/news/161-we-re-hiring-director-of-development-and-strategy/

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Identify and Care for Your Photographic Collections, is a hands-on workshop designed to assist community archivists and enthusiasts in learning how to identify, care for, and preserve photographic materials. Hosted at Cupar Library, the workshop features experts from the University of St Andrews, including Laura Brown, the Curator of Photography, and Erica Kotze, an accredited conservator with over 20 years of experience.

Participants will gain practical knowledge on recognizing various photographic techniques, from historical to modern-day prints, and learn essential skills in handling, storing, and exhibiting photographic collections.

Morning Session:
Led by Laura Brown, participants will learn how to:
Identify different photographic techniques, ranging from early Daguerreotypes to modern colour gelatine prints, as well as negatives on both glass and plastic film.
Examine and handle photographs using practical tools like microscopes and torches.
Engage in a hands-on approach to identifying materials in photographic collections.

Afternoon Session:
Erica Kotze will cover:
Care and storage methods for photographic collections.
Basic conservation techniques.
Considerations for exhibiting photographs, including best practices for display.

What You Will Gain

  • A foundational understanding of different photographic materials and how to handle them.
  • Practical tips on how to store and preserve photographs safely.
  • Insights into exhibiting and sharing photographic collections with the public.
  • A certificate of achievement supported by SCA, CAHG, ARA & ICON.

The workshop is an excellent opportunity for those with no prior experience, especially for volunteers or groups working in community archives. If the workshop reaches capacity, it may be held again in early 2025.

Identify and Care for Your Photographic Collections
Wednesday, 30 October 2024

Cupar Library, Crossgate, Cupar, KY15 5AS

Details: https://www.eventbrite.co.uk/e/identify-and-care-for-your-photographic-collections-tickets-1021733551557

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This year's Home Movie Day is going to be extra special... London's participation in the worldwide Home Movie Day takes place on Sunday 20 October 2024 at The Cinema Museum, 2 Dugard Way (off Renfrew Road), London SE11 4TH UK.

Our archivists will be on hand to examine, evaluate and if ok, project your home movies on 9.5mm, Standard 8 and super 8mm. If you've home movies sitting in your attic or under your floorboards and you don't know what's on them, bring them along to London's Home Movie Day. Running from 10:30am until 4pm, this is a free, family friendly event and you don't even need a film to attend.

To tie in to this year's BFI London Film Festival Gala film, Steve McQueen's Blitz at 1pm, we'll be showing a very special home movie kindly lent from our friends at the Imperial War Museum London. Shot in 1941, Rosie Newman's film catalogues the devastation wrought on London's streets during the Blitz in April of that year. To bring some light and glamour to the day, we'll also be showing some exclusive home movies from the archive of ranconteur, actor, playwright and film director Noël Coward This specially curated programme will be accompanied by film composer and pianist, Neil Brand.

The day will be an astonishing love letter to all things #homemovies #films #london #family #cinema Plus, there'll be tea and homemade cakes! What's not to like?!

Please contact Louise Pankhurst at londonshomemovieday@gmail.com for further details. 

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12993248489?profile=RESIZE_400xThis new book was the subject of a call for papers last year. It features twenty chapters discussing different aspects of Edith Tudor Hart's life, photography and her impact, plus a timeline and selection of her photographs. It includes essays from Zelda Cheatle, Tania Cleaves, Mike Crawford, Rachel Dickson, James Hyman, Sian Mcfarlane, Drew Milne, Merilyn Moos, Elizabeth Otto, Stefanie Pirker, Beate Pittnauer, Larry Ray, Rachel Rosin, Daria Santini, Lou Taylor, Emery Walshe, Julia Winckler, Jenny Wilson, and Shirley Read. 

Poverty for Sale. Edith Tudor Hart in Britain
Edited by Shirley Read
Museumsetc, 2024
ISBN 0-978-1-912528-45-5
290 pages, paper covers
https://museumsetc.com/

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Preserved in Print is an exhibition of photography by E Chambré and Margaret Hardman, both of whom were accomplished photographers in their own right, alongside artefects from the Hardman studio. The studio premises is now preserved by the National Trust with the the negatives and photographs housed by Liverpool Record Office. There is an active programme of cataloguing, conservation and digitisation taking place.

The exhibition has been extended until 19 October 2024.

In addition Amy Carney, Cultural Heritage Curator for the National Trust, and archivist Lindsey Sutton spoke about the E Chambré Hardman studio, the collection and conservation at a recent talk which can be viewed here

The exhibition has been produced alongside the the launch of the Trust's 100 Photographs book which featured Hardman's photography. 

Preserved in Print - The photography of Chambré and Margaret Hardman
Liverpool Central Library
extended to 19 October 2024
https://liverpool.gov.uk/libraries/explore-central-library/central-library/

Photograph courtesy of Jonathan Wallis, and thanks for bringing it to BPH's attention. 

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Belfast Exposed, in collaboration with the Centre for British Photography, will unveil two shows this month featuring artists Jo Spence and Arpita Shah. Jo Spence: A Woman's Place?, an exhibition spotlighting the ground-breaking phototherapy work of the celebrated British photographer and feminist Jo Spence (1934–1992), provides an intimate and powerful look at Spence’s exploration of the roles and experiences of women within society.

Jo Spence was not just a photographer but a cultural critic and activist who used her medium as a tool for emotional and political self-exploration. A central aspect of this exhibition focuses on Spence’s practice of phototherapy, developed primarily with collaborator Rosy Martin. Spence’s phototherapeutic sessions combined photography with therapeutic practices, allowing her to confront the deeply personal and often painful aspects of her life in a social context that sought to marginalise and silence women’s experiences. The exhibition shines a light on Spence’s engagement with the complexities of womanhood, class, sexuality, and health, addressing themes often left unspoken.

Spence's work in A Woman's Place? showcases her lifelong exploration of the idea that the personal is political. It gives viewers a rare opportunity to engage with her deeply introspective yet socially critical perspectives. Her ability to draw attention to private moments - such as grappling with the shame of illness, body image, motherhood and sexuality - resonates profoundly today as we continue to question the roles women are expected to play in both the private and public spheres.

12993203893?profile=RESIZE_400xModern Muse by acclaimed photographic artist Arpita Shah is a compelling exhibition that Belfast Exposed is delighted to bring to Ireland for the first time in collaboration with the Centre for British Photography. Originally commissioned by GRAIN projects, this ongoing series of portraits explores the evolving identities and visual representation of young British-Asian women. At the heart of Modern Muse is Shah’s desire to address and challenge notions of the 'muse' in art. By replacing the Mughal emperors of classical South Asian painting with modern British-Asian women, Shah subverts those historical representations and celebrates the strength, diversity, and individuality of each woman depicted in her series.

Deirdre Robb, CEO of Belfast Exposed, said: “At a time when femicide and racism dominate our headlines, we want to use our gallery to showcase this powerful work, which highlights the inequalities in our society. Jo Spence used photography as a form of therapy, a practice that we also use within Belfast Exposed to help communities with their mental health. Her messages about women’s roles have never been more important. Arpita Shah’s ‘Modern Muse’ looks at British-Asian identity and, in light of the recent racially motivated attacks across Northern Ireland, we think this show has a vital message to convey. We want visitors to Belfast Exposed to take time to reflect on ideas and preconceptions they have around ‘A Woman’s Place?’ in society.

James Hyman, Founding Director, Centre for British Photography, said: “We are delighted to have collaborated with Belfast Exposed to bring these two important exhibitions to Belfast. These complimentary exhibitions bring to attention significant personal and political issues and are part of our mission to support the most powerful and challenging photographers past and present.

José Neves, Curator of Photography, Belfast Exposed, said: “Curating these two exhibitions has been an enriching journey, allowing me to explore the intersections of identity, memory, and healing through the perspective of two distinct yet very powerful artistic voices. At the core of Spence and Shah’s work is the capacity for photography to be a transformative tool for self-exploration and cultural reflection. I am certain that the personal and collective histories on display will resonate with audiences in a profound way.

Jo Spence: A Woman’s Place? | Arpita Shah: Modern Muse
Belfast Exposed, in Collaboration with the Centre for British Photography
17 October – 21 December 2024

For more information, visit www.belfastexposed.org

Main image: © Jo Spence / CBP. Below: © Arpita Shah. 

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