Information and discussion on all aspects of British photographic history
Photographs have been formative in political movements, commercial and industrial development, colonial and imperial expansion, geo-politics and international relations, legal practice, the formation of modern national and personal identities and in public narratives of the past. Volumes in this radical and original series will bring photographic practices into the centre of historical analysis and explore their integral role in global histories from the mid-19th century to the current day.
Call for book proposals:
The editors are currently seeking proposals for single-authored volumes of 80,000–90,000 words based on innovative case studies. Titles might cover a wide range of subject matters and photographic practices, but the emphasis must be on the integration and demonstration of empirical, theoretical, methodological and historiographical significance so that the volumes have the widest impact in history more generally.
Studies must demonstrate the ways in which photographs both shape and reflect historical experience and might focus on a range of processes – production, dissemination, remediation, collecting - of the photographic within history. Exceptional PhD theses will be considered but the proposal must clearly demonstrate how the author intends to develop the work into a book.
The series will be interdisciplinary and welcomes scholars from all disciplines and backgrounds, whether historical, art historical, anthropological, sociological, history of science, archival or curatorial studies.
Professor Elizabeth Edwards, De Montfort University, Leicester, UK; Professor Patricia Hayes, University of Western Cape, South Africa; Professor Jennifer Tucker, Wesleyan University, USA
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