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Lee Miller is increasingly championed for her Surrealism-inspired photographs. Her images of Paris during the late-1920s and early 1930s when she was the muse and lover of Man Ray, her unique portraits of a desert landscape taken in and around Egypt in the 1930s, and her witty yet poignant and often disturbing images taken during the Second World War and its aftermath, are often discussed. Yet, while popularity in Miller’s complex life and photographic work is rapidly growing, her true worth as a Surrealist artist in her own right remains open to further scholarly exploration.
This new collection of essays, therefore, aims to validate Lee Miller’s position, not simply as a muse, friend, and collaborator with the Surrealists, but as one of the Twentieth Century’s most important and influential female Surrealist artists.
Submission
Abstracts of 500 words maximum and a short biography to be submitted by Friday 10 July 2020.
Please submit by email to: Dr Lynn Hilditch (editor) at hilditl@hope.ac.uk
Victoria and Albert Museum's photography collection
National Science and Media Museum
RPS Journal 1853-2012 online and searchable
Photographic History Research Centre, Leicester
Birkbeck History and Theory of Photography Research Centre
William Henry Fox Talbot Catalogue Raisonné
British Photography. The Hyman Collection
The Press Photo History Project Mapping the photo agencies and photographers of Fleet Street and the UK
The correspondence of William Henry Fox Talbot
Historic England Archive
UAL Photography and Photography and the Archive Research Centre
Royal Photographic Society's Historical Group
www.londonstereo.com London Stereoscopic Company / T. R. Williams
www.earlyphotography.co.uk British camera makers and companies
Fox Talbot Museum, Lacock.
National Portrait Gallery, London
http://www.freewebs.com/jb3d/
Alfred Seaman and the Photographic Convention
Frederick Scott Archer
© 2021 Created by Michael Pritchard.
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