Information and discussion on all aspects of British photographic history
I am looking for information about the best way to digitize 19th century photographs on paper. The Neue Pinakothek in Munich (Germany) has recently acquired a large collection of photographs from the nineteenth century. Processes range from early caloytpes (1840s) to Albumen prints and silver gelatine. At the moment tentative plans are being made to start a digitisation project.
I am looking for information on the conservational requirements regarding light and heat that should be met. These will of course differ depending on the process and year of origin. Is it better to photograph the images or to scan them? We would like to meet the highest standards in this project, but are lacking the necessary information. Does anyone work in the field and can give advise or point out literature regarding the task?
Any information will be greatly appreciated
Add a Comment
Thank you, Michael! These are very helpful!
These may be helpful:
FADGI Guidelines: Technical Guidelines for Digitizing Cultural Heritage Materials
http://www.digitizationguidelines.gov/guidelines/digitize-technical...
The other guides are located here:
Dear Derek,
thank you very much for your help! I will definitely ask the forum you suggest!
Hi Caroline,
I have done extensive work with several collections holding different kinds of prints and negatives.
If you want to get in touch this are my contacts: e. arribphoto@gmail.com m. +44.7960356627 I will be more then happy to assist with any doubts you might have.
Kind regards,
Armando
I suggest asking the forum at AHFAP http://www.ahfap.org.uk this is the organisation for digitisation specialists in UK and Ireland. Although I am a member (I could scan and/or photograph the items), this query is probably better answered by another member: one who can advise on the heat and light aspects of conservation you ask about. The question of whether to photograph or scan depends on their size (small are better scanned) and their physical shape, i.e. curved or cracked works need photographing not scanning as scanning would be (physically) too risky. I hope that this helps.
Victoria and Albert Museum's photography collection
National Science and Media Museum
RPS Journal 1853-2012 online and searchable
Photographic History Research Centre, Leicester
Birkbeck History and Theory of Photography Research Centre
William Henry Fox Talbot Catalogue Raisonné
British Photography. The Hyman Collection
The Press Photo History Project Mapping the photo agencies and photographers of Fleet Street and the UK
The correspondence of William Henry Fox Talbot
Historic England Archive
UAL Photography and Photography and the Archive Research Centre
Royal Photographic Society's Historical Group
www.londonstereo.com London Stereoscopic Company / T. R. Williams
www.earlyphotography.co.uk British camera makers and companies
Fox Talbot Museum, Lacock.
National Portrait Gallery, London
http://www.freewebs.com/jb3d/
Alfred Seaman and the Photographic Convention
Frederick Scott Archer
© 2022 Created by Michael Pritchard.
Powered by
You need to be a member of British photographic history to add comments!
Join British photographic history