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Modern Tintype photography:

I am seriously interested in learning to make Tintypes in the original way or as close as I can get. Is there anybody on this site who practices the art of Tintyping or perhaps knows somebody that does or maybe even can give me some hints or tips on

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Maw of London

I wonder if you can help me please.   I am trying to find out some information about a red box camera which has Maw of London on the front and the wording nustyle deluxe fashion model.  We are assuming the date of the camera is c 1930.    Any advice

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Crumlin Viaduct stereoviews

Hello - I have several pages of images from south wales including these marvellous images of Crumlin Viaduct under construction.

It was completed in 1855 so these are early stereoviews of engineering works. I also think the central figure in bottom l

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William England still lifes

 

Hi everybody!

There seem to be a couple of  “still lifes” in William England’s series “Gems of Statuary by Eminent Sculptors”. I know of a skeleton leaves stereo view entitled “Beautiful in Death” and a floral arrangement – “A Thing of Beauty is a

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Manuel Alvarez Bravo

I found the attached image on the web attributed to Manuel Alvarez Bravo without any details or title.  The image is similar in style and subject to other images by Alvarez Bravo but it looks a little modern.  Does anyone know anything about it.2654630595?profile=original

Pictu

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Identifying a photo

Hello, I hope it's ok to ask this on this forum, but can someone help me identify a photograph? It's a familiar one to me, but I've completely forgotten who the photographer is. Any help would be appreciated.

Thanks,

Cormac

2654630714?profile=original

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Ilford Film - Alfred Hugh Harman

I am looking for information on Alfred Hugh Harman (abt 1841 in Kennington, Surrey, London – 23 May 1913 in Surrey, Sussex), who was a photographer and partner of Henry Dages and founded the Britannia Works, later Ilford Ltd in 1879.

Is anything know

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Don McCullin Feature Film

The made-for-cinema documentary shows how Don McCullin created some of the latter twentieth-century’s most iconic images of man's inhumanity to man.
Working at a critical time in global photojournalism, he witnessed the change of ethos to publishing

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