Michael Pritchard's Posts (3014)

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12201128297?profile=originalThe James Hyman Gallery has launched a special fundraising sale in support of the NHS. James and Claire Hyman' collection of British photography is one of the UK's most important private collections and Claire works as surgeon within the National Health Service. 

The Gallery has put together a selection of works by some of the major photographers of the nineteenth and twentieth centuries, at reduced prices, and will donate all profits to the National Health Service.

Browse the sale here.

Image: 

Bill Brandt
Oakworth Moor, Yorkshire
Vintage Gelatin Silver Print, 1944

James Hyman notes: 

I know that at this time of international crisis, the last thing on people's minds is looking at art, let alone buying it. In my case, one of my daughter's has coronavirus (thankfully mildly) and we are under quarantine and waiting to see if we also catch it. All being well my wife, Claire, will return to her job as a surgeon in a major NHS hospital next week.

Unfortunately, NHS Hospital staff, on the front line in the treatment of patients with Covid-19, are still working without the proper PPE (personal protective equipment), and there remains a shortage of testing kits and ventilators.

As everyone pulls together I have been thinking what I can do as an art dealer. I feel very helpless. What I have done is put together a selection of works by some of the major photographers of the nineteenth and twentieth centuries, at reduced prices, and will donate all profits to the National Health Service.

It would be wonderful if you could take a look and let me know if anything is of interest to you.
VIEW ONLINE PRICE LIST
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12201123872?profile=originalHans P Kraus Jr, the New York based dealer and galler,  had been looking forward to welcoming Paris Photo to New York, in partnership with AIPAD, for the first time.  In light of the postponed event it is presenting it first E-list, a selection of images by British artists to entice, to inspire or merely to distract. They vary in subject matter and introduce the viewer to some of the photographic processes, invented nearly two centuries ago: salt print, cyanotype, albumen, carbon, and photogravure. The magic of the negative is represented in their paper, mica and glass forms. There is a fine stereoscopic diapositive on glass of the moon⁠—someplace we might all rather be just now. 

Ten per cent of the revenue from these sales will be donated to NYC Health + Hospitals in support of our healthcare workers as they battle the COVID-19 pandemic. 

See the list here.

Image: 

Anna ATKINS (English, 1799-1871)
"Pteris Sagittaria", circa 1851-1854
Cyanotype photogram
25.9 x 20.2 cm
Handwritten title within the plate. Watermark "J Whatman Turkey Mill 1851"

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12201129694?profile=originalSt Andrews University Special Collections has spent some time recently working on replacing its ageing photographic collections site. The new and improved site is now available and aims to improve the discoverability, usability and shareability of its internationally important collection of photographs in all formats and of all ages. There are now over 300,000 high resolution images available online.

A blog post discussion the new content and functionality is here: https://standrewsrarebooks.wordpress.com/author/standrewsrarebooks/

The collection can be seen here: https://www.st-andrews.ac.uk/library/special-collections/photographs/.

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12201128896?profile=originalApplications are invited for an AHRC-funded PhD at Cardiff University. Titled: Diversifying and decolonising conflict photography: an exploration of how accompanying textual information can influence the reading and understanding of photographs it is offered under the AHRC Collaborative Doctoral Partnership programme. The partner institutions are Cardiff University and IWM.

The studentship will be supervised by Dr Tom Allbeson (School of Journalism, Media and Culture, Cardiff University) and Helen Mavin (IWM) and co-supervised by Professor Claire Gorrara (School of Modern Languages, Cardiff University). The studentship begins on 1 October 2020 and is funded at standard AHRC rates for 45 months full time (or part-time equivalent) with the potential to be extended for a further 3 months for professional development opportunities.

 

Closing date for applications: 15 May 2020

Anticipated start date: 1 October 2020

Full details: https://www.iwm.org.uk/sites/default/files/files/2020-04/IWM%20Cardiff%20CDP%20Advert%20final.pdf

 

The Studentship

The IWM Photograph Archive is an internationally significant collection that supports understanding of the causes, course, and consequences of modern conflict from multi-national perspectives. It includes material illustrating the experiences of both civilians and military participants. Using material from across the IWM collection, this project will critically examine the language used to describe and contextualise collections. It will focus on the portrayal of diverse experiences within the context of war and conflict during the 20th century and how original captions and museum-ascribed descriptions have consciously or unconsciously supported colonial narratives and influenced audience understandings. The studentship offers flexibility, allowing the student to define the scope of the research within the broad aims of the project. Further details regarding these aims are outlined here:

https://www.iwm.org.uk/sites/default/files/files/2020-04/IWM%20Cardiff%20CDP%20Advert%20final.pdf

 

Funding

Subject to AHRC eligibility criteria, the scholarship covers tuition fees and a grant towards living expenses for 45 months full time or part-time equivalent, and may be extended for a further 3 months

The award pays tuition fees up to the value of the full-time home/EU UKRI rate for PhD degrees. The award pays full maintenance for UK citizens and residents only. For more information visit: https://www.ukri.org/skills/funding-for-research-training/.

How To Apply  

Applicants will need to satisfy AHRC eligibility requirements. For more information visit: https://ahrc.ukri.org/funding/research/researchfundingguide/

Applicants should submit the following via email:

  • Covering letter outlining their suitability for the studentship (max. one page)
  • Curriculum vitae (max. two pages)
  • Sample of writing from either academic assignment/publication OR museum interpretation/publication (1,500 to 8,000 words)
  • Proposal outlining how they would approach the research project (max. 1000 words)
  • Transcripts of undergraduate and masters qualifications (or evidence of equivalent)
  • Details of two academic referees

Complete applications should be submitted by email to the School of Journalism, Media and Culture, Cardiff University (JOMECStudentsupport@cardiff.ac.uk) by 5pm on Friday 15 May 2020. All documents should be submitted in either a MS Word or PDF format.

Interviews are scheduled to be held on Friday 29 May 2020. Owing to current public health measures to tackle coronavirus, interviews will be held online.

 

Further Enquiries

For further enquiries, feel free to contact Dr Tom Allbeson (allbesont@cardiff.ac.uk) or Helen Mavin (hmavin@iwm.org.uk).

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12201127684?profile=originalA new video about the Family Photo Talks workshop, organized by CRDI and driven by Susanna Muriel within the framework of the European Kaleidoscope project is now available. Family Photo Talks is a participatory workshop about collective memory, to share and disseminate the story of family photography. The workshop was organised by the Center for Image Research and Diffusion (CRDI) in Girona, in October 2019. It was part of the European Kaleidoscope project, which was focused on European photography of the 50s.

The activity was driven by Susanna Muriel, a specialist in this subject. The workshop received a very good feedback from participants. They worked on the description and conservation of photography, and mainly on the narratives, that were created from an oral history exercise. For this specific workshop we created an audiovisual in order to explain the methodology used for this activity. The audiovisual aims to provide content that anyone could consider when organizing a memories workshop using photography as a resource. It is an audiovisual that can inspire and help other institutions when organizing a workshop. For the audiovisual, we use the images recorded during the event in Girona and we mainly use the images recorded in a private house from one of the participants.

Click the link here: https://www.youtube.com/watch?v=wjeaBISGTJI or below

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12201126699?profile=originalThe Guardian newspaper has reported that the Getty Archive is using remote working to preserve its archival photographs. The Getty Images archive in Canning Town, east London, holds 80 million photographs and negatives, some of which are more than 100 years old and need careful preservation and protection to stop them quickly degrading.

Matthew Butson, the archive’s vice-president, said a mix of a small on-site team and the use of remote temperature and humidity controls were being used to protect the rare negatives and prints. “We’re not just a commercial archive, we’re looking after our cultural heritage,” he said. “We have remote controls to make sure the building has the correct temperature and humidity. Too much humidity is obviously bad for imagery; a lot of our negatives are glass and go back to the 19th century.

Read the full piece here: https://www.theguardian.com/artanddesign/2020/apr/02/getty-uses-remote-working-effort-preserve-photo-archive

Photograph: Rob Western

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12201129054?profile=originalThis new book uses archival material donated to the British Trust for Ornithology in 2011 and seeks to document and contextualise the life and work of Emma Louisa Turner (1867-1940). ELT, as she was known, was inspired to move on from pictorial photography to taking up serious bird photography by a chance meeting with Richard Kearton.in 1900. She became of the leading natural history writers of her day, illustrating her prose with her photographs, which like that of the Kearton brothers was rooted in her field craft and an intimate knowledge of her subjects. Much of her work was undertaken in Norfolk. She quickly became an accomplished photographer, too, joining the Royal Photographic Society in 1901. She regularly exhibited, and received recognition for her bird photography, in its annual exhibition. 

Parry and Greenwood's biography describes ELT's family background but rightly focuses on her writings, photography and the influence that she had on the public through her books and lectures and her activity for specialist audiences and ornithology more widely. In particular, she was involved in the setting up of the British Trust for Ornithology. After hger death, the BTO and Royal Society for the Protection of Birds (RSPB) were recipients of her photographic plates and slides, although these are now missing and being looked for. 

Well researched and written this book draws long overdue attention to this important figure of natural history photography. Highly recommended.  

Emma Turner. A life looking at birds
James Parry and Jeremy Greenwood. Foreword by Patrick Barkham
Norfolk and Norwich Naturalists' Society. 2020
ISBN 938-1-9162537-1-1
88 pages, illustrated, softcovers
Available from: the Norfolk & Norwich Naturalists’ Society website at http://norfolknaturalists.org.uk/wp/shop/ at £8 plus postage. 

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12201126092?profile=originalAlan Griffiths the founder of the photo-history resource Luminous Lint writes: While we all go through the turmoil of COVID-19 we each have to do what we can. It is important for all students to have access to high quality materials on photohistory as universities, schools and libraries around the world close down so I've opened up Luminous-Lint.

You can login to www.luminous-lint.com for free with the email address spring@lumlint.com and the password "spring" all in lowercase. You can login here.

This will be available until 18 April 2020 and then I will take another look at the situation.
 
I would ask the following of you:
 
1. If you see any errors or have something to add let me know. I'm always at alan@luminous-lint.com
 
2. Subscribe if you can afford it as it allows me to provide services to those who can't.
 
Other than that - have an interesting time exploring and I wish you, your family and friends all the best,

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12201127668?profile=originalThe British photography world continues to react to the government's latest announcements and advice concerning the coronavirus. Venues are closing and events are being cancelled or postponed. Some of the actions taken by the main photography venues along with upcoming events are noted below. Please comment with details of others.  

Events

  • Photo London, London, May 2020, postponed until the early autumn
  • Classic Photograph Fair, May 2020, postponed until the autumn
  • Photographica 2020, London, May 2020, cancelled
  • The Photography Show, Birmingham, NEC, March, postponed to the autumn
  • Photokina, Cologne, May, cancelled, returns May 2022
  • Sony World Photography exhibition, London, April, cancelled
  • Birkbeck History and Theory of Photography Research Centre lectures, London, postponed
  • Photoworks programmes, Brighton, postponed; Photoworks Festival 2020 later in the year still running

Symposia, exhibitions (see also venues below) and lectures

  • Photography beyond the Image symposium, London, April 2020, postponed until the autumn
  • Ways of Seeing: Women and Photography in Scotland symposium, Glasgow, April; 2020, postponed until 29 October
  • Kraszna-Kraus lecture, 30 March, London, postponed until the autumn
  • Another Eye exhibition, Four Corners Gallery, London, closed
  • Conference: Another Eye: Women Refugee Photographers in Britain 1930s-60s, London, postponed

Venues

  • National Science+Media Museum, Bradford, closed until further notice
  • National Portrait Gallery, London, closed until further notice
  • British Library, London, all sites closed, events cancelled. Aim to maintain online services
  • Victoria and Albert Museum, London, closed 
  • The Photographers' Gallery, London, closed until at least 31 March
  • Tate galleries, London, closed until at least 1 May
  • Barbican Gallery and Centre, London, closed 
  • Martin Parr Foundation, Bristol, closed until further notice
  • Royal Photographic Society, Bristol, gallery closed; all events cancelled until at least the end of April
  • Imperial War Museum, London, closed until further notice
  • Scottish National Portrait Gallery / National Galleries of Scotland, Edinburgh, closed
  • Autograph, London, closed until further notice
  • Fox Talbot Museum, Lacock, closed from 20 March
  • Stills Gallery, Edinburgh closed until further notice
  • Side Gallery, Newcastle, closed until further notice
  • Impressions Gallery, Bradford, closed for the foreseeable future
  • Ffotogallery, Cardiff, closed until further notice
  • National Museum Cardiff, Cardiff, closed and all events cancelled
  • Street Level Photoworks, Glasgow, closed from 18 March until further notice 
  • Hamiltons Gallery, London, closed until further notice
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12201125270?profile=originalPhotographs are found in museums, libraries and archives all over the world and their care can present special challenges. This course is aimed at those responsible for their care. You will learn how to identify the common photographic processes, recognise potential conservation problems and solutions and prioritise care accordingly. The environmental, storage and wider preservation requirements of photographs will be covered, including how these might relate to digitisation projects. Examples of the common processes will be shown and discussed as part of the course. Samples of storage materials and enclosures will be given to participants. Handouts will be included.

The course is led by Susie Clark ACR ICON, an accredited and experienced photographic conservator. Susie has given many courses in a variety of regional and national institutions in many countries and is used to providing practical help and advice.

Courses are £147 each and take place at British Library.

Book online

Enquiries +44 (0)1243 818300

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12201127064?profile=originalA ‘collaborative space for the public to explore, engage and have conversations with museum staff’, the new Ideas Hub will house a series of objects representing all areas of the Museum’s collections. Once visitors have interacted with these exhibits, they will be encouraged to offer feedback on their preferred ways of learning about such items’ stories – both in terms of medium and tone.

Ideas Hub will see us using our temporary gallery in a very different way to usual, alongside objects we’ll have staff from teams across the museum on gallery throughout the week, a collaboratively programmed workshops space and more opportunities than ever to feedback and start a conversation with the museum,” explained Alice Parsons, the Museum’s interpretation manager, “I’m really looking forward to the opportunity to hear from and talk with our visitors about our collections, our exhibitions and our place in the city of Bradford. I hope people will join us in this exciting process and have their say,” 

The Hub will be open between 26 March-10 June and is designed to shape the institution’s programming and interpretation in the coming months and years.

https://www.scienceandmediamuseum.org.uk/whats-on/ideas-hub-join-conversation

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12201131854?profile=originalAn exhibition on Scotland’s coasts featuring photographs and illustrations from Historic Environment Scotland's (HES) archives will go on display at the Shetland Museum and Archives until 17 May as part of the Year of Coasts and Waters.

The exhibition explores the Viking era, fishing and oil industries, 19th century seaside holiday makers, coastal castles, industrial heritage and lighthouses. The archives span pre-historic times to the modern day and gives visitors an insight into how important the coast has been to life in Scotland.

The exhibition features architect's drawings, Edwardian holiday snaps and unique images taken by HES's survey photographers.

The exhibition will open on Saturday 29 February at the Shetland Museum and Archives, running until Sunday 17 May and is free to enter.

Scotland's Coasts will tour the following sites throughout 2020 and 2021:

  • Fort George: 25 May – 25 August 2020
  • Arbroath Abbey: 31 August – 30 November 2020
  • Aberdour Castle: 5 December 2020 – 28 February 2021
  • Stanley Mills: 13 June – 30 August 2021

More information on HES’ Year of Coasts and Waters activity

12201132057?profile=original

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12201125096?profile=originalIn time for International Women's Day today - 8 March - Historic England has recognised the contribution of women photographers represented in the Historic England photography archive. Photographs include the earliest from 1864 by Miss E Scott (shown here) to the more recent architectural work of Margaret Harker.

See more: https://historicengland.org.uk/research/inclusive-heritage/womens-history/women-photographers-in-historic-england-archive/  

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12201124080?profile=originalThe current issue of Source magazine (no. 100 / Winter 2019/20) reports on the most recent photography acquisitions and existing photography collections of the Arts Councils of Ireland, England and Northern Ireland. The Scottish Arts Council stopped collecting in 1996.

A tables summarises the top twenty photographers with the most held prints which is headed by John Benton-Harris (80), Chris Killip (62) and Keith Arnatt (57). 

The full article can be be read in Source magazine. See: www.source.ie    

Details of ACE acquisitions for 2018-19 can be seen here: https://www.artscouncilcollection.org.uk/new-work/new-acquisitions and the full collection can be browsed here: https://www.artscouncilcollection.org.uk/collection

The Arts Council Northern Ireland collection can be viewed here: http://www.artscouncil-ni.org/artwork/imu/

The Arts Council of Ireland collection can be seen here: http://artscouncil.emuseum.com/

Image: 

© Colin George Curwood / K Shoes, 1972 / Arts Council England collection - ACP 0150

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12201116459?profile=originalOne of the earliest travel photographers in Asia, John Thomson (1837-1921), who travelled extensively across China, Cambodia, Thailand and Malaysia, in the 1860s and early 1870s, is to be honoured with a commemorative plaque in the city of his birth.

Heritage Environment Scotland (HES) is to install a bronze heritage plaque to John Thomson, at his childhood home, 6 Brighton Street, Edinburgh. The Thomson family moved to live in a flat in this tenement building in 1841, when John was four years of age. John Thomson lived there until he left for Singapore in 1861. It is fitting that John Thomson is to be commemorated in this way in his home city at last – and a welcome accolade, celebrating the capital’s significant contribution to Scottish photographic history. The plaque has been supported by the house's current occupants and Edinburgh City Council which gave permission for its installation. 

Thomson photographed the people, landscapes and monuments across a large part of south east Asia, resulting in an important series of books describing the places he visited and his own experiences.

Historic Environment Scotland described John Thomson as a towering figure in 19th century photograph, acclaimed for his photography in China.  Betty Yao MBE commented: “John Thomson’s photographs provide a rich and lasting visual record of the Far East. They are loved, admired and appreciated by people of all ages and from diverse backgrounds.”

Terry Bennett commented: “John Thomson was a master of the art. The photos he took in the Far East set standards of excellence against which other practitioners are judged. He is particularly revered in China, where he is considered to be China’s most important nineteenth-century Western photographer. When he returned to the UK in 1872, after a ten-year tour of the East, his fame earned him the moniker of ‘China Thomson’.”

Deborah Ireland commented: It is very fitting that the house where John Thomson lived in Edinburgh, whilst studying at the Watt Institute and School of Arts, is to be marked. He gained a life diploma there in 1858 which enabled him to attend Chemistry classes (today this institute is part of the Heriot-Watt University) and it was the knowledge he gained during this period which propelled him forth into the world to become the leading travel photographer of the Victorian age.”

Thomson was born in Edinburgh in 1837 and died in London in 1921. He is widely acclaimed as one of the best photographers of China of the period. On his return to London in 1872 he ran a successful portrait studio, gaining the royal warrant in 1881. He was a member of the Royal Photographic Society from 1879. Thomson also acted as the principal photography teacher for the Royal Geographical Society, training a new generation of travellers and explorers in photography. He was a member of the Royal Photographic Society from 1879.  

His most important publications were Illustrations of China and Its People (1873/4) and Street Life in London (with Adolphe Smith, 1877). John Thomson retired in 1910 and spent most of time in Edinburgh where he continued to write about photography. He died in London in 1921 and his grave was recently restored, 

It is hoped that a formal unveiling will be held later this year. 

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12201130896?profile=originalA major collection of rare photobooks has been given to the Bodleian Libraries, building on the Libraries’ world-class collection of photographic works and books. The donation includes works from some of the most renowned photographers from the 20th century, including Man Ray and Robert Capa, Henri Cartier-Bresson and Diane Arbus.   

The collection of more than 2,300 printed photobooks published between 1887 and 2016 includes monographs, serials, exhibition catalogues, as well as artist and private press books. It features a huge variety of subjects and photographers, with particular strength in photobooks from France and Germany.

A collection of this size and breadth is particularly rare and its size makes this one of the largest donations to the Bodleian Libraries so far this century, and builds on its growing photographic resources; the Libraries already hold one of the earliest photobooks, The Pencil of Nature, produced by William Henry Fox Talbot between 1844-46.

A small selection of photobooks – by Brassai, Man Ray, Krull, and Cartier-Bresson – will feature in a one-day display in the Weston Library on 13 March 2020. See: http://visit.bodleian.ox.ac.uk

Photobooks are books designed to share the photographic work of individual photographers, groups, studios or collectives, sometimes with accompanying text, sometimes purely based on images. Images are often presented in a sequence to communicate a narrative, and innovative printing techniques are often used to reproduce the photographic image. Collaborations with writers and poets sometimes feature as part of the approach to making photobooks, but they could also reflect on the role of photography in advertising, propaganda, industry and public life. Many titles are produced in very small editions and are therefore very rare. Photobooks are vulnerable to light and damage caused by handling so photobooks in good condition are highly collectable.

The photobooks were given to the Bodleian Libraries by Sir Charles Chadwyck-Healey through the generosity of the Arts Council England’s Cultural Gifts Scheme. Chadwyck-Healey, founder of both the Chadwyck-Healey publishing group and Environmental Risk Information and Imaging Services, is also an Honorary Fellow of Trinity College, Oxford. 

Richard Ovenden, Bodley’s Librarian said, “The Chadwyck-Healey collection of photobooks is a major acquisition for the Bodleian, immeasurably enriching our holdings through adding highly significant materials from European, Russian, Japanese and American photographers. This collection has great strengths including French Surrealist and avant-garde photography, the scarce work of the Russian constructivists, and the major American photographic movements. Photography is an area of growing scholarly importance, and it is vital that a great research library like the Bodleian is able to document in depth this crucial means of communicating visual ideas in the modern world.”

The photobooks donated to the Bodleian Libraries include:

  • Man Ray Photographies 1920-1934 (1934) – An extremely rare modernist/surrealist photobook, spiral-bound with text in French and English. Man Ray’s first monograph, it begins with a portrait drawing of Man Ray by Pablo Picasso and consists of 104 photographs of still lifes, rooms, landscapes, cityscapes, and flowers.
  • Henri Cartier-Bresson’s The Decisive Moment (1952), considered one of the most influential photobooks of all time. Both the US and French edition (Images à la Sauvette) are included in the collection, both with presentation inscriptions from the photographer, and in the famous dust wrapper designed by Matisse.
  • Robert Capa’s Slightly out of Focus (1947), which features iconic images of the D-Day landings at Normandy, taken by the Hungarian-born photojournalist and co-founder of the famous Magnum photographic agency.
  • Paris vu par André Kertész (Day of Paris) (1945) which features a superb collection of photographs of everyday life in Paris. Kertész was considered a key figure in photojournalism and Day of Paris is his most sought-after title. 
  • Bill Brandt’s The English at Home (1936), a hugely influential collection of 63 photographs capturing domestic life in challenging juxtapositions, revealing class inequality of the time. 
  • Brassai, Paris de nuit (1933), a collaboration between the Hungarian photographer Brassai and the French writer Paul Morand, this is one of the first books of photographs taken at night. The images, with their iconic design (full-bleed images), revolutionised the way photo-books looked. One of very few copies in UK libraries.
  • Metal (1928) by photojournalist Germaine Krull, a contemporary of Man Ray, features a series of 64 collotypes depicting industrial structures and one of the pioneering works of modernist photography. This is one of the few copies available in public collections in the UK.
  • Other photobooks by Diane Arbus, Philippe Halsman, Edward Weston, Manuel Alvarez Bravo, Robert Frank and August Sander.

Over 600 of the photobooks in the collection have been catalogued already and are available for library readers to access in http://solo.bodleian.ox.ac.uk.  The remaining photobooks will be catalogued over the next year for completion in March 2021. 

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12201131058?profile=originalBPH reported earlier this year that James and Claire Hyman had donated 100 examples of British photography to the Bodleian libraries.  The Financial Times carried a piece by the writer William Boyd which muses on the the writer's own connection to Wolfgang Suschitzky, the Hyman donation and the nature of British photography. 

Read the piece here: https://www.ft.com/content/4bd1265a-52ab-11ea-90ad-25e377c0ee1f

The Hyman Collection can be explored through the digital Bodleian here.

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12201122654?profile=originalInspired by the British Library exhibition, Unfinished Business: The Fight for Women’s Rights this weekend course will introduce work by women photographers who have challenged the boundaries of representation. There is a long practice within feminist photography to investigate performing identities, misbehaving bodies and extended bodies. Photographers including Jo Spence, Cindy Sherman, Francesca Woodman, Zanele Muholi and Khadija Saye have each explored the constructions of complex identities, using the photographic image as a stage, a site for rehearsal and as a platform to resist, or to return, the gaze.

Through a series of creative photographic activities and access to a pop-up studio, participants will have the opportunity to develop a body of work. We will explore conceptual, as well as aesthetic and technical aspects of portraiture and self-portraiture through themes relating to identity, self-determination, community and solidarity.

The course is led by photographer and academic Dr Julia Winckler.

See more here: 

Portrait Photography Masterclass
British Library, London
Weekend course, Sat 9 May 2020, 10:30 - Sun 10 May 2020, 17:00

Image: 'Vicky'(from Two Sisters series) by Dr Julia Winckler Two Sisters is a multi-layered exploration of the lives of Dr Julia Winckler’s great-aunt Martha and grandmother Vicky. Winckler rediscovers and recreates for a wider audience the very different experiences of personal lives affected by WWII and the sisters' resilience and eventual self-determination.

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12201125662?profile=originalJohn Baines Tours is promoting a tour following in the footsteps of John Thompson who explored China in the 1860s. It takes in Canton (Guanzhou) and goes up the coast to Beijing. It visits the places he visited and seeks out the sights he photographed that remain to this day. You will travel through the streets of Shanghai and Beijing with local historic societies, learning about the society and history of Beijing and Shanghai in the period that Thompson was there.

This tour is lead by the accomplished photographic historian, Deborah Ireland, who has lectured widely on Thompson and written about Isabella Bird's travels in China.

Find out more here: https://www.jonbainestours.co.uk/tours/cultural/in-the-footsteps-of-john-thompson-in-china

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12201122074?profile=originalApplications are invited for a PhD studentship on historical photographs, Indigenous knowledge and heritage in Guyana at Royal Holloway University of London, in partnership with the Royal Geographical Society (with IBG) and Kew Gardens. This award is made by the Science Museums & Archives Consortium under the AHRC’s Collaborative Doctoral Partnership scheme. The project, due to begin in September 2020, will be supervised by Prof Jay Mistry and Prof Felix Driver at Royal Holloway and Dr Catherine Souch at the RGS-IBG, with further support from the Royal Botanic Gardens, Kew.

This project aims to reconnect historical photographs documenting Indigenous peoples and practices to contemporary initiatives concerning Indigenous knowledge and heritage development. Working in the Rupununi region of Guyana, the project will explore the use of significant photographic archives as a resource to enrich the understanding of Indigenous knowledge and practices, Indigenous heritage, identity and rights in contemporary Guyana. It will link work on Indigenous knowledge and memory with collections-based research, using methods of visual elicitation and digital repatriation in collaboration with the relevant Indigenous communities. The project combines (a) archival research in UK collections with (b) field-based photo-elicitation in the Rupununi. A participatory action research framework will allow research questions to be refined and addressed with participants in an iterative way to produce tangible benefits. The student will be encouraged to use participatory video as a way of creating new interpretative narratives. The possibility of a small-scale exhibition will also be considered in order to engage with wider audiences in Guyana.

Rupununi re-collections: historical photographs, Indigenous knowledge and heritage in Guyana
AHRC Collaborative Doctoral Award, with Royal Geographical Society & Kew Gardens

A full project description is available here

Further information on eligibility, funds and how to apply is available here  

The application deadline is 31 March 2020

Interviews will be held at the RGS-IBG, provisionally on 16 April 2020.

Further Information

Details of the project and how to apply:

https://royalholloway.ac.uk/research-and-teaching/departments-and-schools/geography/news/gg_ahrc-phd-studentship_2020/

PhD research in Geography at Royal Holloway:

https://www.royalholloway.ac.uk/research-and-teaching/departments-and-schools/geography/studying-here/postgraduate/

RGS-IBG collaborative doctoral research:

https://www.rgs.org/about/our-collections/collaborative-research-on-the-collections/

AHRC Collaborative Doctoral Partnerships:

https://www.ahrc-cdp.org/

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