Prospect magazine has a feature by Emma Hartley which poses the question why were women photographers overlooked in the recent Netflix film The Dig. The photography of Mercie Lack and Barbara Wagstaff who documented the excavation at Sutton Hoo was removed and their roles replaced by a male photographer.  Separately  the role of Wagstaff has been largely overlooked in favour of Lack and it was only recently that her birth and death dates were known. 

Read more here: https://www.prospectmagazine.co.uk/arts-and-books/why-does-netflixs-the-dig-exclude-the-women-who-photographed-sutton-hoo

Image: The long boat discovered at Sutton Hoo as photographed by Barbara Wagstaff. Credit: The British Museum

Bonhams auction of Fine Books and Manuscripts on 31 March 2021 includes a copy of Reports of the Juries (1851-52) which is illustrated with 154 calotypes. The set of four volumes in an edition of approximately 130.   It is estimated at £15,000-20,000. 

See more here: https://www.bonhams.com/auctions/26772/lot/8/

The British Film Institute is seeking a Curatorial Specialist to join the BFI’s Curatorial department on a fixed term basis until March 2022 to work on the Heritage 2022 project; digitising 100,000 video works from the collections of the BFI and partner archives in order to preserve the collections for future generations.

Key Responsibilities 

• Work with curators and curatorial archivists to process video material to support delivery of the BFI’s Heritage 22 programme, identifying and inspecting materials in order to advise on conservation need. Ensure that materials are accurately described and documented on the BFI’s documentation system.
• Bring an understanding of the history of film, television and the moving image to support curatorial archivists in recommending preservation and conservation workflows for video and other archive materials as part of the Heritage 22 programme. In consultation with curators, assign and amend preservation status applied to holdings and update the Collections Information Database (CID).
• Use the Collections Information Database (CID) tool to accurately catalogue archive materials to internationally agreed standards and undertake materials research for programming, conservation or preservation. Use spreadsheets and information databases to bulk import or export metadata describing the collections.
• Research the BFI National Archive using the Collections Information Database (CID) to identify best materials for potential curatorial programmes.

See more and apply here: https://bfijobsandopportunities.bfi.org.uk/

A call for papers has been made by Museu del Cinema, The Department of History & History of Art at the University of Girona and the Ministry Project “Virtual worlds in early cinema: devices, aesthetics and audiences”. The organisers are seeking papers that respond to: 

Topic A: Virtual worlds in early cinema: devices, aesthetics and audiences
- Media archaeology. The archaeological study of the devices previous or contemporary to the cinematograph might be helpful to introduce the History of cinema inside a much broader process, focused on the evolution of visual devices, screens and projection/audition systems.
- The viewer experience in the face of the visual spectacles. In order to comprehend the devices’ impact. It is fundamental to know which was the audience experience in front of the images.
- Virtual experiences on early films. Another research path might draw from the period existing films, in order to check how new sensorial ways are glimpsed in them. The idea of considering early cinema films as spaces to the visual attraction can lead us to consider the realist simulation effects that they gather.
- Immersive spectacles and virtualization. The study of leisure spaces from them past reflects the existence of hybrid spectacle systems, between cinema, theatre, magic lantern which proposed specific forms of exhibition and enhanced theatre viewer immersion in possible worlds.
- Bridges between the past and the development of virtual technology in the present. It is possible to establish a thinking that carries out a revision of the past through a double logic based on the analysis of the re-use by the new technologies of pre-existing techniques and other based on the aesthetic reflection around virtuality modes in the present and its connection with other aesthetic achievements that were developed in a moment of transformation and reuse of the means of communication.
Topic B: pre-cinema and early cinema
- Presentation of works in progress on pre-cinema or cinema until 1915.

Deadline for papers: 5 May 2021
Conference 20 and 21 October 2021. 

See more here: https://www.girona.cat/shared/admin/docs/c/a/call_for_papers.eng.pdf

St Andrews University is offering a MLitt in History of Photography. The course provides a range of innovative modules that cover areas from the origins of photography to contemporary practices and debates, including modernist art photography, documentary approaches, photographic collections, and technological advances up to the digital era. 

The MLitt in History of Photography is a taught postgraduate programme run by the School of Art History. The MLitt offers a unique opportunity to study the history of photography as a specialised field of research. Highlights include:

• This innovative degree is inspired by the important role played by St Andrews in the early history of the most influential visual medium of the modern era.
• Students are introduced to the theoretical and methodological challenges and debates that photography’s multiple functions and contexts have provoked since its invention.
• Classes make full use of the outstanding photographic collections of Special Collections, University Library and associated photographic archives.
• Small class sizes prioritise discussion with peers and interaction with the tutor.
• Students may apply to take part in exchange programmes at our partner institutions.

Course starts 6 September 2021. Applications by 11 August 2021 at the latest. 

Read more here: https://www.st-andrews.ac.uk/subjects/art-history/history-photography-mlitt/#d.en.93814

The Horner Collection is a group of over 1000 photographs which were taken by the Horner photography studio in Settle for three generations from 1864 to 1960. Their photographs capture the changing faces and places of Settle and the surrounding areas for nearly a hundred years.

The Museum of North Craven Life is crowdfunding to secure the collection, digitise and preserve it in Settle where the studio was located. The collection includes many original glass plate negatives which will need careful conservation and storage.

The museum has secured a £1500 grant from the V&A Purchase Grant Fund and needs to match this and pay for transport and associated costs. So far it has raised £3145 of £4000.

See more and lend your support here: https://www.crowdfunder.co.uk/horner-collection

In December 1920, in the aftermath of the first world war photographs appeared in a London magazine which apparently proved the existence of fairies. Embraced by believers, dissected by sceptics, and sprinkled with celebrity by Arthur Conan Doyle, the Cottingley Fairy Photographs fascinated everyone.

One hundred years later, Stills Gallery, Edinburgh, has collaborated with young people living in Edinburgh to reflect on image-making and image-faking. Their work is shown here, alongside artists and photographers who engage with the legacy of the Cottingley Fairies.

See: https://stills.org/exhibitions/photographing-fairies/

The Scottish Council on Archives Preservation Committee has announced its first webinar in its latest series: Focus on Photography. From identifying photographic type and how to care for them to dating images through fashion, these sessions will explore many different aspects of managing photographs in archive collections. Designed for archivists and anyone with photographs in their collection, the webinars will give practical advice from experts, and offer guidance on caring, storing, and cataloguing items.

Each session will take place on Zoom and run for around thirty minutes, featuring a short presentation with plenty of opportunity for your questions. We are delighted to be working with Susie Clark, photographic conservator, for our initial workshops.

Session One: Getting to Grips with Your Photographic Collection

Wednesday 24 February, 12:00-12:30

This session will provide an outline of the ways in which you might divide up photographic collections, whether into positives and negatives, black and white and colour, or by subject matter, format, or materials, and why each may be relevant.

Registration is free, via Eventbrite: https://www.eventbrite.co.uk/e/141270769675

other events can be seen here: https://www.scottisharchives.org.uk/events/

Susie Clark ACR ICON is an accredited Photographic Conservator and Consultant with many years of experience. She has worked for a large number of institutions, organizations and private individuals in Britain and abroad. She was the recipient of the Museums and Galleries Commission Jerwood Conservation Award for Research and Innovation for her work on the conservation of wet collodion positives. She was also the conservator for the Collaborative Research Project between the National Science and Media Museum and the Getty Conservation Institute looking at characteristics of different photographic processes. She has taught for many organizations and written for many publications. She is currently Assistant Co-ordinator for the ICOM-CC Photographic Materials Group and a committee member of the York Consortium for Conservation and Craftmanship which provides bursaries. She was previously a committee member of the Film and Sound Group of the Society of Archivists. She was recently an Honorary Teaching Fellow for the Centre for Archive and Information Studies at the University of Dundee.

The Florentine has announced that: the Alinari Archive, with its over five million items from the 1840s to the present day, was purchased by the Region of Tuscany at the end of 2019 and now has a new home. It is now under the management of the new Alinari Foundation (Fondazione Alinari), which has the scope of conserving and promoting the archive. The foundation announced its new home - the historic Villa Fabbricotti or Arcipressi, in Florence - and plans for the future, including a museum, although the location has yet to be determined.

Read the full piece here: https://www.theflorentine.net/2021/02/16/new-alinari-foundation/

After the success of last year’s inaugural 'Sessions on the History of Stereoscopic Photography' held virtually at the 3D-Con (annual conference), the National Stereoscopic Association is again seeking papers on the history of stereography for its second annual “Sessions.”

We seek presentations on any aspect of stereo-media from the inception of stereoscopic photography to contemporary virtual and augmented reality. Topics include but are not limited to: historical and archival discoveries; studies on collecting and the culture of stereography; marketing and incorporation; intersectionality; immersive media, interactivity and performance; stereoscopic perception; 3D cinema and virtual reality; instrumentality and simulation. Papers on topics from the nineteenth to the twenty-first century are invited. The conference will be held in 3D on zoom.

The National Stereoscopic Association’s
Sessions on the History of Stereoscopic Photography
a virtual conference of the 47^th 3D-Con 
August 12, 2021
Deadline for abstracts: May 15, 2021.

Please send an abstract of 500 words, a biography of 250 words, and an information sheet found at:  https://3d-con.com/files/2020NSASessionsCallforPapersSessions.docx

email to: Melody Davis, davism6@sage.edu

Notification of acceptance by May 31, 2021.  Digital images will be expected by July 16, 2021.

A forthcoming publication will tell the story of the photographer and filmmaker Herbert Ponting.  Ponting (1870-1935) was young bank clerk when he bought an early Kodak camera. By the early 1900s, he was living in California, working as a professional photographer, known for stereoview and enlarged images of America, Japan and the Russo-Japanese war. In 1909, back in Britain, Ponting was recruited by Captain Robert Scott as photographer and filmmaker for his second Antarctic expedition.

In 1913, following the deaths of Scott and his South Pole party companions, Ponting’s images of Antarctica were widely published, and he gave innovative ‘cinema-lectures’ on the expedition. When war broke out, Ponting’s offers to serve as a photographer or correspondent were declined, but in 1918 he, Ernest Shackleton and other Antarctic veterans joined a government-backed Arctic expedition.

During the economically depressed 1920s and 1930s, Ponting wrote his Antarctic memoir, re-worked his Antarctic films into silent and ‘talkie’ versions and worked on inventions. Like others, he struggled financially but was sustained by correspondence with George Eastman, a late-life romance with singer Glae Carrodus and knowing that his images of Antarctica had secured his place in photographic and filmmaking history.

Herbert Ponting
Anne Strathie
ISBN: 9780750979016
Published: 19-03-2021

See: https://www.thehistorypress.co.uk/publication/herbert-ponting/9780750979016/

Historical photography collections sometimes contain images that can be deeply troubling to contemporary viewers. What should be done with collections that include photographs of colonial violence, enslaved subjects, racist stereotypes, or other difficult imagery?

Join moderator David Odo and photography curators Mark Sealy, Makeda Best, and Ilisa Barbash for a conversation about the challenges and possibilities of curating legacy collections of photographs today.

Presented in partnership with the Peabody Museum of Archaeology and Ethnology and the Harvard Museums of Science and Culture.

Speakers:
Mark Sealy, Director of Autograph A.B.P. and Principal Fellow Decolonising Photography at University of the Arts London

Makeda Best, Richard L. Menschel Curator of Photography, Harvard Art Museums

Ilisa Barbash, Curator of Visual Anthropology, Peabody Museum of Archaeology and Ethnology, Harvard University

David Odo, Director of Academic and Public Programs, Division Head, and Research Curator, Harvard Art Museums

This talk will take place online via Zoom. Free admission, but registration is required.

Friday, 26 February 2021
2:00pm - 3:00pm (EST)  / 1900-2000 (GMT)

To register, please complete this online form.

The International Conference on Stereo & Immersive Media aims to bring together the research fields of photography, sound and cinema, considering their historical and current relationships with expanded and immersive environments. In 2021, due to the Corona virus pandemic, its 4th edition will adopt an online format and will combine traditional plenary sessions and themed parallel tracks, with a S3D Short Film Festival and a Virtual Art Gallery to showcase the most recent and diverse immersive artworks.

Stereoscopic and immersive technologies have been widening the scopes of photography, sound and cinema since the 19th century. Immersion draws both on state of the art technologies and on old and discontinued media that have once stimulated and expanded our perception. While these technologies (from stereo views to cinema, virtual reality or video gaming) have deeply strengthened the human relationship to virtual worlds, they have also made visual documents more engaging, triggering richer and more inspiring interpretations of reality. Today, some of these technologies are also being used and considered vital to reshape our perception of heritage and to allow new readings and museological experiences of historical collections.

The conference will be online 17 and 18 June 2021

cfp by 1 March 2021 See: http://stereoimmersivemedia.ulusofona.pt/submissions/

The collection store is home to hundreds of cameras, projectors and photographic accessories, and hundreds of thousands of images. This collections tells significant stories about local photographers, photographic technology, and the film & camera manufacturing and retail industry in Australia, with a focus on Kodak. Images range from humble family portraits and scenes sent to loved ones, to significant studio collections that document industry, agriculture and exploration.

Fiona and Lorenzo will be opening cabinets, drawers, albums and storage boxes in the photography collection store to show you some of their favourite artefacts. You will see beautiful 19th century brass and wood studio cameras as well as fantastic plastic 20th century cameras; magic lantern projectors and lantern slides; and a selection of images on glass, plastic and paper!

This online show will take place using Zoom Webinar. You will receive a link to join the webinar a few days before the event. This is your chance to ask our experts your burning questions face-to-face (well, via Zoom!).

23 February 2021
online 1800-1900 (Melbourne, AUZ) / 0700-0800 GMT)

AUZ $16 [approx, £6.75] (non-members) AUS $12 (members) 

Register here: https://museumsvictoria.com.au/melbournemuseum/whats-on/members-virtual-event-live-from-the-image-collections/

Fiona Kinsey / Senior Curator, Images and Image Making, Museums Victoria

Fiona Kinsey is Senior Curator of the Images and Image Making Collection in the Society & Technology Department at Museums Victoria, where she has worked for the last 22 years. She currently collects, researches and interprets material culture relating to the history of the Australian photographic industry and photographic practice. Fiona is passionate about engaging with communities and for the past fifteen years she has worked on the Kodak Heritage Collection. This year Fiona has brought her attention to documenting the ways that Victorians have responded to the COVID-19 pandemic, particularly in relation to panic buying and the changing relationships between producers, suppliers and consumers.

Lorenzo Iozzi / Senior Collection Manager, Images Society and Technology, Museums Victoria

Lorenzo Iozzi studied Fine Art (Painting) at RMIT University and has a Postgraduate Certificate in Art Conservation from the University of Melbourne. He continues a practical interest in fine art particularly through still life and landscape painting. He joined Museums Victoria in 2005 where his current role is Senior Collection Manager of Images in the Society and Technology Department. This work has fostered an interest in the way images shape our understanding of the world, in particular, through the photographic image. One of the most rewarding and comprehensive team projects has been to preserve and research the Museum’s magic lantern artefacts and lantern slide images.

A short film by Martin Shakeshaft gives an introduction to one of the oldest working photography businesses in the UK, W. W. Winter of Derby, which is still in business and with origins back to 1855. 

See: https://youtu.be/8GMUjYaI4jw

Cristina Nuñez is presenting a series of experimental online workshops by The Real Photography Company in Bristol, investigating alternative photography processes and techniques. The four one-month workshops will be run in the SPEX platform from April to July. You can enrol on one workshop or two, three or perhaps all of them for a special price.

The Real Photography Company are Justin Quinnell, Ruth Jacobs, Wendy Leocque, Sophie Sherwood. Based in Bristol UK, they are expert teachers in black and white photography and alternative darkroom processes. During the pandemic, with their darkrooms closed, they developed accessible photographic techniques and processes enabling people in lockdown to make images based on the principles of photography, but without the usual camera equipment, darkroom facilities or chemistry. In this series of workshops, the RPC invites you to participate in a creative exploration of the world around you, to make images from plants, everyday kitchen ingredients, the action of the sun on light sensitive materials, the passage of time and the turning of the Earth in space.

The one-month Workshops are:

• April: Pinhole Photography, Solargraphy and Room Obscura Projections
• May: Anthotypes and Chlorophyll Printing
• June: Lumens and Cyanotype Printing
• July: Kitchen Chemigrams

Click here to discover more about the workshops

A new exhibition at the V&A Museum, London, explore its origins, adaptations and reinventions over 157 years of Alice’s Adventures in Wonderland from manuscript to a global phenomenon beloved by all ages. Photography from Lewis Carroll to Julia Margaret Cameron features in the exhibition of course and is also the subject of an online essay 'The real Alice in Wonderland'. 

For details of the exhibition which is due to open on 27 March (but check the date as a result of COVID) see: https://www.vam.ac.uk/exhibitions/alice-curiouser-and-curiouser

To read the essay see: https://www.vam.ac.uk/articles/the-real-alice-in-wonderland

Image: Alice Liddell aged 7, photographed by Charles Dodgson (Lewis Carroll) in 1860. Wikimedia commons.

A new web site conceived by journalist and broadcaster Barry Fox has been launched to bring together more than 100 years of technology industry photography in one place. The aptly-named www.tekkiepix.com features a multitude of historic photos spanning more than a century of technical milestones and product launches – and the fascinating stories behind them.

2021 heralds the fiftieth anniversary of home video recording and the introduction of the consumer video cassette recorder – and this is just one of the industry breakthroughs documented by this unique site. For example, type ‘U-matic’ in the search field to discover when the first video recorder went on sale and to reveal who manufactured it.

No subscriptions or fees are required to use the site, which is a completely free, non-profit treasure trove of pictures and articles covering the history of home gadgetry before the days of Apple, Google, YouTube, Spotify and Netflix. Tekkiepix also includes a comprehensive timeline of consumer technology landmarks starting from 1877.

Founder Barry Fox commented, “Tekkiepix has taken a great deal of time, investment and hard work to prepare and publish. The Covid lockdowns have provided the opportunity for me to sort, digitise and meticulously index many piles of press and publicity photos that I had been storing in my garage and attic.”

So far, many hundreds of rare pictures have been processed and posted, along with the intriguing stories behind each image. As a keen photographer, many of these pictures were captured by Barry personally at numerous product launch events, while others were issued by technology manufacturers over the years. Barry carefully archived the collection rather than disposing of the images. He added, “Tekkiepix is giving these publicity pictures the chance of a second life.”

There is much more material to be added, with boxes of negatives and transparencies still to be scanned, and Barry hopes that through donations from enthusiasts, or perhaps sponsorship by an interested organisation, he can expand Tekkiepix much further: “I have added a Donate button to encourage contributions. Through this support, I’ll be able to build the site and turn it into an even more valuable and educational resource for younger generations to appreciate in the future.”

Many of the companies that originally distributed the pictures to the media for PR purposes have long since closed or been sold, and Barry believes this may be the only lasting record of these historically important photographs.

Over the past six months, Barry has been generously assisted by former technology magazine editor Richard Dean in professionally re-vamping and expanding the original ‘DIY’ site design, with support from photographer and website designer John Kentish.

See: https://tekkiepix.com/

Bonhams' auction of Travel and Exploration on 10 February includes an album of mountaineering photographs by William F Donkin and Vittorio Sella, dating from the 1880s. It is estimated at £6000-8000. Donkin was a member of the Photographic Society from 1881 until his death in a mountaineering accident in 1888 and the Society's honorary secretary. 

The catalogue entry notes: William Frederick Donkin died, aged 43, during a climbing expedition to the Caucasus in 1888. Fêted at the time of his premature death, with a retrospective exhibition of his work held at the instigation of the Alpine Club (of which he was honorary secretary from 1885-1888) and Photographic Society in 1889, Donkin has subsequently been overshadowed by the longer lived Sella. This is undoubtedly due to the lack of details known about his life (no entry on ODNB) and scarcity of his works. The current album includes many views attributed to him.

The album was originally with The Rucksack Society. 

See the full catalogue entry here.

Hundred Heroines which celebrates women in photography is presenting an online symposium to discuss the work of the Heroines showcased in its Anemoia online gallery, It will have some special guests and will include a Q&A.

Chaired by Haley Drolet (Research Assistant, Faculty of History, Oxford University). Hundred Heroines will welcome Amanda Hopkinson, Ralph Harrington, Monika Baker and Jean Bubley to discuss the work of Edith Tudor Hart, Berenice Abbott, Homai Vyarawalla, Fanny Foster, Esther Bubley, Gerti Deutsch and Nancy Sheung. They are all featured in the exhibition. The event promises to give new insight to the life and work of these Heroines.

The full programme will be announced on the Hundred Heroines website shortly.

Bookings can be made here

Click here to join the Hundred Heroines mailing list for updates.

Image: Homai Vyarawalla. Rehana Mogul and Mani Turner at work in sculpture class at the J.J. School of Arts. A live male model can be seen in the background. Bombay, late 1930s. HV Archive/Alkazi Collection of Photography