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31037100484?profile=RESIZE_400xThis is the first book dedicated to Cornelia Bentley Sage Quinton (1876-1936). The text retraces the visionary career of the first woman director of a major art museum in the United States. From her appointment as director of the Albright Art Gallery in Buffalo in 1910, Cornelia Sage left her mark on American institutional history, as well as on the history of photography, notably by organizing the International Exhibition of Pictorialist Photography with Alfred Stieglitz and the Photo-Secession group. A pioneer, through her original approach and bold choices, she paved the way for women aspiring to key positions in American museums.

The author, Camille Mona Paysant, is an art historian specializing in photography. Her doctoral thesis, defended in 2018, focused on the international relations and diverse practices of artists associated with the Photo-Secession movement. In 2016, she published The Travel Photographs of Baron Adolph de Meyer: The Eye at Rest: A Break with the Tradition of Studio Photography (Éditions Hermann), followed in 2019 by Japan: Adolphe de Meyer (Éditions Louis Vuitton). She also contributes as a specialist to exhibition catalogues, including Picasso: Masterpieces! (Musée national Picasso – Paris, Gallimard, 2018), André Ostier: Portraits of Artists (Musée Matisse, Nice, 2019), and Whistler: The Butterfly Effect (Silvana, 2024).

Cornelia B. Sage Quinton – Une pionnière de l’art américain
Camille Mona Paysant
Editions Naima, 2025
238 pages, PDF, EPUB 
€24 (printed edition) or 4,99 (subscription download)
See: https://www.naimaeditions.com/biblio/cornelia-b-sage-quinton-une-pionniere-de-lart-americain-numerique/?referer=l58du4

 
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When Martin Parr was fourteen, his teacher wrote that he was ‘utterly lazy and inattentive’ in a school report. He went on to become one of the most successful and sought-after photographers in the world. Martin has published over one hundred photobooks on many different subjects, from seaside resorts to smoking, over his career. Now, for the first and only time, Martin has produced a book about himself, telling his own story, in his own words.

13675856471?profile=RESIZE_400xThis autobiography combines over 150 of Martin’s photographs – from his earliest snapshots to the work he is doing today – with his recollections and reflections on each image. We meet a boy growing up in suburbia, who collects obsessively and notices everything. We see him exploding into the public consciousness in the late eighties with a series of startling, ultra-saturated colour images of the British seaside – and scandalising the photography establishment in the process. We see society changing over the decades, from the demise of steam trains, through the opening of the first McDonald’s in Moscow, to the transformations of the post-pandemic world.

As Martin shares his story, his distinctive voice delicately captured by his friend, the writer Wendy Jones, he also reveals his approach to work and commissions; his tricks for gaining access and getting the shot; and he divulges his particular passions: for crowds and queues, fetes and placards, bad weather on beaches, and more.

Martin says..."I’ve published over 130 photobooks on many different subjects, from seaside resorts to smoking. This is the first and only time I’ll publish a book about myself. My autobiography is a combination of stories and photos taken from across my life - from my earliest snapshots to the work I’m doing now. It was a way for me to understand my progress as a photographer: to see what has changed, and what has stayed the same, both in my work and in the world. It has allowed me to see how everything is connected"

This is the definitive account of a great photographer’s career, curating the work that has defined his life. By looking at the world through his eyes and his lens, we come away seeing Martin Parr – and ourselves – a little differently.

BPH adds...The book is not a typical biography,  instead it is one befitting one of Britain's great photographers with a focus on Martin's photography. Across 150 chapters Martin speaks to a single photograph tell the story of his life and career, from childhood, to student life in Manchester, and through his early documentary work, and on to The Last Resort, and thence to the present day. His photographs are used a jumping off point to discuss his own life and approach to photography. It's engaging and, even if you've heard Martin speak about his work, Wendy Jones has drawn out new insights into Martin Parr, the photographer, his thinking and into Parr-world. Recommended. 

Utterly Lazy and Inattentive. Martin Parr in Words and Pictures
Martin Parr and Wendy Jones
£30, 312 pages, hardback
Particular Books, published 4 September 2025
ISBN: 9780241740828
Buy here to support the Martin Parr Foundation, signed and on pre-order

Photographs: Michael Pritchard 

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12201087872?profile=originalIn conjunction with the St Andrews Photographic Festival and to celebrate 170 years since Brewster developed his stereoscope, Peter Blair will launch his new book "Scotland in 3D - a Victorian Virtual Reality Tour" ISBN 9781527225527 at the Byre Theatre in St Andrews on Thurs 4th October at 7pm.

Peter will introduce us to stereoscopy and take us on a tour of Scotland using antique 3D images from his collection. 3D glasses will be provided.

The event is free but places are limited so booking is essential:

https://byretheatre.com/events/stereo-photography-festival-scotland-in-3d/

12201088092?profile=original

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Darwin's Camera (Phillip Prodger; ISBN-10: 0195150317) tells the extraordinary story of how Charles Darwin changed the way pictures are seen and made.In his illustrated masterpiece, Expression of the Emotions in Man and Animals (1871), Darwin introduced the idea of using photographs to illustrate a scientific theory--his was the first photographically illustrated science book ever published. Using photographs to depict fleeting expressions of emotion--laughter, crying, anger, and so on--as they flit across a person's face, he managed to produce dramatic images at a time when photography was famously slow and awkward. The book describes how Darwin struggled to get the pictures he needed, scouring the galleries, bookshops, and photographic studios of London, looking for pictures to satisfy his demand for expressive imagery. He finally settled on one the giants of photographic history, the eccentric art photographer Oscar Rejlander, to make his pictures. It was a peculiar choice. Darwin was known for his meticulous science, while Rejlander was notorious for altering and manipulating photographs. Their remarkable collaboration is one of the astonishing revelations in Darwin's Camera .Darwin never studied art formally, but he was always interested in art and often drew on art knowledge as his work unfolded. He mingled with the artists on the voyage of HMS Beagle , he visited art museums to examine figures and animals in paintings, associated with artists, and read art history books. He befriended the celebrated animal painters Joseph Wolf and Briton Riviere, and accepted the Pre-Raphaelite sculptor Thomas Woolner as a trusted guide. He corresponded with legendary photographers Lewis Carroll, Julia Margaret Cameron, and G.-B. Duchenne de Boulogne, as well as many lesser lights. Darwin's Camera provides the first examination ever of these relationships and their effect on Darwin's work, and how Darwin, in turn, shaped the history of art.Features:* Unique approach to Darwin's work that examines one of the first photographically illustrated science books* Reveals previously unknown information about Darwin's interest in photography and art* Describes the rise of photographic objectivity--how photography became accepted as proof in scientific debate* Features reproductions of many photographs owned by Darwin and never before seen by the public

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