This is the first book dedicated to Cornelia Bentley Sage Quinton (1876-1936). The text retraces the visionary career of the first woman director of a major art museum in the United States. From her appointment as director of the Albright Art Gallery in Buffalo in 1910, Cornelia Sage left her mark on American institutional history, as well as on the history of photography, notably by organizing the International Exhibition of Pictorialist Photography with Alfred Stieglitz and the Photo-Secession group. A pioneer, through her original approach and bold choices, she paved the way for women aspiring to key positions in American museums.
The author, Camille Mona Paysant, is an art historian specializing in photography. Her doctoral thesis, defended in 2018, focused on the international relations and diverse practices of artists associated with the Photo-Secession movement. In 2016, she published The Travel Photographs of Baron Adolph de Meyer: The Eye at Rest: A Break with the Tradition of Studio Photography (Éditions Hermann), followed in 2019 by Japan: Adolphe de Meyer (Éditions Louis Vuitton). She also contributes as a specialist to exhibition catalogues, including Picasso: Masterpieces! (Musée national Picasso – Paris, Gallimard, 2018), André Ostier: Portraits of Artists (Musée Matisse, Nice, 2019), and Whistler: The Butterfly Effect (Silvana, 2024).
Cornelia B. Sage Quinton – Une pionnière de l’art américain
Camille Mona Paysant
Editions Naima, 2025
238 pages, PDF, EPUB
€24 (printed edition) or €4,99 (subscription download)
See: https://www.naimaeditions.com/biblio/cornelia-b-sage-quinton-une-pionniere-de-lart-americain-numerique/?referer=l58du4