exhibitions (7)

The Herschel Museum of Astronomy will launch two new exhibitions exploring the connections between photography, astronomy and scientific discovery: Photology: John Herschel, Henry Talbot and Early Photography and The as-yet unseen by contemporary Irish artist Grace Weir.

Photology: John Herschel, Henry Talbot and Early Photography will explore Sir John Herschel’s pivotal role in the development of photography, and his collaboration with photographic pioneer William Henry Fox Talbot. Visitors to the exhibition gallery will discover how Herschel refined photographic techniques, developed new processes such as cyanotype, and coined many of the terms still used in photography today. The exhibition also examines his lasting influence through the work of pioneering figures including Anna Atkins, Julia Margaret Cameron and Mary Somerville.

The as-yet unseen, a new artistic intervention by Grace Weir, curated by Bridget de León, will unfold through the museum’s historic house. Created in response to the museum’s dual identity as both a family home and a site of major scientific discoveries, the exhibition considers observation as a form of continuous and highly attuned looking, grounded in the rhythms of domestic life. The exhibition brings together new site-responsive works, an embroidered tablecloth inspired by William Herschel’s first mapping of the Milky Way, a drawing scattered with stardust minerals, new paintings of prisms, and cyanotypes capturing shadows within the house. It also features a live counter displaying the current distance to Uranus in the Herschel’s 18th-century workshop, alongside selected existing artworks.

Together, the exhibitions will reveal the close relationship between astronomy and photography, showing how light, observation and experimentation have driven and influenced both scientific discovery and artistic practice. Through historic objects and contemporary artworks, visitors are invited to consider new connections between the Herschel family’s work and the ways we record, interpret and understand the world around us.

A programme of events, including a cyanotype workshop and a stargazing evening, will provide additional engagement for visitors.

Dr Amy Frost, Senior Curator at Bath Preservation Trust, says: “This is the first time in the Museum’s history that contemporary site-specific artworks have been integrated within the historic spaces and collection in this way, so it’s really exciting for us – it feels like a thread being created through time. The two exhibitions offer visitors different perspectives on the Herschel family’s extraordinary legacy; ‘Photology’ highlights John Herschel’s important contribution to the development of photography, while Grace Weir’s exhibition brings contemporary artistic responses into conversation with the house and its history. Together, they explore how observation, curiosity and experimentation have connected astronomy and photography since the nineteenth century. We look forward to inviting audiences to look afresh at the historic house, its collections and the stories it contains.

Bridget de León, curator of ‘The as-yet unseen’, says, “I have worked with Grace Weir for many years – we put on the first solo exhibition at the Science Museum, London by a contemporary artist and we are thrilled that Weir will again be the first contemporary artist to have her work displayed in the Herschel house. Her show plans to draw out stories relating to the Herschel family and shine a light on the pivotal role that Caroline Herschel, William’s sister, played in the astronomical discoveries made in the back garden of their house in Bath.

Photology: John Herschel, Henry Talbot and Early Photography and The as-yet unseen
5 September 2026-3 January 2027
Herschel Museum of Astronomy, 19 New King Street, Bath, BA1 2BL
Both exhibitions are included with museum entry, which costs £12.50 for adults and is free for children
See: https://herschelmuseum.org.uk/

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This interdisciplinary Franco-British initiative brings together academics, curators and other photography specialists from across Europe and the US to discuss the challenges and advantages of exhibiting photographic publications. With the printed page a key site of photographic circulation, curators and researchers of photographic history often face the question of how to integrate publications into an exhibition. Coinciding with Photo London 2026, this event brings together museum professionals and specialist researchers to identify, discuss and propose solutions to these shared challenges.

The day, which will include talks and roundtable discussions, will build upon conversations begun at the National Archives (France) during Paris Photo 2025. It will consider how the histories of photographic magazines and press archives are being recorded, collected, and displayed in a contemporary context, and the complexities of navigating this mass material. How do we use press photography to tell compelling and complex histories? What constitutes an ethical curatorial approach when working with photo-magazine and photojournalism archives? What are the practical implications and creative solutions for exhibiting bound publications?

Speakers include Professor Niclas Östlind (University of Gothenburg) and Philippe Garner (independent auction specialist), alongside curatorial staff from Munich Stadtmuseum (Germany), National Portrait Gallery (UK), Palais Galliera (France), RIBA (UK) and the V&A.

This event is co-organised by Tom Allbeson (Cardiff University), Alice Morin (Université Paris III - Sorbonne Nouvelle) and Marie-Eve Bouillon (National Archives, Paris), with Martin Barnes (V&A) and Sarah French (V&A). 

Full programme to follow. 
 
This event is supported by The Bern Schwartz Family Foundation.
 
Exhibiting Photo-Magazines & the Photo Press
Saturday, 16 May 2026, 1000-1700
London: V&A South Kensington, £5
Details and booking: https://www.vam.ac.uk/event/vxWdKz40V8/exhibiting-photo-magazines-the-photo-press-may-2026
 
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Well after a long gestation period the new exhibition I've been curating at the State Library of New South Wales has opened. Arranged chronologically Shot covers the years 1845 to 2022 and is a major retrospective of photography in Australia. With over 400 photographs by 200 photographers there should be content that is of interest for this group particularly in the early years with some rare photocrayotypes, Australia's oldest extant photo (a daguerreotype by Goodman), and rare Paget plates from Shackleton's expedition by Frank Hurley. Given the desktop version went online this week I felt it was a good time to share with you all. It includes examples of photographic formats from the inception of photography to the present and will be up until November 2024. 

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Below is an excerpt from the introduction panel ...
This is the first exhibition to comprehensively review the breadth of the photographic archive held at the State Library of NSW — one of the largest, most diverse and significant in Australia. The two million photographs held by the Library represent tens of thousands of stories collectively forming a unique pictorial history of the past 175 years in Australia. The exhibition explores some of these threads — from the earliest surviving photograph in Australia to examples of nearly every format used since the inception of photography in 1839.

The exhibition includes works by some of Australia’s most acclaimed photographers and shines a light on works and formats often considered to be on the periphery of photographic practice. Arranged chronologically, we have aimed to include at least one photograph to represent each year between 1845 and 2022. The images include the work of over 200 press, amateur and street photographers; printers and commercial studios. This exhibition captures only a thin slice of the collection, but these 400 works convey some of the rich rewards to be gained by examining the archive as a whole. We hope this approach allows space to contemplate the myriad stories they represent.
https://www.sl.nsw.gov.au/exhibitions/shot

Geoff Barker, 2024

 

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PHRC photohistory websites upgrade

12201184291?profile=originalThank you to all of you who answered our survey last year, of the Photographic History Research Centre's digital resources for photographic history. The time you took to answer our survey has been invaluable in assessing the range of users and research on these sites. It has also been gratifying to hear your messages of thanks, which have been passed on to those who originally created them.

I'm pleased to announce that we will be undertaking a security upgrade to safeguard the following sites for the future (in no particular order):

http://fentonletterbooks.dmu.ac.uk/

http://foxtalbot.dmu.ac.uk/

http://peib.dmu.ac.uk/

http://erps.dmu.ac.uk/

http://amelina.dmu.ac.uk/

http://rpsmembers.dmu.ac.uk/

DMU is committed to open access research, and the IT department (ITMS) is supporting PHRC's mission to make open research resources  for  photographic history. In the coming months there may be some disruption to the websites that you normally use. We hope that these interruptions will be short, and will not inconvenience you greatly. However, in the knowledge that there will be some inevitable down time, I would encourage all researchers who have time-sensitive projects not to delay any use they need to make of these sites. Work will begin very soon.

Again, Many thanks for all your efforts.

Kelley Wilder

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Website: London photography exhibitions and events

12201004654?profile=originalHemera, a London based curatorial collective specialising in photography, has just launched the London Photography Diary,  a website dedicated to listing photography exhibitions, events, and conferences in London: www.london-photography-diary.com.  The website also features photography related videos, reviews,  and an image sharing portal. Please check it out and join our mailing list to receive our weekly newsletters. The two curators who are editing the site are Sarah Allens and Rachael Graves.

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12200972696?profile=originalWe at the New York Public Library for the Performing Arts have been investigating the early London career of British photographer Florence Vandamm, who worked in NYC from 1924 to her retirement in 1962.  We discovered that she opened her first studio in London in 1908.  This site has been very helpful at providing resources and links. 

The exhibition (Pioneering Poet of Light: Florence Vandamm & the Vandamm Studio) will open in mid-September and runs through the end of February.  Please visit. Click here: http://www.nypl.org/events/exhibitions/poet-light-florence-vandamm-vandamm-studio

We are blogging about Vandamm's work on the Library's www.nypl.org.  You can find them in he Vandamm channel or under my name.

Image: Re-discovered image from a glass negative of the Theatre Guild's 1928 production of Faust, NYPL. 

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