lecture (4)

31274851298?profile=RESIZE_400xThis event celebrates the publication of Dr Flora Dunster’s Hurled Towards the Future: Lesbian Photography and Queer Imagination in 1980s London (Paul Mellon Centre 2026). 

Hurled Towards the Future is the first art-historical account of photography from London’s lesbian sex-radical scene. It explores how lesbian photographers in late 1980s and early 1990s London worked within a climate of resistance and possibility to imagine - and create - a queer future. Focusing on the work of Tessa Boffin and Del LaGrace Volcano, this book argues that, through their photography, these artists made a critical contribution to the reclamation of 'queer' as both a political identification and an aesthetic practice. 

Following a lecture, Flora will be joined in conversation by Dr Laura Guy. 

This event is organised by Dr Catherine Grant, Reader and Vice-Dean for Education, Courtauld Institute of Art.

Hurled Towards the Future: Lesbian Photography and Queer Imagination in 1980s London
Dr Flora Dunster
15 October 2026, 1800-1930
Free, Vernon Square Campus, Lecture Theatre 2
Details and register here

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In 1925, The Victoria and Albert Museum initiated ‘a new type of publication’: a series of sixpenny picture booklets devoted to various categories of museum object called, appropriately, ‘The Small Picture Books’. Between the first publication – on English Alabasters in 1925 – and 1938 there were 55 titles in all, selling in their hundreds of thousands. In a combination of excellent museum black and white photography and good rotogravure printing, these small books aimed to please and inform in equal measure.

In this talk, Professor Edwards will discuss the surprisingly contemporary-feeling aspirations for these modest books – communicating museum collections and enabling access to them. They were carried by the quality of their photography and their printing, as is so much museum publishing today. As material objects, from paper and typography to photographic printing, they were reflective of the museum’s ethos and its ways of connecting with its audiences. Professor Edwards will explore three themes that weave their way round these small books: questions of identity, especially a clear agenda for a national narrative of art and design; questions of scale and miniaturisation as an encapsulation of museum riches; and questions of consumption – the ways that these books were represented and used. At the heart were photography and printing that made objects legible.

This is the fourth lecture in the Richard Benson Lecture in the Reproduced Image series, hosted by Richard Ovenden OBE. A drinks reception will follow this event.

Speakers

Professor Elizabeth Edwards FBA is a visual and historical anthropologist. She is Professor Emerita of Photographic History, De Montfort University, has Honorary Professorships at University College London, and University of Durham and is Research Affiliate at ISCA, University of Oxford. From 2016–22 she was Andrew W. Mellon Professor at the V&A, London. Her recent books are The Camera as Historian: Amateur Photographers and Historical Imagination (2012), Photographs and the Practice of History (2022) and the co-edited What Photographs Do: the making and remaking of museum cultures (2022). She is currently finishing on a book on photographs and ambient historical imaginations – which includes many museum photographs.

Richard Ovenden OBE is Bodley’s Librarian and the Helen Hamlyn Director of the University of Oxford Libraries, and is responsible for their strategic oversight. He holds these posts alongside his role as Head of Gardens, Libraries & Museums (GLAM), University of Oxford. He has published widely on the history of collecting, the history of photography and on professional concerns of the library, archive, and information world.

 

2026 Richard Benson Lecture in the Reproduced Image. ‘A new type of publication’: photography, the museum and the educational souvenir 
Professor Elizabeth Edwards FBA
29 October 2026 at 1700, followed by a drinks reception
Free, Bodleian Library, Sir Victor Blank Lecture Theatre
Details and booking here

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Lecture: The Practice of Intimacy

Elinor Carucci‘s photographs have consistently explored the types and levels of intimacy, focusing on her own body, her parents, her husband, and more recently, her children. Often photographing in close-range, Carucci relies on bits and pieces, expressions and symbols to communicate joy, pain, and the sometimes-elegiac sentiments that accompany relationships.

Born 1971 in Jerusalem, Elinor Carucci graduated in 1995 from Bezalel Academy of Arts and Design with a degree in photography, and moved to New York in the same year. She was awarded the International Center of Photography's Infinity Award for Young Photographers in 2001 and a Guggenheim Fellowship in 2002. Carucci has had solo exhibitions at galleries including Edwynn Houk Gallery, Fifty One Fine Art Gallery and Gagosian Gallery, London. Her photographs are included in the collections of The Museum of Modern Art, New York, the Brooklyn Museum of Art and Houston Museum of Fine Art, among others. She has published two monographs to date, Closer (Chronicle, 2002) and Diary of a Dancer (Steidl, 2005). Carucci is represented by James Hyman Gallery, London.

Tuesday, 16 November 2010

6.00pm, Research Forum South Room,

The Courtauld Institute of Art, Somerset House, Strand, London WC2R 0RN

Open to all, free admission

Contacts:

Alexandra Moschovi (alexandra.moschovi@courtauld.ac.uk)

Julian Stallabrass (julian.stallabrass@courtauld.ac.uk), or

Benedict Burbridge (benedict.burbridge@courtauld.ac.uk)

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The Camera Obscura: public lecture

On Monday, 25 October between 1-2.30pm Roger Smith, a maker as well as authority on the camera obscura, will be giving an introduction to this popular optical instrument, via a lecture and demonstration. The event is a collaboration between the Museum and the Bodleian Library. Meet at 1pm in the Convocation House, entered via the Divinity School, Old Bodleian Library. There is no charge.
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