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12201084701?profile=originalShirley Baker started to photograph the streets of Manchester and Salford in the early 1960s when homes were being demolished and communities were being uprooted. 'Whole streets were disappearing and I hoped to capture some trace of everyday life of the people who lived there. I was particularly interested in the more mundane, even trivial, aspects of life that were not being recorded by anyone else.'

Shirley’s powerful images, sparked by her curiosity, recorded people and communities involved in fundamental change. People’s homes were demolished as part of a huge ‘slum’ clearance programme, however Shirley was able to capture some of the street life as it had been for generations before the change. The areas have been redeveloped to form a new and totally different environment. As Shirley once said, 'I hope by bridging time through the magic of photography, a connection has been made with a past that should not be forgotten'.

Shirley Baker
Without a Trace: Manchester and Salford in the 1960s
The History Press, September 2018
£20, hard cased
buy here: https://www.thehistorypress.co.uk/publication/without-a-trace/9780750988988/

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12201090497?profile=originalThe first exhibition dedicated to leading dog photographer Thomas Fall opens at the Kennel Club Art Gallery on 12 September. The collection, which is the largest historical dog photography archive in the world, will be on display for dog lovers and art enthusiasts alike.

The exhibition, ‘Promoting the Pedigree through Photography: Thomas Fall’, runs from 12 September 2018 to 29 March 2019 in partnership with the Mary Evans Picture Library. It will chart the visual progression of British pedigree dogs through the Thomas Fall rare photographic records. The exhibition will include two personal photographic items (circa 1890) by Thomas Fall loaned by Her Majesty The Queen from the Royal Collection.  

12201090874?profile=originalThomas Fall is a name which was and still is synonymous with the highest quality pedigree and champion dog photographs for over a century and comprises important dog photographs from 1875 through to 1990. He was a member of the Royal Photographic Society and exhibition showcases photographic works and archive collectables from all four ‘Thomas Falls’: the original Thomas Fall (b1833-1900) and those who bought and continued the collection after him: Edward Hitchings Parker, Barbara Burrows and Mary Evans Picture Library.

Amongst the rare items on display from the collection will be trademark stamps and handwritten photographic notes relating to commercial products and books, antique cameras, photographs and contextual information regarding the Thomas Fall business enterprise are featured.

12201091279?profile=originalThe displays are accompanied by a comprehensive exhibition catalogue (available for purchase), which includes further images and information on the history and progression of the Thomas Fall business over the last century. 

The Kennel Club Art Gallery, based in Mayfair, is open to all and free to visit by appointment. Visiting hours are Monday to Friday 9.30am-4.30pm. To book an appointment please contact the Kennel Club Art Gallery on 020 7518 1064 or email artgallery@thekennelclub.org.uk

Images: © Thomas Fall / Mary Evans Picture Library 

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12201094060?profile=originalNow home to financial heavyweights and epic skyscapers, the Isle of Dogs was once the beating heart of industrial East London. In the early ’80s Mike Seaborne began documenting the area’s social fabric, taking his camera around the streets and inside remaining working factories and businesses.

These photographs, taken between 1982 and 1987, show the island on the cusp of huge development. We see first sightings of the Docklands Light Railway construction from Tower Gateway to Island Gardens, workers in (now demolished) factories on their tea breaks, children paddling in the Thames. Seaborne captured the spirit of a close-knit community, one that soon changed forever when the big money moved in.

Mike Seaborne has been photographing London since 1979. He was Senior Curator of Photographs at the Museum of London until 2011 and now focuses on personal photographic projects.

Hoxton Mini Press is a small but award-winning independent publisher making beautiful, collectable photography books about London and beyond.

The Isle of Dogs: Before the big money
By Mike Seaborne, with an introduction by Ken Worpole
Published 11 October 2018 by
Hoxton Mini Press, £17.95
Book 2 in the series ‘Vintage Britain’,
Hardback, 162mm x 202mm, 192pp
ISBN: 978-1-910566-39-8

To buy a copy click here: https://www.hoxtonminipress.com/collections/books/products/the-isle-of-dogs

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12201094254?profile=originalI have just been appointed an AHRC Leadership Fellow from September 2018 through to late 2019, for a project centred on the work of Ilford Limited, and also looking at aspects of photographic culture between (roughly) 1914-1945. The grant funds the research but also aims to develop my research leadership skills and capacity, by providing masterclasses and workshops for colleagues and postgraduate students as well as funding an international conference in photography and film studies in 2019, on which I will work with my colleague Dr. Junko Theresa Mikuriya.

In the process I hope to engage with (in no particular order) industry participants, community groups academics, students, photographic practitioners, archivists, and museums who/which have expertise and/or interest in Ilford and this period of British photographic history. My own work is not a straightforwardly empirical project but places industrial photography history in the context of histories of the senses and cultural histories.

There are more details about the project on my  blog and via my Twitter account @henningmc_ and via our research group account @ImageThinking . I am also offering talks, workshops etc. for PhD and MA students as part of the project. Obviously there is a limit to the number of these I can do, but let me know if this is something that may be of interest. I would also love to hear from anyone interested in participating in the conference in 2019, or engaging in discussion over issues related to this research. Obviously I am aware of the existing academic writing and publications on Ilford and this period, but please do let me know if you know of other archives or collections I might not know about. 

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British historical women photographers

12201084295?profile=originalRose Teanby's excellent research work looking at early British women photographers continues to grow.  The most recent post is on Lady Emily Payne-Gallwey (sic) who joined the Photographic Society in 1853, it's inaugural year. The other photographers so far in the series are: Mary Ann Boulton, Elizabeth Stockdale WIlkinson, Jessie Mann, Elizabeth Vignoles, Caroline Taylor, Jane Nina Wigley, Catherine Verschoyle, Frances Monteith, 

Rose will be a speaker at the Anna Atkins conference at the New York Public Library in October.

See more here: https://roseteanbyphotography.co.uk/early-women-photographers/

Image: D O Hill and RObert Admason, ‘Unknown Woman 15’, 1843-7, probably photographer Jessie Mann. 
Scottish National Portrait Gallery (PGP HA 2442)

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12201047269?profile=originalThe recent departure of Michael Terwey as Head of Collections and Exhibitions at the National Science and Media Museum has provided an opportunity for the museum to re-thionk itts senior management, with a new role, Head Curator, recently advertised.

Across Science Museum Group, our curatorial team are committed to inspiring futures by sustaining and growing our world-class collection and delivering a creative and bold programme of outputs including exhibitions, galleries, events and online narratives.

To truly lead our curatorial department, build our research profile, develop our collections and deliver content for an ambitious ‘masterplan’, we are looking for a Head Curator to join us at the National Science and Media Museum (NSMM), in Bradford, on a permanent basis.

In this role, you will champion your team to realise our ambitions to collect more contemporary materials, developing and maintaining our collections and creating innovative ways to engage our visitors. You will also be a senior leader at NSMM, communicating our vision to stakeholders, promoting a culture of high performance and encouraging collaborative practice, as well as raising our museums profile and expanding our networks.

Joining us, you will use your significant experience of curating collections and communicating stories in unique ways. Having experience of team leadership and skills at strategically managing budgets you will be passionate about working collaboratively, bringing a well-established network to advocate for best practice and sharing knowledge to develop our collections.

You will be offered excellent benefits including 27 days annual leave in addition to 8 bank holidays, the ability to join our pension scheme, BUPA medical and dental healthcare and an interest free loan offer whilst developing your career in a world class museum group.

For further information please see the SMG website here.

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