Drawn from the extensive private collection of the architectural photographer Steven Evans, Seeking Solace: Francis Bedford’s Framing of Victorian Ideals celebrates the work of English photographer Francis Bedford (1816–1894).
A master draughtsman and lithographer in the 1840s and 1850s, Bedford took up photography and positioned himself as one of the premier landscape and architectural photographers of his time. He successfully marketed his photographs in the form of albums, stereo cards, cartes de visite, and prints and was included in all but two exhibitions held at the Photographic Society of London during the 1860s. His work comprised picturesque landscapes and ecclesiastical ruins found in the British countryside, as well as impressive cathedral architecture. These subjects suited the tastes of Victorian society, which sought solace within the countryside, away from over-crowded and unhealthy urban centres. Seeking Solace presents this theme in the first solo exhibition of Bedford’s work since the 1860s, introducing this photographer to a North American audience.
The exhibition is accompanied by an illustrated publication. Both the exhibition and the publication were researched and produced by second-year, graduate students in the Photographic Preservation and Collections Management, Master of Arts programme, Ryerson University, under the direction of Professor David Harris. Over the course of a twelve-week term, the students learn about the researching and curating exhibitions and producing an accompanying publication, from inception to realization. The Howard and Carole Tanenbaum Family Charitable Foundation and the Ryerson Image Centre have generously supported the project. The exhibition will be on view at the I.M.A Gallery, located at 80 Spadina Avenue, from April 4th–28th. An opening reception will be held on April 5th from 6–9 pm.
I.M.A Gallery, 80 Spadina Avenue Suite 305, Toronto ON, Canada
www.imagallery.ca
April 4th-28th, 2012, W-S: 12-5 pm.
Opening Reception: April 5th, 6-9 pm.
Image: Francis Bedford
Miner’s Bridge at Betws-y-Coed, North Wales
1859 (negative exposed)
Mounted albumen silver print
Image: Francis Bedford
Swallow Falls at Betws-y-Coed, North Wales
1859–1864 (negative exposed)
Unmounted albumen silver print
Image: Francis Bedford
Choir Arcade at Tintern Abbey, South Wales
1858 (negative exposed)
Mounted albumen silver print
Image: Francis Bedford
The Sphinx and The Great Pyramid, Gizeh [now Giza]
March 4-5, 1862 (negative exposed)
Mounted albumen silver print