Information and discussion on all aspects of British photographic history
Information and discussion on all aspects of British photographic history ranging from exhibitions and museum news, publications, and jobs
Started by Sarah Wheeler on Wednesday.
Started by Anthony Jones Mar 11.
Started by David Barker Mar 6.
Started by Stephen Michael Barnett Mar 4.
Welcome to the British photographic history blog which was launched at the start of 2009. There are now almost 3200 members, in addition to many other regular readers. They range from museum and gallery curators, photographic academics, students, collectors, dealers and representatives from the photographic press from around the world. The blog provides a forum for news of events and happenings within the British photographic history community. This can include lectures or meetings, exhibition news, jobs and general news affecting collections of photographic material or individuals within the field. BPH will also include relevant book and website reviews from time to time. While the focus is on Britain it may, on occasion, include material that is of wider interest from Europe, the United States and Asia.
Dr Michael Pritchard
PS. Thanks to George Eastman House (now George Eastman Museum) and History Today magazine blogs for recommending British Photographic History as one of their own favourite blogs. The Daily Telegraph made BPH one of its photography websites of the week.
A collection of Victorian stereoviews of Clifton Suspension Bridge and other significant bridges from across the globe are being conserved and digitised thanks to support from The Murless Fund (SANHS) and the Aurelius Charitable Trust.
In 2018 the archives of Adrian Andrews - an expert in the history of engineering and of the Clifton Suspension Bridge…Continue
Posted by Michael Pritchard on March 18, 2019 at 21:27
Posted by Pogus Caesar on March 11, 2019 at 10:30
Because of the facial expressions of some soldiers photographed by Roger Fenton in 1855 during the Crimean War, it was suggested by Richard Pare in the 2004 book All the Mighty World that they may have been suffering from what we now call shell-shock. Pare drew particular attention to Fenton’s portrait of Captain Lord Balgonie (see below). In the…Continue
Posted by David Robert Jones on March 11, 2019 at 9:30
I have recently published an open access journal article in Image & Text 32 (2018) on Minna Keene FRPS, drawing from my research into her Life and Career in South Africa between 1903 and 1913. The article can be downloaded…Continue
Stephen Bulger Gallery is presenting Two Generations of Photography, its first exhibition of work by Minna Keene FRPS (b.Arolsen, Germany, 1861; d.Oakville, Canada, 1943) and Violet Keene Perinchief (b.Bath, UK, 1893; d.Oakville, Canada, 1987)
This exhibition brings together two generations of work by famed photographers from the early 20th…Continue
Posted by Michael Pritchard on March 10, 2019 at 15:30
38 photographs taken by renowned Liverpool photographer, Edward Chambré Hardman in and around his Rodney Street home and studio are to go on display for the first time, four years after they were discovered by chance in the photographer’s darkroom.
The photos were developed from 23 rolls of film, found in the darkroom of the former…Continue
Posted by Michael Pritchard on March 10, 2019 at 15:08
I am researching the life and work of my great great grandfather George Willis who was a photographer and early experimenter in photographic processes in Scarborough, Yorkshire. His sons carried on the business after his death in 1890 and unfortunately went bankrupt in 1900. Consequently, nothing from his career was passed down through the family.
I started collecting his photographs in 2007 and now have a good collection of CDVs, Stereoviews , cabinet cards and larger format…Continue
Posted by Jan Dick on March 9, 2019 at 8:00
A blog posting by Weitian Liu, an Enlight Foundation scholar, pursuing an MPhil in History of Photography, describes the acquisition of some 900 negatives by James Pugh, AIBP. ARPS. between 1967 and 1972 which have been added to the St Andrews University Special Collection.
The negatives were bought at a car boot sale by the donor and mostly…Continue