Group (2)

12201218690?profile=originalThis presentation addresses Cally Blackman's book (due early 2024) which will examine fashion between 1907-1930 through the medium of the autochrome as a robust register of colour. A technological advance, the autochrome links photography with fashion, often upheld as a metaphor for modernity, and both were integral in mediating the influence of colour on commerce and consumer culture at this period.

Cally Blackman is a fashion historian with over twenty years experience of teaching and writing, having published several books on the subject: 100 Years of Fashion Illustration 2007, 100 Years of Menswear 2009, 100 Years of Fashion 2012, A Portrait of Fashion 2015 and Fashion Central 2019. She has been researching the representation of fashion and clothing through autochromes for much of this time, its importance to the field being that this process affords a unique and robust register of colour during the period it was in use that is more reliable than other types of visual media, including printed material and even painting, and therefore is extremely useful as evidence of the colour of clothes in high fashion and the everyday dress of ordinary people. She has given several presentations on this topic at international conferences, including: in 2014 Mode et Guerre Europe 1914-18: fashion, dress and society during World War 1 at L'Institute Francais de la Mode, Paris; in 2015 Fashion at 84th Anglo-American Conference of Historians, Institute of Historical Research, University of London; in 2018 Der Wereld in Kleur: kleurenfotographie voor 1918, Allard Pierson Museum Amsterdam; in 2021 Colour Fever, V&A, London.

Her forthcoming book is the first to use the autochrome as a medium for viewing the history of fashion and will include approx. 350 examples of autochromes and complimentary images, and 40,000 words of text and captions. The autochromes, some of which have not been published before, have been sourced from museum, archive and private collections all over the world. In addition, Cally is acting as co-curator and consultant on a forthcoming exhibition, Les Couleurs de la Mode, at the Palais Galliera, Paris, of autochromes from the Salon du Gout Francais archive from June 2023-March 2024.

Illuminating Fashion: the colour of clothes in Autochromes 1907-1930
Tuesday, March 21, 2023 4:00 pm to 5:30 pm CET (1500-1630 UTC)
Presenter: Cally Blackman (Senior Lecturer, Central Saint Martins, UAL, London)

To attend the talk & have access to the reading material (see below), please the join by clicking here: https://www.chstm.org/content/color-photography-19th-century-and-early-20th-century-sciences-technologies-empires
Part of the talks at the CHSTM working group: "Color Photography in the 19th Century and Early 20th Century: Sciences, Technologies, Empires"

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12201208868?profile=originalDr Hanin Hannouch & Janine Freeston, have created a working group on color photography circa 1900, hosted by the Consortium of Science, Technology & Medicine. "The purpose of this working group is to propel a rising field of research; color photography in the 19th and early 20th century in order to reconfigure, expand, and problematize its role in the history of the discipline and in the historical contexts out of which it emerged." 

So far, 100 people have joined the group and so can you by clicking on this link!

Membership is free, easy, and it will give you access to a vivacious Resource section with free articles, videos, & our ever-growing multi-lingual bibliography on turn-of-the-century color photography.

The December 20, 4 PM UK time session will feature a presentation by Janine Freeston about "Women Making Color Photographs"

Abstract: Who are the women who produced color photographs? How did they contribute to the nascent trichromatic color photography processes at the turn of the last century? Are there more of them languishing in archives who have yet to be fully appreciated and how scholars uncover it? As the history of photography continues to evolve in its appreciation of women photographers, the substantial significance that women contributors made to color photography requires consolidation, such as Angelina Acland, Agnes Warburg, Violet Blaiklock, Marjory T. Hardcastle and Olive Edis to name a few. This talk highlights women working on unresolved color processes that demanded more technical, scientific and methodological prowess than that required from their counterparts working in monochrome. For example, some processes lacked chromatic fidelity, and yet a cohort of experimenting highly skilled photographers, a significant number of whom were women, persevered to offer numerous nuanced improvements that had evolved through their practical experiences or supplied work that supported the commercial potential that color photography presented.
I hope to appeal to members of this working group to interrogate their own resources and work together in amassing geographical, technical and biographical findings from the locations they are familiar with to provide a cogent and geographically balanced historical perspective highlighting the means and methods of contributions made by women beyond the exhibition of images. 

Also, on the menu, right after Janine is my short talk "Who is Gabriel Lippmann?"

Known for being a scientist and professor at La Sorbonne, color photographer, winner of the 1908 Nobel prize for physics, Lippmann's position in the history of (color) photography and that of his process "interferential color photography" can be described as awkward, at best. Why is that and who is he? Tune in to find out!

We will also be looking back at the wonderful speakers our working group has featured so far & revealing next year's schedule! 

Hanin

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