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Exhibition: Living Dangerously opened

'Living Dangerously' - The Terence Spencer Photographic Exhibition is the first such show at the newly launched £10m Shrewsbury Museum & Art Gallery in the heart of the town's historic centre. The Museum is based in the former Music Hall which was the town's principal entertainment venue from 1840 to 2009 and saw many musical acts including The Beatles in 1962/3. Now the Fab Four are back with some beautiful images taken by Terence Spencer when he followed the band around for four months in 1963.

Terence Spencer's work covers wars in Vietnam and the Congo, personalities such as Princess Grace, filmstars like Ava Gardner, John Mills, Richard Chamberlain, Rex Harrison and politicians such as Edward Heath, Tony Benn and Margaret Thatcher.

Terry's photos are supplemented by those of other rock photographers such as Jill Furmanovsky which have been kindly loaned by Rockarchive and feature Oasis, John Lennon and Yoko Ono, Paul McCartney and George Martin, Pink Floyd, David Bowie, Jimi Hedrix and Amy Winehouse.

The Exhibition was launched on Friday 18th July by his daughter Cara who lives near Shrewsbury and is the custodian of her late father's extensive archive. Photos are licensed via Camera Press and more information about the archive can be found at http://terencespencerphotoarchive.net

The exhibition is in the main gallery on the first floor which has large windows giving excellent views of The Square and the 1596 Old Market Hall, now a cinema and cafe bar.

The Museum & Art Gallery is in the heart of Shrewsbury's medieval town centre and tells the history of the town from its Roman origins at Wroxeter through The Industrial Revoloution to modern manufacturing.

Admission to the whole Museum & Art Gallery including the Exhibition costs £4 for adults and £2 for children.

www.shrewsburymuseum.org.uk

 

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In the context of the North East Photography Network's forthcoming festival ‘The Social: Encountering Photography’, Inheritance Projects will convene a symposium attending to the cultural legacy of the British photography practices, organisations and collectives who aligned themselves with left political movements throughout the 1960s, 70s and 80s.

The event responds to the issues that Terry Dennett and Jo Spence characterised in their 1986 account of the Photography Workshop:

"One of the ironies of the Left and women’s movement must surely be this: that groups which are set up and do innovative work usually split into differing political segments; these segments then go on and found new dynasties, or just fade away. In time, the original differences, cracks, fissures and explosions come to be neatly laundered over, erased from the memory of those involved because they are too painful, not fully known to those who came later because ‘nobody told us about it’ and, finally, mythologised through the accounts of others writing about them from the outside."

The event will bring together various researchers who are attempting to do photo-history ‘from the outside’ in order to share methodological approaches with a focus on the histories of regional as well as London based practices.

8 November 2013, 1.30 - 5pm

Northern Gallery for Contemporary Art

£10/5 Booking essential

Participants include Louise Shelley, Participatory Projects Co-ordinator at The Showroom, Noni Stacey, PhD candiate at London College of Communication and Dr. Matthew Hearn, Independent Curator and Researcher.

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I want to share with all network members this important initiative from the Kunsthistorisches Institut in Florenz – Max-Planck-Institut (apologies for cross-posting):"The Kunsthistorisches Institut in Florenz – Max-Planck-Institut wishes to generate a greater understanding of the inescapable value of photographs and analogue archives for the future of studies in historic, human and social sciences. Only integration between the analogue format and the digital format can guarantee the correct conservation of the photographic heritage for future studies and at the same time the implementation of digital instruments. Representatives of both the photographic collections and academic research are therefore called on to support and respect the following recommendations."Everyone who has not yet read and signed this declaration is encouraged to do so by visiting:http://www.khi.fi.it/en/photothek/initiativen/index.html
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