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12201068494?profile=originalL. Parker Stephenson Photographs will present a selection of British Photography at Classic Photographs Los Angeles, featuring gallery artists John Davies and Sirkka-Liisa Konttinen, and work by Paul Hill, Chris Killip, and Marketa Luskacova.

In addition the Gallery will show work by Kikuji Kawada, Malick Sidibe, Jacques Sonck, and Witho Worms.

For additional information or to request images, please contact the Gallery at +1 212 517-8700 or by email at info@lparkerstephenson.nyc 

12201069296?profile=originalSirkka-Liisa Konttinen, Kids with Collected Junk, Near Byker Bridge, Byker, 1971

12201069487?profile=originalJohn Davies, Stalybridge, Cheshire, 1983

12201069697?profile=originalMarketa Luskova, On the Promenade, 1978

Classic Photographs Los Angeles will be held at

BERGAMOT STATION | 2525 MICHIGAN AVE. | SANTA MONICA, CA 90404

Admission is Free.

Hours are:

Friday February 2 (Opening Preview) 6-8pm

 Saturday February 3 11am-7pm

Sunday February 4, 11am-5pm.

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12200984464?profile=originalI recently acquired an amazing group of circa 40 glass stereoviews depicting prison life in the penitentiary of Clermont [Clermont-Ferrand, I believe) in the Auvergne in France. In addition to life in prison, they depict exhibits at the Exposition  Penitentiaire. Although I can not find any reference to where and when this exposition was organised, I assume it formed part of the Exposition Universelle of Paris in 1889. However, in my opinion, the most interesting images are those dedicated to prison life. Although clearly staged, they provide a fascinating glimpse into a Dickensian world. Among others there are scenes of the prison courtroom, washerwomen, young boys fencing, the kitchens, and many, many others. I suspect the images were made on order of a ministry or other government body to show how modern,humane and efficient the new prison (or workhouse) functioned. Anyway, I am fascinated by these views and am trying to find out more about them. Perhaps there is anyone out there who can tell me more ?! 

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In the context of the North East Photography Network's forthcoming festival ‘The Social: Encountering Photography’, Inheritance Projects will convene a symposium attending to the cultural legacy of the British photography practices, organisations and collectives who aligned themselves with left political movements throughout the 1960s, 70s and 80s.

The event responds to the issues that Terry Dennett and Jo Spence characterised in their 1986 account of the Photography Workshop:

"One of the ironies of the Left and women’s movement must surely be this: that groups which are set up and do innovative work usually split into differing political segments; these segments then go on and found new dynasties, or just fade away. In time, the original differences, cracks, fissures and explosions come to be neatly laundered over, erased from the memory of those involved because they are too painful, not fully known to those who came later because ‘nobody told us about it’ and, finally, mythologised through the accounts of others writing about them from the outside."

The event will bring together various researchers who are attempting to do photo-history ‘from the outside’ in order to share methodological approaches with a focus on the histories of regional as well as London based practices.

8 November 2013, 1.30 - 5pm

Northern Gallery for Contemporary Art

£10/5 Booking essential

Participants include Louise Shelley, Participatory Projects Co-ordinator at The Showroom, Noni Stacey, PhD candiate at London College of Communication and Dr. Matthew Hearn, Independent Curator and Researcher.

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