bradford (6)

Jo Quinton Tulloch interviewed

31084542500?profile=RESIZE_400xJo Quinton Tulloch, direrctor of the National Science and Media Museum, has been interviewed by Museums Journal. In it she talks about her own career path - she moved to Bradford on a two-year secondment in 2012 - the impact of Bradford's 2025 Year of Culture and the evolution of the museum during her tenure. Of particular interest she says: 

Plans to redevelop its Kodak Gallery are already afoot, as many of its photography collections have been moved to the Sound and Vision galleries.  

“Our previous model was photography on display in one gallery, television in another and film and animation in another,” says Quinton Tulloch. “With Sound and Vision, we’ve brought them all together to draw more and better connections between the disciplines over two floors. 

“Photography and television have fundamentally changed because of new technology, but you can’t even begin to try to tackle current developments in a permanent gallery. For me, this museum would now benefit from a space that explores the impact of digital technologies. How do you do that? I don’t know yet.” 

The interview is free to read: https://www.museumsassociation.org/museums-journal/people/2026/02/profile-technology-can-isolate-people-a-museum-is-the-antidote-to-that/

Image: Jo Quinton Tulloch at the re-opening of the NSMM in January 2025. © Michael Pritchard

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Bradford's Impressions Gallery has posted a notice on its website announcing that it 'is now closed to visitors as we prepare to leave Centenary Square when our lease ends in March. We are relocating to another city-centre venue while we work towards developing a new permanent home in Bradford. Following an incredible year, we are busy working behind the scenes and will be announcing our plans and programme for 2026 soon.'

BPH understands that more information will be made available as soon as some minor details around its new home are resolved.  

Join Impressions' mailing list on its website or follow it on Instagram @ImpGalleryPhoto Look out for updates there and on BPH shortly.

31083581888?profile=RESIZE_400xBPH adds historical background to Impressions Gallery and its long standing Director Anne McNeill below: 

Impressions Gallery, was founded in York in 1972 by Val Williams and Andrew Sproxton, just a year after London's Photographers' Gallery. It was one of Europe's first specialist photography galleries and started in a room above a shop at 39a Shambles. It moved to York's Colliergate in 1976 where it remained until 1992 then moving to the city's Castlegate. Anne McNeill took over as director in 2000. At the invitation of Bradford City Council the Gallery moved from York to the city opening in August 2007 as part of a strategic decision to align with Bradford's urban regeneration, and proximity to the National Media Museum. It shared a a new purpose-built space - the first purpose built public funded photography gallery in the UK - with Bradford 1 Gallery in Centenary Square. With the later move of Bradford's library into the same building it lost part of its space. The musuem, now the National Science and Media Museum, has housed Impressions Gallery's archive since 2013.

At the time of its tenth anniversary in Bradford the Gallery claimed visitors of 55,000. In 2024 the Gallery reported attracting15,500 annual visits which it expected to double to more than 36,000 by the end of 2025 during Bradford's year as City of Culture. In the year to 31 March 2025 it recorded 27,338 gallery visitors and reached over one million through its outdoor, digital and touring programmes. For many years it has had a significant programme of touring exhibitions and close links to the United Kingdom's regional photography galleries. and the tours reached 28,111 in the year to 31 March 2025. It is an Arts Council England National Portfolio Organisation receiving £206,000 in 2024/25.

Impressions director Anne McNeill has played a central role in British photography as a curator, editor and writer in a career spanning nearly four decades. She began in the darkrooms at Camerawork in 1984, became founding Director of Photoworks in 1995, and was the Artistic Director of Photo 98, the UK Year of Photography. Since 2000, Anne has directed Impressions Gallery, a charity that helps people understand the world through photography and acts as an agent for change. She received the 2022 Royal Photographic Society Curatorship Award.

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The UK Department of Culture, Media and Sport has published museum visitor numbers to September 2025. This set is of particular interest as it includes the period when the museum had fully open with its Sound and Vision galleries from July 2025. The graph below shows the equivalent period (July-September) from 2019 and includes the covid lockdowns and period when the museum was closed for refurbishment.  

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13672433693?profile=RESIZE_400xBBC Radio 4's Front Row arts programme carried an interview with Bradford's National Science and Media Museum's director Jo Quinton-Tulloch about the new galleries. The interview was conducted by Nick Ahad, a colleague of fellow presenter Samira Ahmed who had acted as MC for the re-opening event at the start of July. 

Listen to the interview on the Front Row podcast here: https://www.bbc.co.uk/sounds/play/m002gfxp (from 23m 14s)

Right: Jo Quinton-Tulloch at the opening of the NSMM.

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The National Science and Media Museum will open its much-anticipated permanent Sound and Vision galleries to the public on Thursday 10 July. This marks the culmination of a £6.8 million transformation of the museum, the new galleries span two floors of the museum, showcasing world-class collections of photography, film, television, animation, gaming and sound technologies in new and innovative ways. The museum review here partially re-opened in January. 

Thanks to a transformational gift from The National Lottery Heritage Fund – made possible by money raised by National Lottery players, the new galleries feature over 500 exhibits, a new art commission and a range of interactive displays. Designed by award-winning AOC architecture and futureproofing the museum for years to come, the galleries have been years in the making. Their opening marks the completion of the Sound and Vision project, exploring globally significant stories of technological innovation and social change.  

Consultation and collaboration with key audiences and community groups has been at the centre of the creation of the new galleries, ensuring the stories told resonate with as broad an audience as possible. Underpinning the galleries has been a vibrant set of activities, supporting greater access, representation and volunteering opportunities, focused on enabling more people to engage with the museum and its collections.  

Throughout the project, the museum has engaged and consulted with community leaders, access groups, young people and schools including SHINE West Bowling, Morley Street Resource Centre, and Bradford Deaf Centre, among many others. Volunteers have also played an integral role in the project's development, with volunteers contributing over 1900 hours of time to consultations and engagement activities.

13649270888?profile=RESIZE_400xThe Sound and Vision galleries have been shaped by the voices of people from Bradford and beyond. Through extensive collaboration, local communities have helped to influence not only which stories are told in the new galleries, but how. The museum’s Youth Forum and Access Panel played a key role in shaping the space, offering fresh perspectives and encouraging the museum to think differently about how to present star objects and stories from their collections to make them accessible and engaging to all.    

Partners such as Allstar and BCB Radio have brought vital local perspectives to the galleries, reflecting the creativity and diversity of Bradford’s cultural scene whilst creating narratives that are relatable to people both from the district and those visiting. Individual contributors such as Paul Seal, a disabled gamer whose gaming setup enables him to continue to play through adapted technology, also shared personal insights that bring depth and authenticity to the galleries, highlighting how innovation in media technology can empower individuals. Collaboration with the Marshall Factory, a renowned name in sound technology, further added industry insight and national perspective to the galleries. Together, these contributions have helped make the galleries more inclusive, and representative of both local communities and wider society.  

Marking a new era and launching during a momentous year for Bradford, these object rich and interactive gallery spaces confirm the museum’s position as a national museum rooted in its community. As well as spotlighting hundreds of previously unseen exhibits, visitors who know the venue well will sense echoes of the museum’s past, with a Dalek greeting them on Level 5, a delightful new exhibit on loan from Aardman animation studios, and charming film footage of the museum’s now retired magic flying carpet, which was once a firm favourite with visitors, captured by the legendary Bradford Movie Makers.  

Jo Quinton-Tulloch, Director of the National Science and Media Museum commented: “We are thrilled to be launching our new permanent Sound and Vision galleries this month. They have been a true labour of love and collaboration, and they showcase our incredible collections in new and innovative ways. Our collections and the rich narratives they tell touch upon all our lives, from the first photographic negative and film footage to the advent of radio and television, and the power of sound technologies to bring us together. Our Sound and Vision galleries showcase how everyday objects have the power to be extraordinary.    

We have worked closely with a huge range of people to develop the galleries, ensuring these spaces work for everyone and that our visitors feel represented in the stories we tell. Consultation with our local communities has been central in the development of Sound and Vision and it feels especially significant to launch the galleries during Bradford’s year as UK City of Culture. We hope the galleries will be a key focal point in our city’s momentous year and for a long time to come.  And we are incredibly grateful to the National Lottery Heritage Fund and the support of National Lottery players for making Sound and Vision possible. We can’t wait to welcome visitors to explore our new galleries soon.”  

Helen Featherstone, Director, England, North at The National Lottery Heritage Fund added:  “The Sound and Vision galleries at the National Science and Media Museum are a cultural gem for the city, telling the story behind the photographic, film and sound technologies that have played such a big role in our lives. We’re incredibly proud to have funded these wonderful galleries thanks to National Lottery players."

Look out for more details and pictures shortly

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12228637463?profile=RESIZE_400xThe National Science and Media Museum, Bradford, has acquired a large collection of magic lantern slides, formerly part of the lending library of the Riley Brothers of Bradford. The slides were formerly owned by John Jones, a collector and historian of the magic lantern who died in 2010. 

The collection features images of local people and cityscapes from the late 19th and early 20th centuries, telling a rich visual story of Bradford’s heritage. Comprising of 182 magic lantern sets with over 2600 individual slides, the images were produced by posing models, either volunteers or the photographer’s family and friends, alongside props or in real-life landscapes to tell a visual story.  

The images show locations from around Bradford including the former banking hall on Hustlergate. Some of exterior images are difficult to identify, and members of the public are encouraged to get in touch with the museum if they recognise any locations.  

The Riley Brothers established their own magic lantern business in Bradford on Godwin Street, selling slides and equipment while manufacturing their own magic lanterns.     

12228638093?profile=RESIZE_400xThe newly acquired collection is now being documented, photographed, treated, rehoused, and stored by the museum to add to its extensive collection of magic lanterns and magic lantern slides. The museum also holds the vast Kodak Collection, that includes the Riley ‘Kineoptoscope’ projector which converted magic lanterns into motion picture projectors, bringing movies to the theatres of Bradford.  

Commenting on the new acquisition, Vanessa Torres, Conservator at the National Science and Media Museum said: “Our collections are constantly growing, and new acquisitions can take on many different shapes and sizes. When we acquired this large collection of magic lantern slides, it was a truly a cross-department effort to document, conserve, and digitise the objects to ensure that these fascinating images can be accessed and enjoyed by everyone.”  

To learn more about the process of bringing the new acquisition into the museum’s collection, visit: https://blog.scienceandmediamuseum.org.uk/magic-lantern-slides-collection/  

 

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