film (3)

31133083481?profile=RESIZE_400xThe BT Group Archives (BTGA) and University College London (UCL) are pleased to announce the availability of a fully funded doctoral studentship from 1st October 2026 under the AHRC’s Collaborative Doctoral Partnerships (CDP) scheme. The student will critically investigate, develop and make use of new research methods, based on advances in machine learning and knowledge organisation, for exploring the significant moving image collection at BT Group Archives. This project will be jointly supervised by James Elder and Elspeth Millar (BTGA), and Professor Andrew Flinn and Dr Daniel Wilson, in the Department of Information Studies (DIS) at UCL. The student will be expected to spend time at both BT Group and UCL, as well as becoming part of the wider cohort of CDP-funded students across the UK.

Project Overview

BT Group Archives is engaged in a decade-long effort to digitise eighty years of moving image material held on vulnerable film and videotape formats. ‘Lossless’ digital copies are being created, linked to metadata, and made available. This throws up timely questions in relation to knowledge organisation and access that this PhD project will address in theory and practice.

The collection begins in the 1930s with the work of the GPO Film Unit (part of the UNESCO Memory of the World register) and continues without interruption to the present. The overriding theme of the collection is the transformation of communications and the creation of an ‘Information Society’, as recorded in the archive of this unique organisation, whose development charts key changes in twentieth-century British history. As the Post Office and then British Telecom, this changed from being a Government Department to a nationalised industry and then a private company. The archive therefore records the activities of a very significant organisation: employer of thousands, providing communications services to millions of customers.

Despite the collection being an important historical source, it would be prohibitively labour-intensive to make it available to potential users by cataloguing and organising it manually. Recent developments in audio recognition and computer vision, could potentially help create new catalogue metadata automatically, which could be structured and linked in flexible ways. The student will explore and develop the potential of these new methods, and themselves conduct a substantive piece of research showcasing new insights into the collection and new forms of enquiry more generally.

Outcomes of the doctoral project could include: comprehensive new metadata for the moving image collection; publishable code and documentation and a substantive research paper. The student may also develop workshops and teaching material to widen engagement with this new material, as well as a proof-of-concept – practical and theoretical – for the creation of re-usable methods for BTGA as well as other archives facing similar challenges. Such methods should aim to aid discoverability while addressing the complex challenges facing the uses of ‘AI’ in the sector as a whole. The written component of the thesis will be adjusted to reflect these other forms of output.

Moving the Frame: New Computational Practices for the Description and Organisation of the BT Film Collection
AHRC Collaborative Doctoral Partnership (CDP) Studentship
Closes: 24 April 2026
Details: https://www.ucl.ac.uk/arts-humanities/news/ahrc-collaborative-doctoral-partnership-cdp-studentship-0

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12201041298?profile=originalArtist Lala Meredith Vula will speak about her exhibition Flowers of Earth and Blood and about her journey in photography documenting important political and social events. The audience are invited to view the exhibition in the Alison Richard Building before the symposium begins.

Symposium Chair: Mette Elstriup- Sanggiovani, Department of POLIS
Discussant: Nora V Weller, ARTUM
Speakers: Lala Meredith-Vula is an artist working mainly in photography and film. She is a Reader in Art and Photography at De Montfort University. She was born in Sarajevo, 1966, to an Albanian father and English mother. She came to Britain in the 1970s. She studied Fine Art at Goldsmiths’ College, London University (1985/88) and MA at Pristina University, Kosova (1988/90).  Her first show was in Damien Hirst’s landmark exhibition “Freeze”, London (1988) that is famous for launching the YBA Young British Artists. She has represented Albania in the Venice Biennale, (1999 and 2007).  She has exhibited nationally and internationally with many solo shows including at the Photographers’ Gallery, London, Germany throughout Italy and Albania. She has also exhibited in many group shows in the UK, USA, China, though out Europe. She was nominated for the Deutsche Börse Foundation Photography Prize 2016 for her solo show “Blood Memory” at the National Art Gallery of Kosova. For more information visitwww.lalameredithvula.com

Dr Kelley Wilder is Director of the Photographic History Research Centre, De Montfort University, Leicester, UK. She is the co-author with Gregg Mitman of Documenting the World: Film, Photography and the Scientific Record (Chicago, 2016) and author of Photography and Science (Reaktion, 2009). In her work she  considers the photographic practices of Nineteenth-century scientists and artists like William Henry Fox Talbot, Sir John Herschel, Henri Becquerel and others. New projects include work on Photographic catalogues and archives, and Nineteenth and Twentieth-century material cultures of photographic industry and image making.

Professor Gregg Mitman is the Vilas Research and William Coleman Professor of History of Science, Medical History, and Environmental Studies at the University of Wisconsin-Madison. He is an award-winning author, filmmaker, and teacher, whose interests span the history of science, medicine, and the environment in the United States and the world, and reflect a commitment to environmental and social justice. Mitman is the founding director of the Nelson Institute’s Center for Culture, History and Environment, and is also curator of the UW-Madison’s popular environmental film festival, Tales from Planet Earth. He is currently at work on a multimedia project—a film, book, and public history website—that explores the history and legacy of a 1926 Harvard medical expedition to Liberia and the environmental and social consequences that follow in the expedition’s wake.He recently co-produced and co-directed with Sarita Siegel, In the Shadow of Ebola, a short film available online on PBS/Independent Lens that offers an intimate portrait of a family and a nation torn apart by the Ebola outbreak in West Africa.

POLITICS THROUGH THE ARCHIVES OF PHOTOGRAPHY, FILM AND ART

SATURDAY 22 OCTOBER 2016, 2.00 – 3.00 PM

ROOM S1, ALISON RICHARD BUILDING, 7 WEST ROAD, CAMBRIDGE
FOLLOWED BY A DRINKS RECEPTION IN THE ATRIUM

Supported by the Cambridge University Festival of Ideas, the Department of Politics and International Studies andARTUMRegistration is recommended.

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Happy Birthday William Friese-Greene!

12201015294?profile=originalAs part of the Brighton programme in this year's Scalarama Film Festival The Luxbry celebrates the 160th birthday of William Friese-Greene, photographer and experimental film maker, with a screening of the Boulting brothers’ romanticised biopic of the obsessive inventor. The film, featuring a star-studded cast, was made for the 1951 Festival of Britain based on the biography by Ray Allister, and presents Friese-Greene (Robert Donat) on his quest to create moving pictures. This screening takes place in Middle Street, where Friese-Greene had his workshop for a brief period during his years living and working in Brighton as a photographer and inventor.

The Luxbry: Don't Dream It - Screen It! Pop Up film events and cinema history tours hosted by Alexia, The Usherette of Brighton.

Full Scalarama programme

Click here to book tickets

 

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