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13570283866?profile=RESIZE_400xThis special issue of PhotoResearcher aims to inspire scholars, curators, and artists to reflect on photography festivals in an academic context and to investigate them as a phenomenon; a particular mode of presentation, circulation, and production of images.

Although photography festivals are not yet an established field of research in the history or theory of photography, readers of PhotoResearcher No. 43 will encounter a combination of international voices positioning festivals in a variety of socio-cultural settings: As engines of collaboration with local museums, as contributors to the visibility of the climate crisis, as engines of artistic production, etc. The inspiration behind this publication stems from the desire to honour the legacy of Belfast Photo Festival, which was founded back in 2009, and to take stock of how it changed the ecosystem which gave rise to it. Also, this collaborative publication expands BPF’s experiences through the journal’s authors and their unique perspectives in order to learn from them and to keep this unique form of experiencing photography alive and thriving.

PhotoResearcher No. 43
"Photography & Festivals: 15 Years Belfast Photo Festival"
Guest-editor: Michael Weir, CEO Belfast Photo Festival

Editor-in-chief: Dr. Hanin Hannouch, President of the European Society for the History of Photography 
Graphic Design: Bernhard Schorner
Image Editing: Robert Vanis

The journal’s editorial is open-access and can be downloaded here.

To order this special issue of PhotoResearcher: 
UK Residents order here or you can also visit Belfast Photo Festival's Photobook library in Botanic Gardens, Belfast from 5-30th June to buy a copy.
EU + Rest of the World Residents order here

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Hannah Crowdy
New Resonances in Museum Collections: The Ulster Museum and Belfast Photo Festival

Vivienne Gamble
Vital Exchanges and Encounters: Photography Festivals and the City

Michael Weir in Conversation with Pål Otnes
Elective Affinities

Mafalda Ruão & Krzysztof Candrowicz
A Photography Festival Cosmology: On Social and Environmental Responsibility and Visual Activism

Toby Smith
Festivals as Climate Protest: An Opportunity?

Tom Seymour
The Future of Photography Festivals: A British-Irish Perspective

Founder Michael Weir in Conversation with Sebah Chaudhry
Looking Forward and Looking Back: 15 Years of Belfast Photo Festival

Louise Fedotov-Clements
Afterword

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Join us for a two-day conference exploring how British imperialism mobilised light as a metaphor for enlightenment and control while casting the colonial night as a space of otherness, fear, and disorder. Grounded in visual culture and supported by intersecting representational forms that inform and extend its visual regimes, this event examines how depictions of night shaped and legitimised imperial narratives, and how these narratives were, and continue to be, challenged through decolonial or counter-visual practices.
 
The event will take place in person; however, remote participation may be arranged for attendees based outside the UK or those with exceptional circumstances that prevent in-person attendance. If you wish to attend online, please contact Dr Manila Castoro at mcastoro@brookes.ac.uk.

 

Thursday, June 26 and Friday, June 27  
School of Arts - Oxford Brookes University - Oxford/Online
To register and view the schedule, see https://www.eventbrite.co.uk/e/light-and-darkness-imaging-the-night-in-the-british-empire-tickets-1389662470859?aff=oddtdtcreator
Every effort has been made to offer the conference without any registration fee.

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