For more information, please contact Garance Chabert : chabert.sfp@free.frÉditorial/EditorialPolitique des imagesBernd STIEGLER- Quand une vue d’arbres est presque un crime. Rodtchenko, Vertov, Kalatozov- When a Photograph of Trees Is Almost like a Crime: Rodchenko, Vertov, KalatozovIllustration photographiqueThierry GERVAIS- De part et d’autre de la « garde-barrière.» Les errances techniques dans l’usage de la photogaphie au sein du journal L’Illustration (1880-1900)- On Either Side of the ‘Gatekeeper’: Technical Experimentation with Photography at L’Illustration (1880–1900)Didier AUBERT- Politique du documentaire. Photographier “l’autre moitié” pour Vanity Fair et le Parti démocrate- The Politics of the Documentary: Photographing ‘the Other Half’ for Vanity Fair and the Democratic PartyPortfolioOlivier MENANTEAU, Media AlertLes conditions de l’histoireMatthew S. WITKOVSKY- Circa 1930. Histoire de l’art et nouvelle photographie- Circa 1930: Art History and the New PhotographySophie HACKETT- Beaumont Newhall, le commissaire et la machine. Exposer la photographie au MoMA en 1937- Beaumont Newhall and a Machine: Exhibiting Photography at the Museum of Modern Art in 1937Reconnaissance artistiqueMichel POIVERT- Une photographie dégénérée ? Le pictorialisme français et l’esthétique des aberrations optiques- Degenerate Photography? French Pictorialism and the Aesthetics of Optical AberrationMarc LENOT- L’invention de Miroslav Tichý- The Invention of Miroslav TichýNotes de lecture/ReviewsRésumés/Summaries
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An influential figure in the study of photographic history during the late 1960s and 1970s Bill Jay died on 10 May 2009. Jay originally worked in Britain before moving to the United States in the mid-1970s. He was a regular writer on photographic history and was responsible for bringing to a wider audience a number of important early photographers including Sir Benjamin Stone, Frances Frith and Paul Martin.
Born in Maidenhead in 1940 Jay received a grammar school education and spent two years at the Berkshire College of Art. He joined a consumer photographic magazine and worked for a number of others before becoming the first Editor/Director of Creative Camera and Album magazines. The latter achieved an international reputation as one of the best photographic magazines then available. During this time, he earned a living as a picture editor of a large circulation news/feature magazine and as the European manager of an international picture agency. Jay was the first Director of Photography at the Institute of Contemporary Arts and gave over 400 lectures to art schools, camera clubs, universities and wrote hundreds of articles for his own and other photographic journals as part of a one-man crusade to, in his own words, 'instill some life into the British photographic community'.
In his own view his crusade met with a limited response and in 1972 he left Britain to study photography at the University of New Mexico with Beaumont Newhall and Van Deren Coke. He was awarded a MA in 1974 and a MFA in 1976 - his dissertation topic was on the nineteenth century British photographic Francis Bedford. In 1974 he founded the program of photographic studies at Arizona State University, where he taught history and criticism classes for twenty-five years becoming Professor of Art History. For four years he was a Board member of the Society for Photographic Education.
Bill Jay published over 400 articles and was the author of more than twenty books on the history and criticsm of photography and he also contributed essays to monographs by well-known photographers, such as Jerry Uelsmann, Bill Brandt, Michael Kenna, and Bruce Barnbaum.
His own photographs were widely published and exhibited, including a one-person show at the San Francisco Museum of Modern Art. His previous monograph, Photographers Photographed, included a selection of the thousands of portraits he has taken of prominent individuals if the medium of photography, a database of which is located at the Center of Creative Photography, which also houses his research archives.
After retiring from Arizona State University in the late-1990s Jay moved from Mesa, Arizona to Mission Beach near San Diego and very recently to his adopted hometown of Samara on the Nicoya Peninsula in Costa Rica. His legacy is his extensive writings and his archive which is housed at the Center for Creative Photography and consists of 177 linear feet of 'papers, writings, research files, teaching materials, audiovisual and photographic materials, books, periodicals, and computerized database of photographer and educator Bill Jay.'
Some of the information for this obituary appeared on Bill Jays own website. Additional recent biographical information can be found here.
Some of his publications include:Views on Nudes.
Focal Press Ltd., London, 1972. A history of the nude as a subject for photographers, from 1840-1970. Second edition: 1980.
Customs and Faces: Sir Benjamin Stone 1818-1914.
Academy, Editions, London; St. Martin's Press, New York, 1972.
Victorian Cameraman: Francis Frith's Views of Rural England 1850-1898.
David and Charles, Devon, England, 1973.
Victorian Candid Camera: Paul Martin 1864-1944.
David and Charles, Devon, England, 1973.
Essays and Photographs: Robert Demachy 1859-1936.
Academy Editions, London: St. Martin's Press, New York, 1974.
Models, Messages, Manipulations.
Unique, handmade book of words and pictures. Acquired by Art Museum, University of New Mexico for permanent collection, 1976.
Negative/ Positive: A Philosophy of Photography.
Klendall/Hunt Publishing Company, Second edition: 1982. Reprinted 1989 for Montana State University.
Light Verse on Victorian Photography.
Limner Press, Arizona, 1981. Anthology of poetry from the 19th century press. Limited Edition: 500 copies, numbered and signed.
Route 60 (with James Hajicek).
Limited edition, hand-printed, leather bound livre-de-luxe, containing tipped-in original photographs. Friends of Photography at ASU, 1981, through private donation.
Series of essays in British Journal of Photography, later collated into Cyanide and Spirits.
1980s.
Photographers Photographed. A selection of my personal portraits in monograph form.
Peregrine Smith, Utah, 1983.
Bernard Shaw: On Photography (with Margaret Moore).
The first comprehensive collection of critical essays and images by Shaw. Peregrine Smith, Utah, 1989.
Occam's Razor: an Outside-In View of Contemporary Photography. Anthology of essays on 20th century issues.
Nazraeli Press, Munich, Germany, 1992.
The Photographers: Volume 1. Portfolio of photographic portraits and written profiles. Images printed in collotype by James Hajicek.
Limited edition, numbered and signed. Nazraeli Press, Munich, Germany, 1992.
U.S. Photo Guide (with Aimee Linhoff). Resource index to over 2,000 institutions, workshops, museums, galleries, periodicals, individuals etc. in academic/fine-art photography.
Nazraeli Press, Munich, Germany,1993.
Some Rollicking Bull: Light Verse, and worse, on Victorian photography. Anthology of ballads, sonnets, odes and songs as well as humorous, strange and odd items from the pages of 19 century photographic periodicals.
Nazraeli Press, Munich, Germany,1994.
On Being a Photographer: A Practical Guide [with David Hurn - Magnum Photos].
LensWork Publishing, 1997. And subsequent editions.
On Looking at Photographs: A Practical Guide [with David Hurn - Magnum Photos].
LensWork Publishing, 2000.
Cyanide and Spirits: an Inside-Out View of Early Photography. Anthology of essays on 19th century issues. Nazraeli Press, Munich, Germany, 1991.
61 Pimlico: the Secret Journal of Henry Hayler.
Nazraeli Press, Munich, Germany, 1998. Movie option rights acquired by Coppos Films, Los Angeles.
Sun in the Blood of the Cat. An anthology of essays on 19th and 20th century photography.
Nazraeli Press, 2001.
Bill Brandt -One Picture Book No. 9. Limited edition,
Nazraeli Press, 2002.
Men Like Me. Portraits of homeless men in a small California seaside town.
Nazraeli Press, 2005.
Snapshots. Photographs of amateur photographers with their cameras at picture places in Britain, Europe, USA and other sites.
Bill Jay's Album, Volume1. A collection of portraits of photographers, with extended commentaries, reminiscences...
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Broadcast Now reports that Outright Distribution has sold the critically acclaimed BBC2 documentary series Genius of Photography to National Geographic Channels International (NGCI). Produced by Wall to Wall Television, the series offered a comprehensive history of photography and was originally produced for BBC2 and BBC4. NGCI will air the 6 x 60-minute series in Asia, Australia, New Zealand and the Middle East. In addition, Genius of Photography has been sold to Histoire in France and Viasat in Scandinavia and Central and Eastern Europe.
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Award winning, visionary and truly unique, the National Media Museum embraces photography, film, television, radio and the web. Part of the NMSI family of museums, we aim to engage, inspire and educate through comprehensive collections, innovative education programmes and a powerful yet sensitive approach to contemporary issues.
You’ll support museum activities by providing a range of audio-visual and broadcasting services. This includes producing educational multimedia content in a range of formats, as well as filming and editing events for broadcast and distribution. Needless to say, you will be involved at every stage of media production, from concept and shooting to editing and mastering. You’ll also provide technical support and advice to colleagues throughout the NMSI and ensure the Television department is up-to-date with the latest technologies, such as live streaming and online video archiving. This is a great opportunity to produce brand-new multimedia content in a highly creative environment, while also working with landmark TV and film footage.
Contract Type: Permanent 35 hours per week. Salary: £23,500.00 per annum
To join us, you’ll need a good track record in location video and audio recording, extensive knowledge of linear and non-linear audio and video editing and experience of recording, lighting and live production in a TV studio environment. You should also have experience of the software used in live or post-production, such as Final Cut Pro, Discreet Combustion, 3D-Studio, Adobe Encore, Adobe Photoshop and Microsoft Powerpoint, supported by knowledge of a number of historic and current media formats, particularly 1” C-Format, 1/4” audio tape, Laserdisc, Umantic, D-2 & 3, Betacam SP, DV, DVD, DAT, Minidisc, MPEG-1/2 and various streaming formats. At the same time, you will need the capability to maintain existing hardware and develop new systems.
We regret that we can only respond to successful applicants. No agencies please.
We are an equal opportunities employer
Closing Date: 26th May 2009 Interviews: 4th June 2009
To apply, please write with full CV and covering letter to: The HR Department, National Media Museum, Bradford BD1 1NQ or email: recruitment@nationalmediamuseum.org.uk
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Christie's London is seeking a junior specialist/sale administrator for it's Photographs Department based at King Street. Te successful applicant will:
Handle all Estimate Requests, as well as Catalogue Production and Administration for 2 King St sales a year. Support HOD, Yuka Yamaji, on all aspects of the business and work closely with PA/Admin Support to maintain efficient day-to-day operation of Department.
Key Responsibilities/Tasks (Duties include but are not limited to the following):
• Contribute to Department’s turnover and profitability by demonstrating sound business judgement in all aspects of the business; Provide exceptional client service
• As primary liaison for Department, forge strong relationships with internal resources, including Porters, Art Transport, VAT, Vendors, Cashiers, Credit Control, Photo Studio & Client Services
• Maintain and build professional relationships with external resources, including Framers, Conservators, Scholars & Galleries; Promote efficient use of external network
Consignment Gathering/Winning Business
• Client communication – dealing with in-coming enquiries including new consignments, updating vendors and informing clients of forthcoming sales/events
• Review, priorities & research Estimate Requests; Suggest estimates to HOD to ensure timely response
• Execute regular ‘Sale Runner’ and Hilling sessions with HOD; Coordinate conservation
• Oversee ‘Town Visit’ e-gathering process & action ‘Chase’ phone calls to win pending business
Catalogue Production – Meet Image & Text Deadlines
• Catalogue & Condition Report the sale; Identify Chart of Art data & ARR lots
• Handle Catalogue Photography & Colour Correcting
• Research Provenance, Rarity, Literature Reference, Exhibit History, Bios & Figs
• Prepare Sale Binder (complete manuscripts & thumbnails) for HOD
Selling the Sale – Pre-Sale Prep to Post-Sale Wrap Up
• Sell the sale by executing ‘Highlights CD’ & ‘Targeted Emails’; Manage Sale Preview
• Work closely with Marketing on presale promotion & Viewing signage
• Pre-Sale Prep (Matting/Framing & Lotting Up) to Post-Sale Wrap Up
Sale Administration
• Pre-sale: create/manage consignment paperwork/client correspondence and departmental files; ensure estimates and reserves agreed prior to each sale; props-list, lotting-up sale; oversee the arrival and transfer of sale property, including pre-receipting
• Post-sale: financial reports (ie pre-settlement report); sold since sales; transfers to other sites and returns; assist clients with shipping/export licenses; make sure all unsold lots are re-offered for sale or collected
• Keep the sale ‘Sale Runner’ up to date at all times for reporting to Business Manager
• Set up and follow up of sale debriefs for effective client management
• Manage physical property locations and property system records for sale consignments, BI lots, uncollected property, property under evaluation, and transfer of consignments to other sale sites, including tracking and entry of correct VAT status
Skills/Competencies Required:
• BA and/or MA in Art History or History of Photography
• Minimum of one years academic or practical experience in History of Photography
• Work experience in commercial art environment
• Excellent communication, interpersonal and organisational skills
• Proficiency in Microsoft Word, Outlook, PowerPoint and Excel
• Knowledge of a foreign language preferred
Apply on line here.
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In November 2000 Christopher Penn discovered an old letter crumpled up behind the top drawer of his late father’s writing bureau. It led to the discovery of a family – his own – of which he had been unaware and knowledge of his great-grandfather Albert Thomas Watson Penn, who was one of the pioneering photographers of South India. A T W Penn left home in England before he was twelve and had started work as a photographer in the hill station of Ootacamund in the Nilgiri Hills by 1865, the year in which he turned sixteen. His work is now held in all the major collections of nineteenth century photography.
Research for the book made use of newspapers of the time, held on microfilm in the British Library, church records and the photographs taken by A.T.W. Penn to piece together the details of his life and that of his family. The Public Records Office in Kew provided vital information on the tragic life of the author’s grandfather who, having won the Distinguished Conduct Medal for valour at the battle of Omdurman, riding in the same squadron as Lt. Winston Churchill, and won a fortune eleven years later in the Calcutta Derby Sweepstake, died a pauper and in disgrace.
Profits from the sale of this book will go entirely to three charities in South India in equal parts: The Nilgiri Documentation Centre (an offshoot of the Save the Nilgiris Campaign), The Dohnavur Foundation and The Edhkwehlynawd Botanical Refuge, which is concerned with protection and preservation of the fauna and flora of the Nilgiris and care for the Toda, an aboriginal tribe.
In Pursuit of the Past
ISBN: 978-0-955945502
Price £14:50 plus £2:50 p&p (£7:50 p&p overseas)
Available from the author and publisher: C.F.Penn, Pendle, Burdenshot Hill, Worplesdon, Surrey, GU3 3RL.
Tel/Fax: 44 (0) 1483 235 609
Email: christopherpenn@btinternet.com
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Open Eye Gallery, the north west’s only photography gallery, is preparing to move to brand new premises in the heart of Liverpool’s waterfront after receiving a £100,000 award through Arts Council England and the National Lottery.
The new premises on Mann Island will be constructed to allow Open Eye Gallery the opportunity to offer new gallery and education spaces, as well as giving the public access to the gallery’s extensive print collection. Open Eye Gallery is one of the UK’s leading photography galleries and is regularly funded by Arts Council England.
Sarah Fisher, Head of Visual Art says: 'Liverpool has an exceptional offer for those interested in exhibitions, with Open Eye providing an insightful photography programme. The Gallery's move to Mann Island will mean they finally have the exhibition space to match their international ambitions.'
Patrick Henry, Chief Executive of Open Eye Gallery, says: ‘The National Lottery award takes us a step closer to our new home at the heart of the Liverpool waterfront. A larger, more flexible space - twice the size of our current premises - will help us to build up our artistic and engagement programmes, reach more people and raise our ambition all-round. This is great news for Open Eye Gallery, for Liverpool and for photography in the UK.’
The North West’s only gallery to focus exclusively on photography, Open Eye was established in 1977.
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Following the recent award of £11,750 to acquire works by Daniel Meadows and Homer Sykes, Birmingham Central Library has been awarded a further £6000 by The Art Fund, the UK’s leading independent art charity, to purchase 12 prints Anna Fox, one of the UK’s leading photographers. Work of all three photographers was included in the Legacy section of the recent exhibtion Knight of the Camera: The Photographs of Sir Benjamin Stone (2007)The works to be acquired come from the series Back to the Village (1999-2008). This is an ongoing photography project observing the uniquely English rituals that take place in the picturesque villages of Hampshire. Anna Fox says:“I first came to see the Benjamin Stone Collection in the late 1990s when I was researching a lecture on the archive for the Royal College of Art. I knew about the collection as I had seen a few prints in an early edition of Creative Camera and a number of photographers had mentioned how much the work had influenced them in the late 70s. I was astounded by the volume of work in the archive and completely fascinated by the photographs of customs and fairs, which was a subject close to my heart having grown up in rural Hampshire. The Benjamin Stone photographs also amazed me because I realised how timeless they were - people dressing up could almost belong to any time. Although I find most of the photographs interesting my favourites have always been the Sherbourne Pageant, something in the subjects’ poses lends a sense of humour or irony to this image that is unforgettable.”The Library has an immense archive of photographs by Stone which were gifted to Birmingham Free Libraries after his death in 1914. It now forms the cornerstone of the Library’s collection which was awarded Designated status in 2006 by the Museums, Libraries and Archives Council.The work acquired by these three key photographers will be the subject of an exhibition at Birmingham Museum and Art Gallery in 2010.
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The V&A will unveil a new display of works from its permanent collection of photographs in the Photography Gallery on 30 April. The re-hang will show 60 works including 20 new acquisitions of contemporary photography by artists such as Philip-Lorca diCorcia, Jeremy Deller and Alan Kane.
A section of the new display will look at the first ever exhibiton of photographs held in a museum, which took place in 1858 at the then South Kensington Museum (now known as the V&A). On show will be the earliest known photograph of a photography exhibition next to three works that can be seen in the 1858 picture. There will also be a selection of photographs that were either included in the 1858 exhibtion or are variations of works that were. The works will be hung in a tightly packed arrangement to evoke the style of a 19th century installation.
The rest of the gallery will tell the story of modern and contemporary photography from 1900 to today and will include works by well-known photographers such as Edward Steichen, Alfred Stieglitz, Cecil Beaton, Robert Frank and Diane Arbus. These will appear alongside new acquisitions by internationally recognised artists such as Thomas Ruff, Wang Qingsong, Philip-Lorca diCorcia, Jeremy Deller and Alan Kane and young British photographers like Sarah Pickering.
The V&A began acquiring photographs in 1852 and is now the home of the national collection of the art of photography. The collection is one of the largest and most important in the world and is international in scope, ranging from the beginnings of photography to the present day. The current Photography Gallery opened in 2003 and is re-hung annually.
To celebrate the re-hang, the V&A is dedicating a Friday Late event to photography. Taking place on 29 May 2009, Friday Late: Flash! will include talks by photographers such as Jem Southam and Sarah Pickering and behind-the-scenes tours of the V&A’s photography collection. Portrait studios for visitors to have their picture taken have been specially commissioned for the event.
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The Projection Box has announced details of it's 2009-2010 Essay Awards which carry a first prize of £250 and publication of the winning essay in the journal Early Popular Visual Culture. The award, now in its third year, aims to encourage new research and thinking into any historical, artistic or technical aspect of popular optical media, including: photography, early cinema, panoramas and dioramas, the magic lantern, shadow theatre and optical toys, and to promote engaging, accessible, and imaginative work. Essays of 5000-8000 words should not have been previously published and may be co-authored. They should be submitted in English.
The deadline for entries of 30 January 2010 and full details and application form can be found here: www.pbawards.co.uk.
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The Magic Lantern Society has launched The Illustrated Bamforth Slide Catalogue a searchable DVD and accompanying booklet which records and illustrates the lantern slide sets of the Bamforth company. James Bamforth and Company was the leading producer of Life Model lantern slide set between 1890 and the early 1900s and the DVD describes 1400 slides listing around 20,000 individual slides of which 4003 are illustrated. The DVD includes reproductions of Bamforth catalogues and slide readings and the booklet gives a wider contextual history of the company and its output.
James Bamforth estanlished his Holmforth photographic studio in 1870 producing portraits and began the production of magic lantern slides in the early 1880s by the late 1890s production had grown to an industrial scale. The firm also co-operated with the Bradford-based Riley Brothers company and after 1902 published an extensive series of postcards. An office was established in New York. The firm also produced cinematograph films. After 1915 the company concentrated on postcard production and in 1918 the film business mnoved to London. The firm ceased to operated in 1993.
The DVD has been produced in an edition of 350 and may be obtained from the Magic Lantern Society via its website or through the honorary secretary: Mike Smith, The Magic Lantern Society, South Park, Galphay Road, Kirkby Malzeard, Ripon, North Yorkshire, HG4 3RX. It costs £25.
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The Rothshild Autochromes celebrate the earliest form of colour photography and a new exhibition at Exbury give - some for the first time - a glimpse into the bygone Edwardian era. Lionel de Rothschild was an early exponent of the art of the autochrome, his attention and eye to detail clearly evident in his photographs. Lionel was later to purchase the Exbury Estate in 1919, channelling his energies away from photography and into the development of his lasting legacy - the establishment of the world-famous rhododendron gardens.
The exhibition helps celebrate the 90th anniversary of Lionel purchasing the Exbury Estate, and is staged in conjunction with The Rothschild Archives. An article by Victor Gray of the Rothschild Archive is available here.
The exhibition is on from 1 May-27 September. Admission is included within the entry price to the Gardens. More details are available here.
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The National Media Museum in Bradford is advertising for a Collections Access Assistant to work on the Zoltan Glass Collection at a salary of £13,343pa. The job description reads:
Award winning, visionary and truly unique, The National Media Museum embraces photography, film, television, radio and new media, including the web. Part of the NMSI family of museums, it aims to engage, inspire and educate through comprehensive collections, innovative education programmes and a powerful yet sensitive approach to contemporary issues.
Insight is the Collections and Research Centre of the National Media Museum.
Joining the Collections team, you will research, identify and repatriate archived material to facilitate and encourage public access. Specifically, your work will focus on the Zoltan Glass project.
Glass was a Hungarian photographer who specialised in documenting the pre-war German car industry and also undertook glamour and advertising photography. The Museum holds over 12,000 of his images of his, part of which are currently being catalogued, digitised and sequenced.
Desired Qualifications:
Demonstrable experience in collections care/management and access gained within a museum/heritage environment is essential. Keen to learn, you will be able to understand and engage with the Zoltan Glass project, as well as embracing the broader access and outreach philosophy of the Museum. An up-to-date knowledge of cataloguing and documentation best practice is also important - ideally supported by a natural, ongoing interest in photography and other media.
HOW TO APPLY:
For Job Description, call 01274 203386. The deadline for applications is 23 April 2009.
Please email your CV and covering letter, explaining clearly how you meet all of our stated requirements, to recruitment@nationalmediamuseum.org.uk .
Please quote ref CA/RS09
Alternatively, you can send your CV and covering letter to:
Rosie Smith
HR Advisor, ref. CA/RS09
Human Resources Department
National Media Museum
Bradford
BD1 1NQ
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The Beijing World Art Museum is hosting an exhibition of photographs of China taken by John Thomson from the archives of the Wellcome Institute in London... reports the Daily Telegraph newspaper. It will be shown in Liverpool early in 2010. Taken between 1870 and 1871 by the Scottish photographer John Thomson, the images reveal with often startling intimacy a cast of characters from orphans and street gamblers, to beautiful peasant girls and their high-born ladies.
Hailed as a pioneer of photojournalism, Thomson spent two years travelling more than 5,000 miles in pursuit of the images that historians say are unique in their empathy towards their subjects As well as shooting traditional, stiff-backed portraits of Manchu noblemen, Thomson plied the streets in search of scenes that would bring the exotic world of China to life for a curious public back in England.
"These pictures are fascinating because they reveal a world that most artists of that period ignored," said Betty Yao, who has organised the exhibition that opens in Beijing next week. "Most material from this late Qing era is stuffy, formal and posed, but Thomson's work is full of life."
What is doubly remarkable, added Mrs Yao, was that Thomson captured such intimate moments while using cumbersome equipment and glass-plate negatives that needed to be coated with emulsion before exposure.
"He was the original photojournalist, and he used incredible persistence and hard work to get precisely the pictures he wanted. He never gave up," she said.
Among the images that testify to that persistence is a rare picture of a woman's bare, bound foot. Thomson later admitted, in perhaps an early example of "chequebook journalism", that he had paid the woman "handsomely" to expose her withered foot.
In other pictures, Thomson captured the sorry inmates of a "foundling" hospital where orphaned children were offered for free to "respectable people", and a public street slide-show where the public could see images from exotic and faraway places often to gasps of amazement.
When he returned to London, Thomson used his pictures to illustrate talks and lectures of his own, which earned him the moniker "China" Thomson.
An early herald of globalisation, Thomson recognised that the days of China's isolation from the world were passing, observing that "through the agency of steam and telegraphy, [China] is being brought day by day into closer relationship with ourselves".
Shortly before he died in 1921, Thomson offered to sell his glass negatives to Henry Wellcome, the pharmacist-philanthropist and keen collector, and it is from the archives of the Wellcome Library in London that the images have been taken, many to be exhibited in public for the first time.
The full report can be found here.Read more…
Francis Hodgson, Sotheby's head of photographs in London has left the company. A company spokesperson was unable to explain the reasons for his departure but did confirm that the the auction scheduled for 19 May would go ahead with Jocelyn Phillips managing the sale. Hodgson's last sale, held in autumn 2008, had disappointing results, reflecting the global financial clash. Sotheby's also announced this week that they were further reducing lots below $5000 to continue focusing on the top end of the market.
Hodgson joined Sotheby's after a long involvement in photography. He worked as the manager of the print room at the Photographers’ Gallery in London and later founded and directed Zwemmer Fine Photographs, a gallery specialised in photography, and has worked with several other galleries.
Hodgson was also director of photography at Photonica, a major stock image library, where he was responsible for opening up the stock photography market to more artistic photography than had been considered possible. He was also at one time director of content at Eyestorm, the online art dealership. He has acted as representative and agent to photographers, and has been a writer and broadcaster on photography for many years.
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The National Media Museum is advertising for a web developer at a salary of £23,759.
Award winning, visionary and truly unique, the National Media Museum embraces photography, film, television, radio and the web. Part of the NMSI family of museums, with a world-leading online presence, we aim to engage, inspire and educate through comprehensive collections, innovative education programmes and a powerful yet sensitive approach to contemporary issues.
You’ll help us enhance our online presence by maintaining and developing the website. Working with designers, content specialists and stakeholders at all levels of the organisation, you will use your creativity, cultural vision and strong technical abilities to help us deliver a truly compelling user experience.
With a good track record of developing websites in a Microsoft environment, you will be at ease with object-oriented languages, content management systems, databases and XML technologies. You should also know how web technologies relate to design, content and information architecture. If you can combine this technical expertise with good communication, teamwork and organisational skills, you’ll have exactly what it takes to help us improve our online offering.
Contract Type: Fixed Term 2 years, full time (35 hours)
Closing Date: 23rd April 2009
To apply, please write with full CV and covering letter to: The HR Department, National Media Museum, Bradford BD1 1NQ or email: recruitment@nationalmediamuseum.org.uk
http://jobs.guardian.co.uk/job/845644/web-developer/?grse=grse_1&email=jobsbyemail&lijbeid=9866879Read more…
I am writing a short article on the darker side of photography in Oz during the 19C - very short as we were well behaved in the Colonies! Would anyone have a photo of a Stanhope I may use, with due acknowledgment?Many thanksJohn DaviesMaybe you could contact me off list atjdavies5@smartchat.net.au
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"My Photo" is much more interesting than my own mug. It's William West Kirkby, the first Anglican missionary to reach the Yukon Territory (in 1859). He was from Lincolnshire and studied at Oxford. In 1861 Kirkby and two Canadian Indian guides canoed down the Mackenzie River, north toward the Arctic Ocean, then up the Peel River to Fort McPherson, and finally west via the Porcupine River to the Hudson's Bay Company post at Fort Yukon. In 1861 Fort Yukon was in Russian America. In 1867 Alaska (Russian America) was sold to the United States and later Fort Yukon was determined to be in Alaska and the Hudson's Bay Company was asked to leave. This CDV of Kirkby in his arctic outfit is one of my prized cartes. To have a CDV of a man who was on the Yukon River in 1861 in Russian America is quite exciting. I collect early photography that pertains to Alaska, especially cartes de visite and stereoviews. Here is a link to the back of the Kirkby carte:http://homepage.mac.com/alaskana/AHBWP/WilliamWestKirkbyCDVback.jpgDick Wood, Juneau, Alaska.
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