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Award winning, visionary and truly unique, the National Media Museum embraces photography, film, television, radio and the web. Part of the NMSI family of museums, we aim to engage, inspire and educate through comprehensive collections, innovative education programmes and a powerful yet sensitive approach to contemporary issues.

Audience Researcher – Internet Gallery Project
Bradford
£17,500 - £18,500


It’s vital to the continued success of the organisation that our exhibitions, websites, programmes and products are appealing to as wide an audience as possible; and that our continued development is always done in an audience centred and customer focused way. This is why this role is vital, ensuring that through thorough research techniques, audience feedback and comprehensive reporting, we understand the direction we need to go, what we do right and possibly wrong. Reporting to the Senior Audience Researcher based at the Science Museum, we need a team player with proven research skills in data collection, analysis, interpretation, report creation and presentation. An appreciation of new media would be an advantage as would experience gained within an audience-focused and/or learning environment. The pace is fast. You need to be able to work independently, display excellent communication skills and have a passion for your subject. Overall, this is an exciting role for a talented research professional who wants to make a deep and lasting contribution to a very popular national ‘iconic’ visitor experience.

Required Skills:
For a full job description please email recruitment@nationalmediamuseum.org.uk
Application Instructions:
Interested? Please send your CV and covering letter to recruitment@nationalmediamuseum.org.uk clearly stating which role you wish to apply for.

Closing date 22nd September at noon

We welcome applications from all sections of the community in which we work. We particularly welcome applications from disabled people and we guarantee interviews to suitably qualified disabled applicants.

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NMeM may charge for entry

The Yorkshire Post reports that there is increasing speculation that the the National Media Museum may have to start charging admission. It reports that: The organisation which runs York's National Railway Museum and Bradford's National Media Museum is also "planning for a range of scenarios" and has refused to rule out changes to opening times as it waits to find out how badly the Department for Culture, Media and Sport (DCMS) budget is cut in the Comprehensive Spending Review.

Institutions categorised as national museums – which includes the National Coal Mining Museum, National Railway Museum, National Media Museum and the Royal Armouries in Yorkshire – offer free admission, and Ministers have been keen to insist that will continue.

They receive grants directly from Government but DCMS officials have written to them enquiring about the possible impact of funding cuts of 25 to 30 per cent.

The department itself is threatened with cuts of up to 40 per cent.

Read the full story here.

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The private personas, including an archive of public photos, of the Irish playwright George Bernard Shaw who died 60 years ago in November, has been put online.


Approx. two-thirds of the photographs were taken by the playwright responsible for Major Barbara, Arms and the Man and Pygmalion, himself and many feature prominent figures from the worlds of politics and literature as well as stage and screen. The collection includes portraits of HG Wells, JM Barrie and Lawrence of Arabia.


The London School of Economics (LSE), whom Shaw was the co-founder, and the National Trust, which owns much of the collection, have teamed up to create the online archive, though only a handful of images can be accessed at present.

In all, more than 20,000 photographs should be accessible when the project is completed in the summer of 2011.

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I am a photo-historian and librarian from Dublin, Ireland and my blog features ‘found’ photos from my own personal collection. They are mainly Irish and mostly amateur images – the type of vernacular photographs which seldom find their way into museum collections even though they are a rich visual resource. Most of these photographs were found in charity shops, skips or bought from online auctions and I am interested in the process whereby they have become separated from the families who once valued them. I have linked to publications, blogs or collections which illustrate similar material. - Orla Fitzpatrick.

http://www.jacolette.com/
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The session "Art Photography and Its Markets" will be held at the Annual Conference of the AAH at the University of Warwick, 31 March to 2 April. We invite you to read a complete description of the session topic at: http://www.aah.org.uk/page/3291

If you have any questions, contact Joanne Lukitsh at jlukitsh@massart.edu or Juliet Hacking at j.hacking@sothebysinstitute.com (there are errors in the email addresses given on the AAH website).

Proposals are due on 8 November.

See also http://www.aah.org.uk/media/docs/Code%20of%20Practice%20-%20sessions_AAH2011.pdf for the Conditions of Submission for Sessions and Papers.
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Camille Silvy Panel Discussion

The National Portrait Gallery has organized a panel discussion on Silvy. It is described in the Gallery's brochure of events around the Silvy exhibition (open until 24 October). However, the date was printed in error as 16 September: the correct date is Thursday 30 September at 19.00. I shall be discussing Silvy's work with the much admired London photographer Tessa Traeger, expert in the use of large format cameras in a 19th century daylight studio, and a frequent photographer of portrait and fashion, together with Patrick Kinmonth, opera director, art director and designer. Tessa and Patrick are brilliant interpreters of photographs and gave me significant insights as I wrote my book on Silvy. Tickets: £5/£4 concessions. Ondaatje Wing Theatre. Hope to see you there! - Mark Haworth-Booth
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Stringset Kodak Camera Survey

Dr. George Layne of Philadelphia is working on a book about the earliest cameras of George Eastman, the Stringset Kodaks. So far, he has over four hundred examples in his database, including the 47 in the collection of the National Media Museum in Bradford. He is looking for more. If you have one of these cameras, and you haven't already participated in this project, please contact Dr. Layne at GEORGELAYNE@AOL.COM.

The cameras of interest include the Original Kodak, the #1, #2, #3 and # 4 Kodaks, the #3 and #4 Kodak Juniors, the A, B and C Ordinary Kodaks and the A, B and C Daylight Kodak cameras.

Thank you.

Dr. George Layne - Philadelphia

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Book: Photography and Literature

Photography and Literature assess the complete history of photography, and Brunet begins by examining how the invention of photography was shaped by written culture, both scientific and literary. As well, Brunet looks at the creation of the photo-book, the frequent personal discovery of photography by writers, and how photography and literature eventually began to trade tools and merge formats to create a new photo-textual genre. Highly illustrated,Photography and Literature reflects a photographer’s point of view, giving new attention to such works as the groundbreaking exploration of photography in The Pencil of Nature by William Henry Fox Talbot and Sophie Calle’s projects with Jean Baudrillard and Paul Auster.


Essential for anyone interested in the intersection of the verbal and the visual,Photography and Literature provides a fascinating wealth of autobiography, manifesto, and fiction as well as a variety of images from the first daguerreotypes to the digital age.


Available through Amazon by clicking on the link on the right hand side to search for it.

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Unseen family archive from 1897 on auction

Not just any family photo, but believed to be the first known image of the future Stan Laurel acting. The photos are part of an unseen family archive of more than 50 photographs spanning the comic genius’s life, many never seen in public before.

The most remarkable is the set of seven taken in the backyard of the Jefferson family home in Dockwray Square, North Shields, North Tyneside, where Stan lived for four years. They show a performance of The Rivals of Dockwray Square, which was written by Stan himself.

The collection is to be sold in Newcastle by auctioneers Anderson and Garland, on September 7, and is expected to fetch between £10,000 and £15,000.

The full report can be found here, and the auction catalogue here.

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Rochester, NY– The world’s only continuous symposium on the history of photography PhotoHistory XV, will take place at George Eastman House in Rochester, New York on October 21-23, 2011. This date represents a new two-year interval between proceedings as requested by attendees, according to officials of The Photographic Historical Society who organize the event.

PhotoHistory XV will contain a full day of presentations on the history of photographic practice, aesthetics, collecting, technology and sociology followed by a next day of browsing at a photographic trade show which attracts dealers from North America and internationally. A call for papers will go out soon. Still and motion photography subjects are considered. For information contact: Martin L. Scott, General Chairman of PhotoHistory XV at: tphs@rochester.rr.com.

The most recent PhotoHistory XIV was held in October 2009 and was the last on the traditional three-year interval, which first began in 1970. The changed two –year frequency for the symposium was suggested and voted on by attendees at the 2009 event that drew more than 200 visitors from the Americas, Great Britain, Europe, Australia and Japan.

The symposium’s venue, George Eastman House International Museum of Photography and Film, combines the world’s leading collections of photography and film with the stately landmark Colonial Revival mansion that was George Eastman’s home from 1905 to 1932. The Museum is a National Historic Landmark. George Eastman, the founder of Eastman Kodak Company, is heralded as the father of modern photography and the inventor of motion picture film.

The formal call for papers abstracts of which are required by 31 December 2010 can be found be found by clicking here: Photohistorypapers.doc.

The Photographic Historical Society of Rochester, NY, is the first organized society devoted to photographic history and the preservation of photo antiques. Founded in 1966, it has a membership of about 120 individuals. For more information see the Society’s web site at http://www.tphs.org

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2012 Biennale of Sydney Fellowship

The Biennale of Sydney have created The Nick Waterlow OAM Curatorial
Fellowship, in conjunction with The Australia Council for the Arts. This
two year, full time fellowship will be awarded to a young curator who
will be mentored by the Artistic Director and will work with the BoS
team on the planning, administration, programming and delivery of the
2012 Biennale. The winner will be announced late in 2010, to coincide
with the appointment of the 2012 Artistic Director.

Full details for the Nick Waterlow OAM Fellowship, including the application process, deadlines and criteria will be released shortly, but background information can be found here.



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Give up?

Well, it was one of seven books donated by a gentleman at the Teignmouth branch of Oxfam, one day shortly before Christmas last year.

The book in question described the quest of two Victorian scientists in finding their long-lost brother in Fiji back in 1881. Entitled "A Trip To The Highlands of Viti Levu", this unique photo book consisted of 44 portraits ofFijians, and was written and self-published by Gerard Ansdell in 1882. According to the report "Ansdell and his brother, scientists and members of the Royal Society of London, had set out in 1881 in search of a lost brother, who they believed was working on a coffee plantation in Fiji. He was tracked down in Viti Levu, and Ansdell and his brother documented everything from their trip to create what was a vivid anthropological record of life on the South Pacific islands."

Valued by Oxfam's own team of specialist valuers at £2,000 to £3,000, this historical book stunned the charity and Bonhams, when it went for £37,000 in April this year - enough to buy 1,500 goats, feed 5,300 families or provide safe water for 41,000 people!
The most Oxfam had raised from a single book until now was £18,000 fora 17th century economic treatise in 2005, and for an early novel suppressed by Graham Greene.

Luke Batterham, a books specialist for Bonhams, said they were surprised by the "huge amount" the book made. But a multiple bidding war, including one bidder who was believed to have tracked the rare book since the only one came up in auction in Australia in 1977, helped propel it to an Oxfam record. "It falls into that category of if you don't buy it now you're unlikely to see another copy," said Batterham. "It was in exceptional condition. It's very rare in its own right and there were some very tenacious people with an anthropological interest in Fiji."


The rest of the story can be found here. Guess I'd better make my way to the nearest Oxfam now ....


Photo: A photograph from A Trip To The Highlands of Viti Levu, which was discovered in an Oxfam bookshop and has raised more than £37,000 at auction for the charity (Oxfam/Press Association).


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The international and regional photographic elite and enthusiasts alike will soon turn their gaze and cameras on Hong Kong as the first-ever large-scale photo festival in the city, The Hong Kong Photo Festival, organised by the Hong Kong Photographic Culture Association, takes its debut from Nov. 27 to Dec. 31.

There will be 3 major exhibitions on show; one of which will be the 'First Photographs ofHong Kong'. It will showcase over 100 photos in 19th century collected from prestigious museums in France, the United Kingdom, the United States and Ireland. The highlights will be the first published stereo photograph of Hong Kong landscape by P. Rossier and a series of exceptional panoramic views of Hong Kong and its harbor, including two beautiful ones dated March 1860 by the famous war photographer
F. Beato
.
Details of the exhibition will be published in the BPH Events section when available.

The other exhibition is "China in the Past 30Years" - a photographic essay accounting the transformation of China in the past three decades since its opening to the outside world.
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One of the most significant images of 20th-century Wales, 'Three Generations of Welsh Miners' (1950), by American photojournalist, Eugene Smith, has been bought by the Wales National Museum.

This legendary photograph (representing past, present and possible future), for which the museum paid around £5,700 for the print and an artist’s proof, from the Howard Greenberg Gallery in New York, will be on display at the Cardiff museum until October. The photo was hailed as portraying the realities of post-war Wales tothe rest of the world, and has become an iconic image of the 20th century.

One of the miners in the photograph, Vernon Harding, who was then 22years old and is now 82, has viewed the photograph at the museum. Professor Dai Smith, the Raymond Williams Chair in cultural history at Swansea University, talks about the image in his forthcoming book In the Frame: Wales 1910-2010.

Further details, including a video interview with Mr Harding, can be found here.
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The Scot who shot Abraham Lincoln .....

.... well, not literally. That was carried out by John Wilkes Booth.

Only 119 photos of Lincoln are know to exist today. Hence, top prices are paid for them. Out of this, only 24 feature Lincoln standing in full pose. But did you know that the majority of them will very likely be 'shot' by our very own Scottish photographer, Alexander Gardner!

Gardner (October 17, 1821 – December 10, 1882) was an apprentice silversmith jeweller in his early teens, and subsequently owner and editor of the Glasgow Sentinel newspaper. It was only by visiting the Great Exhibition in Hyde Park, London in 1851 that changed Gardner's life and sparked an interest in photography. There he saw the work of American photographer, Matthew Brady. He moved his entire family to the US in 1856, and even managed to get a job overseeing Brady's Washington DC's gallery until 1862. Talk about influencing one's life! They parted company as apparently Brady had a habit of attributing his employees' work as "Photographed by Brady".

During this time, Gardner steadily built his own reputation as a portrait photographer. Around the same period, Abraham Lincoln became President, while the threat of Civil War loomed. And so the story goes that this Scottish photographer was soon recommended to Lincoln for the position of chief photographer. In 1866, Gardner published a two-volume work, Gardner's Photographic Sketch Book of the Civil War. Each volume contained 50 hand-mounted original prints.

But did you know that it would be Gardner who took the last-ever portrait photographs of President Abraham Lincoln prior to his assassination four days later on Good Friday, April 14? And this Scotsman and his camera were present at Lincoln's funeral. He was also the only photographer allowed at the public hanging of the President's assassination conspirators. After 1871, Gardner gave up photography and helped to found an insurance company!

In this video, expert Daniel Weinberg of the Abraham Lincoln Bookshop, Inc, presents a short and fascinating documentary about Gardner and examines some of his most important photographic images.

Photos: Alexander Gardner (1821-1882); Gardner's cracked glass portrait of Abraham Lincoln, widely considered to be the last photograph taken of the president before his death; The execution of the Lincoln assassination conspirators, July 7, 1865.

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Muybridge Galore!

For all you Muybridge fans out there, there seems to be no shortage of events dedicated to this innovative and influential early pioneer of moving photography who hailed from Kingston-upon-Thames.

It kicks off with a 'Muybridge in Kingston Launch Day' which includes an evening lecture on his links to the history of the moving and projected image given by Muybridge expert, Stephen Herbert.

You can also partake in a series of events/talks over the coming weeks, not forgetting the not-to-be-missed Tate exhibition. Details of some of the events can be found in the BPH Events section or a more comprehensive one can be found here.

The Stanley Picker Gallery & Kingston University is working inpartnership with the Royal Borough of Kingston to develop research around their unique and extensive Eadweard Muybridge collection at KIngston Museum & Archive, details of which can be found here.


Photo: Copyright Kingston Museum and Heritage Services.
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Levine Photography Collection Premieres

Considered by many to be among the finest photography collections in private hands, The Noel and Harriette Levine Photography Collection, spanning over 170 years, is being presented in its first public display since it was gifted to the Israel Museum in 2008.

The Levines first embarked on the creation of what became one of theworld’s most significant photography collections in private hands nearly four decades ago. A Rare Gift pays tribute to their foresight, as they were among the few early collectors to recognize the promise of photography as a major art form.

Never before on view in its entirety outside the couple’s New York home,this extraordinary collection inaugurates the Robert and Rena (Fisch) Lewin Gallery and Mr. and Mrs. Henry R. Kravis Gallery in the upper level of the Museum’s reconfigured Edmond and Lily Safra Fine Arts Wing. Details of the exhibition can be found here.

The Levine Collection embraces the medium of photography as a whole, focusing broadly across periods, styles, and schools, from the 1840s through the present day. The collection includes notable examples of vintage 19th-century photography, among them: Iconic calotypes by the British practitioners David Octavius Hill and Robert Adamson, and signature examples of pictorialism by Julia Margaret Cameron.

A copy of the exhibition catalogue can be found here, and a sample of the exhibits can be seen here.

Photo: Portrait of an Unknown Man, 1898

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Writing elsewhere Marcel Safier describes a project which he and Stefan Hughes have joined forces on. The intention is to produce a biography of the neglected but important figure in photograpic history, inventor of the successful collodion photographic process Frederick Scott Archer.

Marcel states: "We became acquainted through our mutual friend, Archer enthusiast and contemporary wet plate practitioner Sean McKenna. Already fresh and interesting material has come to light and it is our intention to chronicle as much of Archer's life as possible and to examine his significance to photography and look in detail at his family and circle of friends."

Stefan has created a website to support the project: http://www.frederickscottarcher.com/

Marcel also appeals for more information: "Some of you may have valuable information you wish to share such as an image, correspondence, a newspaper or journal article or details on one of his friends and collaborators(such as Peter Wickens Fry, Warren De La Rue etc.) I know speaking to one friend on this list that he had actually contemplated writing a book himself on Archer. We certainly want to know if someone else is contemplating that task. There is a forum on our site but we welcome direct email contact. I shall be in touch directly over coming months with those people I know personally on the list that might be able to assist is. Anyone who has suggestions for grant funding or publication of our book is also welcome to make contact."

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